+----------------+------------------------------------------+----------------+
| |
| Artist : VA |
| Album : The Matador OST |
| Bitrate : VBR kbps |
| |
+-------------------------------[Release Info]-------------------------------+
| |
| Label : Superb Records |
| Year : 2006 |
| Genre : Soundtrack |
| Rip date : Apr-15-2006 |
| Store date : Jan-10-2006 |
| Size : 67,9 MB |
| |
+--------------------------------[Track List]--------------------------------+
| |
|Track Listing: |
| |
| 01 - The Jam - A Town Called Malice 02:54 |
| 02 - Los Fabulosos Cadillacs - El Matador 04:35 |
| 03 - Tom Jones - It's Not Unusual 02:01 |
| 04 - Titan - 1,2,3,4 04:13 |
| 05 - Rolfe Kent - Manila Fiasco 02:38 |
| 06 - The Cramps - Garbageman 03:36 |
| 07 - Asia - In The Heat Of The Moment 03:51 |
| 08 - Ramon Stagnaro - Bahia Blanca 03:04 |
| 09 - Daniel Indart - A Mi Guitarra 02:50 |
| 10 - Rolfe Kent - Matador Theme 02:43 |
| 11 - Rolfe Kent - One Night In Mexico 02:39 |
| 12 - Dave Van Norden - In The Wee Small Hours 03:14 |
| Of The Morning |
| 13 - Mariachi "La Estrella" - No Te Rajes 03:05 |
| 14 - Ritmo Ritmo - Matador (Bonus Track) 03:33 |
| |
| ───── |
| 44:56 min |
| |
+-------------------------------[Release Notes]------------------------------+
| |
| |
| |
| From the Artist |
| In the first cut of THE MATADOR, the film was longer and |
| darker. Pierce dreams of bullfights and hears the Stones |
| "Paint it Black" in his restless sleep. At the end of the |
| film, at the cemetery we hear "You Can't Always Get What You |
| Want". It was fitting and emotional. But it was also |
| expensive as all hell. Talk about not getting what you |
| want-- There's a reason Mick Jagger owns his own private |
| jet-- that one song was our entire music budget. Things had |
| to change. As editing progressed and the film found it's own |
| rhythm, sure musical choices, suddenly were open to |
| discussion. You can't always get what you want, but you get |
| what you need. |
| We realized that the opening of our film was too dark, and |
| audiences were having a hard time figuring out if they could |
| laugh or not. I'm all for shades of gray as much as the next |
| indie filmmaker, but if they ain't laughing at Pierce |
| painting his toenails we were in big fat f***ing trouble. So |
| we changed things. I still wanted the bad-boy Brit aesthetic |
| that was both integral to our music choices and to Pierce's |
| character-- but "Paint It Black" had to go. I love the Jam. |
| Always have. When I was in high school in the early 1980's I |
| thought the Jam was dangerous, very cool music. The Jam |
| jams. And once it went into the opening credit sequence, it |
| was crazy that we ever thought of anything else. |
| #Rnotes |
| The scene where Pierce walks through the lobby in his |
| underwear and cowboy boots was basically improvised in the |
| hotel lobby in Mexico where we were staying. It was a one |
| take deal, and other then three extras all those people |
| staring at Pierce were real hotel guests, wondering what |
| peyote they just dropped. Bryan Furst, one of the film's |
| producers, suggested The Cramps for the scene. Goddamn if it |
| wasn't perfect. Forever immortalizing Pierce's funniest |
| moment in the movie. You ain't no punk, you punk. |
| #Rnotes |
| Product Description |
| I'm damn proud of this record. Each song works perfectly in |
| capturing the energy, emotion, and comedy of the film. THE |
| MATADOR has been a labor of love the whole way through. I |
| feel the soundtrack captures the fun of the movie, the |
| experience we had making it, and hopefully you did while |
| watching it. |
| |
| Have a margarita (cock optional), and listen away. Richard |
| Shepard ~ Writer/Director |
| |
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