H A i L S A T A N !
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| \____// . \|___|/ . \|___| / . \ ____\\ |/ _____|
| ----/__________\ - /__________\ - |__/__________\ ---- \___________/mK^dS!
| .
| | Igorrr-Spirituality_And_Distortion-CD-FLAC-2020-CATARA
| - EST. 2o14 - | .....................................................
| ____.____ ____. _______. __________________________________________
| _\___|. /____._/ |__\__ |_) (_.
| \ | _ | __| | | STORE: 00-00-2020 RELEASE: 00-00-2020 |
| \ | / | __/| | | GENRE: Metal |
| \___|__/| | | | | | BiTRATE: 934 kbps Avg 44.1kHz 2 channels |
| | ----|___|___|--|_________|- ENCODER: FLAC v1.3.1 |
| | LABEL: Metal Blade Records |
| | LANGUAGE: English |
| | SiZE: 386.9MB |
| | FiLES: 14 Files |
| | URL: http://tinyurl.com/yaqejnw4 |
| `-----------------------------------------------------------------------'
| `--------------------------------------------------------------------
| | ___________.____ ____. ______. .__._. .____
| - TRACKS! - | \__ .__| _ |_.__\__ | \ _|_| | |_| _/_____
| .--------------------\ |\ _ |\ . |_.\ \_\ _ |_____ /-.
| | \ | \ | |_\ | | \ |\ | |_. |/ /__|
| | - ---\__|--\__|_____|\__|\_|--\___|-\_|_____|____//_/|
| | |
| | [ #] [.TRACK.TITLE]....................................[...TiME..]|
| | |
| | [01]...[.Downgrade Desert [.. 4:23..]|
| | [02]...[.Nervous Waltz [.. 3:23..]|
| | [03]...[.Very Noise [.. 1:47..]|
| | [04]...[.Hollow Tree [.. 3:06..]|
| | [05]...[.Camel Dancefloor [.. 3:13..]|
| | [06]...[.Parpaing (Ft. George 'Corpsegrinder' Fisher) [.. 3:36..]|
| | [07]...[.Musette Maximum [.. 2:18..]|
| | [08]...[.Himalaya Massive Ritual [.. 7:06..]|
| | [09]...[.Lost In Introspection [.. 4:56..]|
| | [10]...[.Overweight Poesy [.. 5:50..]|
| | [11]...[.Paranoid Bulldozer Italiano [.. 3:47..]|
| | [12]...[.Barocco Satani [.. 3:36..]|
| | [13]...[.Polyphonic Rust [.. 4:16..]|
| | [14]...[.Kung-Fu Chevre (Ft. Laurent Lunoir, Jasmina [.. 4:13..]|
| | [ ]...[.Barra & Pierre Lacasa) [.. ..]|
| | |
| | [55:30 min]|
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| /___________________________________________\ \
| -GROUP / RELEASE- |/____________________________________________\
| _____ -NOTES- | ______.
| __\___ \_._______._|________._\__. |____. ____________________
| \ | |\ . |\__ .__|\ | | ___|__._____) (_____.
| \ | | \ | | \ | \ ___|_____ | |
| - -\__| |--\____|----\__|-----\__|-\_______| |
| .|___|----------------------------------' |
| | |
| | With 2017's Savage Sinusoid, Igorrr more than proved to be a truly |
| | unique musical force - and 2020's Spirituality And Distortion |
| | cements that well-earned reputation. Slamming together disparate |
| | musical styles ranging from death and black metal to breakcore, |
| | Balkan, baroque and classical music in a manner that is as |
| | unconventional and unpredictable as it is thrilling, Igorrr are |
| | unlike any other act, and Spirituality And Distortion displays just |
| | as broad a range of emotions as sounds. "Getting stuck in only one |
| | emotion is very boring to me; life is a wide range of emotions - |
| | sometimes you're happy, sometimes you're sad, angry, pissed off, |
| | nostalgic or blown away," states mastermind Gautier Serre. "Life is |
| | not only one color. These 14 tracks are a journey through different |
| | states of mind I've been through." |
| | |
| | Admitting that upon starting work on the record he lacked |
| | confidence in realizing it - "I was not sure at all of what I was |
| | doing, where it was gonna lead, or if I would be able to make an |
| | album with it or not, I was just following my instinct and seeing |
| | where it might reach" - one influence pushed through and is a |
| | prominent part of Spirituality And Distortion: traditional eastern |
| | music. "No idea where it comes from, but the colors of those sounds |
| | inspired me a lot. It's something I've been extremely attracted to. |
| | Those sounds have a real deepness in the emotional range, and |
| | combined with heavy music, it's something which took me very deep |
| | into myself, and which pushed me into doing tracks like 'Downgrade |
| | Desert', 'Camel Dancefloor', 'Himalaya Massive Ritual' or |
| | 'Overweight Poesy'." At no stage was there any plan, embracing the |
| | freedom offered in the wake of achieving Savage Sinusoid and going |
| | wherever ideas took him, embracing a small army of specialist |
| | musicians to help him attain his vision. Importantly, like its |
| | predecessor, this is not a predominantly electronic record. "The |
| | organization part has been more complicated as we had to fly |
| | traditional instrumentalists to our studio, so, lots of planes, |
| | trains and cars were involved to make it happen, but all the |
| | acoustic instruments have been recorded traditionally, with no help |
| | of the computer." These included violinist Timba Harris, bassist |
| | Mike Leon, pianist Matt Lebofsky, Oud player Mehdi Haddab, |
| | accordion player Pierre Mussi, Kanoun player Fotini Kokkala and |
| | harpsichordist Benjamin Bardiaux, among others. Vocally, the most |
| | prominent performer is Laure Le Prunenec, whose operatic strains |
| | are a longtime part of the Igorrr mix, while regular collaborator |
| | Laurent Lunoir also appears on a few tracks. Serre also invited |
| | Pierre Lacasa and Jasmine Barra back to the studio (known from |
| | their appearance on previous tracks like "Vegetable Soup" and |
| | "Cheval") to appear on "Kung-Fu ChΦvre" and got to realize a dream |
| | with one guest performer. "We had the honor to welcome my personal |
| | favorite musical hero on this album: George 'Corpsegrinder' Fisher |
| | of Cannibal Corpse. He screams on the track 'Parpaing', and his |
| | legendary voice brings the heaviness this track deserved. George is |
| | like the final boss of death metal. Like on a video game you have |
| | the final boss who is the strongest, George is the best in death |
| | metal singing. Due to the extreme heaviness and violence of his |
| | voice, I found it very much coherent to contrast it with a cheap |
| | tune of 8bit music which is the least heavy music on earth. The |
| | contrast is beautiful to my ears." However, lyrics are less |
| | important when he is creating, and often these are delivered in |
| | languages he does not even speak. "As with the previous albums, I'm |
| | entirely focused on the sound itself and how the sonorities of the |
| | voice speaks to the heart, not the intellectual meaning of the |
| | words." |
| | |
| | Ever unconventional, the title for the record came from |
| | circumstances most musicians would never experience. "At the |
| | beginning, I chose to call one of the tracks 'Spirituality And |
| | Distortion' as on this track there were deep oriental sounds with |
| | heavy distorted guitars that I made by putting fire on the cabs of |
| | my amplifier. Doing that, I found the perfect split between the |
| | spirituality and the distortion, which are two perfectly opposite |
| | concepts, and later on, I noticed that it was the case with not |
| | only one, but many tracks of the album - the heavy distortion due |
| | to the settings and the actual fire, and the spiritual mood that |
| | the middle eastern instruments were giving to the soul. This title |
| | represents pretty well the split between two opposite feelings, and |
| | that is the same feeling you have after you listen to the album." |
| | Tracked at Improve Tone Studios in France, Serre employed the same |
| | technical crew as on Savage Sinusoid but chose again to work with |
| | no outside producers, uncomfortable with giving his "baby" to |
| | anyone else, and 100% confident in his own abilities to achieve |
| | that which he intends once in the studio environment and surrounded |
| | by his selected instrumentalists. He admits, however, that the |
| | sessions were very, very intensive this time around. "I got closed |
| | inside the studio for a very long time without having a break. The |
| | difference with 'Savage Sinusoid' is that I did the same amount of |
| | work but over a much longer period of time. The 'Spirituality And |
| | Distortion' sessions were much more intense in that I did it in a |
| | much shorter time; it was intensive work to push myself to the |
| | hardest limits I could endure. To be honest, I suffered pretty much |
| | in the process of creating this album, and I'm very happy, despite |
| | all the difficulties - technical and human - that I succeed to not |
| | let go even the smallest bit of the quality I wanted for this |
| | album. Also, if this new music was not better than the last record |
| | in my mind, I wouldn't release it." |
| | |
| | Brought to you by the most non-metal group out there. |
| | |
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| - Hi5's/HAiLS - |
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| /___|___|_____| | |/________| 86D - BERC - REGRET - BRiGAND |
| ---------------| | mK^dS!--- DeBT - DiVINE STYLERS! |
| | | | DeVOiD - NBFLAC |
| | |______________| LORD SATAN |
| | |
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| - LAYOUT & DESiGN - | TEAM CATARACT: PHYSICAL MEDIA ONLY.
|__. -BY- .__|
| 55ONk!# oF | DON'T BE FUCKING CHEAP. BUY WHAT YOU LIKE.
|divine stylers!|
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