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█ Rachelle Garniez - Gone to Glory
█░
█▓ ------------------------------------------------------------------
│█▓
│██ Artist : Rachelle Garniez
██ Album : Gone to Glory
██ Year : 2020
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▓█ ------------------------------------------------------------------
│██
│██ Genre : Pop Quality : 700kbps avg/441kHz/2 channels
│██ Source : CD Size : 275.96Mb
│██ Encoder : FLAC 1.3.1 Language : English
:██ Cat. Nr : 161-033 Label : Storysound Records
│██
│█▓ ------------------------------------------------------------------
│██
│▓█ Release date: 2020-04-28 Retail date: 2020-03-13
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1. Killed By Death 4:34 ██
2. Raspberry Beret 4:43 ██
3. Scary Monsters (And Super Creeps) 4:13 ██
4. My Sister and I 4:30 ██
5. The Day Is Past and Gone 2:17 ██
6. Don't You Know 2:18 ██
7. Ruby (Don't Take Your Love to Town) 3:12 ██
8. 100 Days, 100 Nights 3:43 ██
9. Monsters of the ID 4:35 ██
10. Frank Mills 2:49 ██
11. How Glad I Am 3:14 ██
12. Day Dreaming 3:18 ██
13. Rhinestone Cowboy 3:20 ██
14. Anthem 5:03 ██
██
██
██
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Total Runtime: 51:49 █▓
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██ ░▄
██│ New York City based Rachelle Garniez has been much admired as a
██│ singer, songwriter, and instrumentalist. Her most recent recording,
██│ Gone to Glory, chronicles her interpretation of songs written or made
██│ famous by a variety of dearly beloved artists, all recently departed.
██│ The project began in 2016, a year which brought shocking and
██│ unexpected losses on many fronts. David Bowie, Prince, and Leonard
██│ Cohen had all died over the last twelve months, and there was,
██│ alongside that immeasurable cultural bereavement, a national political
██│ climate of unrest and seemingly irreconcilable division. The original
██│ Farewell Party concert was conceived and performed at Pangea, New York
██│ CItyÆs home to alternative cabaret performance. People were starved
██│ for the chance to mourn and celebrate, and the Farewell Party became
██│ an annual event. The resulting Gone to Glory collection is a covers
██│ album thatÆs also about recovering, an uplifting assertion that while
██│ death may wreck our world, we still survive to enjoy all thatÆs been
██│ bequeathed.
██│
██│ With the depth of her talent and the breadth of her interests,
██│ GarniezÆ vocal approach eloquently transfigures pop and rock, swing
██│ and soul - from the aforementioned Bowie, Prince, and Cohen, to Glen
██│ Campbell, LemmyÆs Mot÷rhead, Aretha Franklin, Nancy Wilson, Della
██│ Reese, Sharon Jones, Mose Allison, and big band singer Bea Wain. With
██│ her masterful fluidity in full effect, she embodies the characters and
██│ inhabits the worlds. Equally at home in the incarnations of an
██│ adolescent hippie chick, a deeply troubled Viet Nam War veteran, a
██│ young Dutch WWII refugee, a heartless hipster, and a whole slew of
██│ romantics, Garniez simultaneously loses herself and finds a way to
██│ make the songs her own.
██│
██│ The arrangements are built around the Farewell Party band - Garniez
██│ (piano, accordion, guitar) with Karen Waltuch (viola) and Derek
██│ Nievergelt (double bass). Frequently expanding from that core, thereÆs
██│ a rich orchestral palette, reflecting RachelleÆs myriad influences and
██│ inspirations. Horns, strings, and background chorus vocals, together
██│ with cameos by french horn, classical harp, and campfire harmonica,
██│ alternately evoke Klezmer and Cajun, doo wop, blues, and r ÆnÆ b,
██│ latin, jazz, and show. Five of the songs have instrumental
██│ introductions functioning as mini-memorials, referencing, among
██│ others, Glen Frey (guitar solo from ôHotel Californiaö), Carrie Fisher
██│ (Princess Leia theme), Debbie Reynolds (ôSinginÆ in the Rainö), and
██│ Bernardo Bertolucci (theme from Last Tango in Paris).
██│
██│ As to subject matter, the Gone to Glory songs range from the
██│ fantastically awful to the redeeming wonders of the everyday, tracing
██│ an emotionally affective arc from abject despair to accepting embrace.
██│ Death looms large, by turns comedic (ôKilled by Deathö), tragic (ôRuby
██│ (DonÆt Take Your Love to Town)ö), and documentary (ôThe Day Is Past
██│ and Goneö). Monsters are everywhere - specters of alienation (ôScary
██│ Monsters (And Super Creeps)ö), self-delusion (ôRhinestone Cowboyö),
██│ PTSD (ôMy Sister and Iö), and toxic patriotism (ôMonsters of the Idö).
██│ But love is offered up as countervailing, manifesting multiform, from
██│ hopeless (ô100 Days, 100 Nightsö) to romantic (ôDont You Knowö and
██│ ôHow Glad I AmÆ), from earthy (ôRaspberry Beretö) to paradisal (ôDay
██│ Dreamingö), from crushing innocence (ôFrank Millsö) to universal
██│ experience (ôAnthemö).
██│
██│ Regarding her singular style, The New Yorker has written, ôGarniez
██│ wanders through the genres of country, jazz and pop, leaving behind
██│ nothing but sweet wreckage.ö Indeed, with her latest album, Rachelle
██│ locates a certain saving sweetness among the ruins, gathering glory
██│ from the gone.
██
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│██│
██│ URL: http://storysoundrecords.com
██│
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