Red-Declaration-WEB-2020-ENTiTLED

Section
MP3/FLAC
Group
ENTiTLED
Size
89,39 MB
Files
14
Date
2020-04-13

NFO




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 █▓▀▀                       RELEASE INFORMATION for:                       ▀▀▓█
 ▓▒                    Red-Declaration-WEB-2020-ENTiTLED                     ▒▓
 ▒░                                                                          ░▒
 ░   artist........ | Red                                                     ░
     title......... | Declaration
     label......... | RED ENTERTAINMENT/The Fuel Music
     genre......... | Rock
     rip date...... | 2020-04-13
     retail date... | 2020-04-03
     runtime....... | 38:07
     tracks........ | 10
     size.......... | 89.2MB
     quality....... | 320kbps 44.1kHz
 ░   codec......... | MP3 (MPEG-2 Audio Layer III)                            ░
 ▒░  encoder....... | LAME                                                   ░▒
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 █   01 > All For You                                               < 03:06   █
 █   02 > Infidel                                                   < 04:03   █
 █   03 > Cauterize                                                 < 03:46   █
 █   04 > The War We Made                                           < 03:52   █
 █   05 > The Evening Hate                                          < 04:47   █
 █   06 > Float                                                     < 03:06   █
 █   07 > The Victim                                                < 03:00   █
 █   08 > Sever                                                     < 04:02   █
 █   09 > Only Fight                                                < 03:02   █
 █   10 > From the Ashes                                            < 05:23   █
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 █▓▀                        · ·< RELEASE NOTES >· ·                         ▀▓█
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 ░                                                                            ░


     Reaching. Yearning. Struggling. Wanting. Needing.The epic quest of
     finding one's identity might be one of the most universal themes found
     in the pursuit of art. The hopeless wandering replaced by the hope-
     filled breakthrough has been chronicled time and again in painting,
     sculpture, prose, poetry, film and, certainly, music.The men who make
     up the rock band RED have been through those trials themselves.
     They've taken those experiences to heart, mixed them with a plethora
     of influences - be they observations on art they admire, or
     communications with fans they adore - and now burst forth with a
     dynamic new set of songs geared toward finding who we truly are,
     inside and out.The time is now for Until We Have Faces."We had the
     title before anything else," says RED bassist Randy Armstrong. "And we
     didn't set out to make a concept record. But as I sat and listened
     back to the final record, it's amazing how much of the content, pretty
     much unintentionally, deals directly with the title of the record.
     From start to finish, it's about all the emotions people go through
     trying to find their identity."It takes some doing to meld divergent
     inspirational resources as author C.S. Lewis with the stylings of
     Sevendust and Slipknot. But that's exactly what RED has done with
     Until We Have Faces - merge those ideas that inspire with experiences
     that inform, and craft face-meltingly driving tracks as the end
     result.From the out-of-the gate relentlessness of "Feed The Machine"
     and "Faceless" through the roller coaster of emotion of the song cycle
     of "Let It Burn," "Buried Beneath" and "Not Alone," to the hope and
     comfort (even in the midst of mourning) of "Best Is Yet To Come" and
     "Hymn For The Missing," RED compels the listener to walk through the
     fire of confusion and pain to emerge confident and strong in their
     identities.Simultaneously, the members of RED - Randy Armstrong, bass;
     Anthony Armstrong, guitar; Michael Barnes, lead vocals and Joe Rickard
     (named one of 2010's up and coming drummers" by Modern Drummer
     magazine) on drums- have had to go through a season of rediscovering
     who they were as a band, with Rickard as the newest member, both a
     live force and contributor to the songwriting process for Until We
     Have Faces.The result of that introspection is a cleaner, more focused
     RED in the live space, and an injection of new energy in the writing
     and recording situation, as Rickard made his presence felt with
     authority. Many of the tracks on Until We Have Faces were based on his
     drum parts, with the rest of the band and production team (with
     producer Rob Graves again at the helm) building from them; something
     quite rare in the rock realm, and certainly a working departure for
     RED."Joe was writing an entire song the way he would hear it as a
     drummer; structure, pre-chorus, chorus, turnaround, everything,"
     Anthony says. "And I told him, 'If that's how you write, that's how I
     write. If you give me your drums, I'll write over it.'""There's a
     symmetry to everything now," Randy elaborates. "We've kinda settled
     into this as four guys with a very serious focus. We get on stage, and
     it just feels different. It's very clean and more intense. When we
     started out doing this, we were punk kids who just wanted to make
     noise," he continues. "Now we're really concentrated on being a great
     band."So while the ferocity of the musical attack has been amped up,
     so too the emotion and messages conveyed via the songs on Until We
     Have Faces. The job and passion of bringing those emotions to the
     surface falls to vocalist Barnes, a quiet and unassuming man offstage
     but an undeniable force on stage and in the vocal booth.He knows the
     goal: connecting those hard-earned fans with the stories being told
     through RED's music. "I like to think about our audience and what
     they're going to feel the first time they hear the record," Michael
     says. "What are some of the emotions that may impact them? I try to
     get that emotional feeling stirred up inside me."In the making of
     Until We Have Faces, Barnes was charged with quickly finding his place
     within these songs, as accelerated recording time frames meshed with
     playing packed shows didn't give the band and its oft-screaming
     vocalist a lot of down time."We had so little time to get ready,
     because we were all doing 10 different things at a time," Barnes says.
     "One of the things I did on this record was to try to push my voice to
     a whole other limit. It's a lot raspier, a lot more impactful style of
     singing.""I just remember showing up at the studio, watching Michael
     track," Randy says, "and on the last record, we did all the vocals
     first, and the screams dead last, because we knew if we did them at
     the same time, Rob wasn't going to get out of Michael what he needed.
     "But I'd show up some nights, and Michael would be in the midst of
     recording the entire song, and I told Rob a number of times that
     Michael sounded really strong. His stamina is there.""There's one song
     - 'From The Outside' - where the timbre of my voice makes it sound
     like I'm about to actually lose my voice," Barnes continues. "I did
     'Watch You Crawl' that night, and then I sang 'From The Outside.' We
     never would have done that in the past, but I think it really adds to
     the emotion of that song.""Part of me feels like this record would not
     have been captured the way it was if the timeline hadn't been as tight
     as it was," Anthony says. "I feel like the time pressures made us all
     step up to the plate like we never had; yet another way we had to find
     our identity through this project."Another crucial aspect of RED's
     overall identity is the band's relationship with its fans. Through
     feedback and support received with RED's first two Grammy nominated
     projects, End of Silence (6/6/06) and Innocence & Instinct (2/10/09),
     and the five-plus years of near-constant touring, the members knew
     they could reach out to the fan base for inspiration and direction for
     Until We Have Faces."When we first started writing songs for this
     record, we put a post on Facebook asking what our fans wanted to hear
     songs about," Randy says. "We got over 1,000 responses to that, and
     just to see what they wanted or were struggling with was
     incredible."It's part of that ongoing and ever-changing process of
     trying to find out who you are, as the circumstances and definitions
     of the world morph around you. And it's in that continuous examination
     that new answers can continue to be found, even for a band that's been
     asked the origin of its name a million times."People ask what the name
     RED means and where we came up with it; it's a power color, a very
     emotional thing," Barnes says. "And I think our music gets to the core
     of that. We're really trying to flesh out and draw out those emotions
     that may have been stagnant or just stirring up in people."The thing
     is, the members of RED really don't mind the questions. And they're
     inviting fans to help them find the answers. They know it's in the
     reaching, the yearning, the struggling, the wanting and the needing
     that new identity is formed, emerging forged and strong, powerful and
     loud.There's little need to wait Until We Have Faces. For that time is
     now.
     


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Files

PathSize
00-red-declaration-web-2020.jpg172,42 KB
00-red-declaration-web-2020.m3u312 B
00-red-declaration-web-2020.nfo22,78 KB
00-red-declaration-web-2020.sfv412 B
01-red-all_for_you-210a7965.mp37,31 MB
02-red-infidel-0e105140.mp39,47 MB
03-red-cauterize-9723d7a3.mp38,81 MB
04-red-the_war_we_made-be167f44.mp39,04 MB
05-red-the_evening_hate-5c95e477.mp311,15 MB
06-red-float-7bebe199.mp37,29 MB
07-red-the_victim-9629f5c2.mp37,06 MB
08-red-sever-2675d305.mp39,41 MB
09-red-only_fight-77ea364f.mp37,12 MB
10-red-from_the_ashes-60c52be3.mp312,52 MB