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▓█▓▓█ Artist.....[ Tanakh ▀████▄█▓
██▓▀ Album......[ Ardent Fevers ▀▓██
▄ █▓█ █ Label......[ Alien8 Recordings █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ ALIENCD63 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2006-04-18 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2006-04-04 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.90.3 --alt-preset standard ▀████▄█▓
▀█▓▀ Quality....[ 192 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.alien8recordings.com/ ▓█▓▄█▓█ ▄
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█▓ 01 Drink To Sher 4:40 ▓█
█▓ 02 5:00 AM 3:37 ▓█
█▓ 03 Deeper 7:04 ▓█
█▓ 04 Grey Breathes 2:56 ▓█
█▓ 05 Hit The Ground 2:29 ▓█
█▓ 06 Like I Used To 5:33 ▓█
█▓ 07 Still Trying TO Find You Home 7:10 ▓█
█▓ 08 Restless Hands 3:01 ▓█
█▓ 09 Over Your Consistency 3:54 ▓█
█▓ 10 Winter Song 3:30 ▓█
█▓ 11 Take And Read 9:26 ▓█
█▓ ----- ▓█
█▓ 53:20 ▓█
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█░█ Ardent Fevers is the fourth album from the █░█
█░█ stubbornly indefinable collective Tanakh, and it █░█
█░█ was recorded after the group's leader Jesse Poe █░█
█░█ relocated from Virginia to Florence, Italy. This █░█
█░█ was a move that seems entirely in keeping with █░█
█░█ the outfit's history-- Tanakh has always █░█
█░█ exhibited a reluctance to stay affixed in one █░█
█░█ place. Over the course of their three prior █░█
█░█ albums, Tanakh's music has drifted serenely █░█
█░█ across foggy intersections of pan-ethnic folk, █░█
█░█ improvised drones, and psychedelic pop. Now, █░█
█░█ perhaps guided in part by homesickness, the group █░█
█░█ has built upon 2004's Dieu Deuil to craft their █░█
█░█ most purely song-oriented collection to date (and █░█
█░█ arguably the most accessible Alien8 release ever) █░█
█░█ by subtly guiding their sound towards the █░█
█░█ organic, refracted Americana of acts like █░█
█░█ Calexico or Pinetop Seven. █░█
█░█ █░█
█░█ In its past incarnations, Tanakh often seemed to █░█
█░█ be simply comprised of Poe and whatever █░█
█░█ collaborators happened to be handy, but on Ardent █░█
█░█ Fevers the musicians have taken on the █░█
█░█ unmistakable appearance of an actual band. █░█
█░█ Recorded by Brian Hoffa, who has worked with █░█
█░█ groups ranging from Labradford to Camper Van █░█
█░█ Beethoven, and featuring contributions from █░█
█░█ Isobel Campbell and Alex Neilson, the album is █░█
█░█ veritably bursting with amplified color and █░█
█░█ detail. The songs were co-written by Poe and █░█
█░█ guitarist Umberto Trivella, a partnership that █░█
█░█ grants the material an enhanced, groove-centered █░█
█░█ propulsion that is further punctuated by the █░█
█░█ frequent addition of Muscle Shoals-style horns, █░█
█░█ dustbowl lap steel, and surprising abundance of █░█
█░█ hypercharged, Crazy Horse guitar soloing. █░█
█░█ █░█
█░█ With its thoughtful construction and heavy █░█
█░█ emphasis on Poe's dusky vocals, Ardent Fevers █░█
█░█ might seem unrecognizable to listeners only █░█
█░█ familiar with the grainy, abstract textures of █░█
█░█ 2004's self-titled double album. The differences █░█
█░█ should be apparent right from the opening notes █░█
█░█ of "Drink to Sher", which masterfully combines █░█
█░█ front-porch guitars and jazzy horns, or on the █░█
█░█ soulful, brassy "Deeper", which rides an elegant █░█
█░█ swell of Blonde on Blonde organ. In the past, █░█
█░█ Tanakh's use of violin and strings could often █░█
█░█ lend the music a certain Eastern European gypsy █░█
█░█ flourish, but here, on such tracks as "Like I █░█
█░█ Used To", they also help provide a distinctly C&W █░█
█░█ atmosphere, issuing a quiet floorboard creak █░█
█░█ beneath Poe's dusty boots. █░█
█░█ █░█
█░█ Elsewhere, on tracks like the delicate "Restless █░█
█░█ Hands" or the brooding "Winter Song", Tanakh █░█
█░█ return to the more familiar waters of █░█
█░█ Fairport-style UK folk-rock, directed by Poe's █░█
█░█ sweet melodies and unerring sense for the █░█
█░█ understated narrative. And so it also appears on █░█
█░█ the rainswept, Leonard Cohen climes of "Still █░█
█░█ Trying To Find You Home", before Poe and Trivella █░█
█░█ unveil a blistering, wholly unforeseen dual █░█
█░█ guitar jam. This process is later repeated on the █░█
█░█ set-closing "Take and Read", and though these are █░█
█░█ the exact sort of solos that Neil Young should █░█
█░█ just have gone ahead and patented 25 years ago, █░█
█░█ there's no denying that their sudden appearance █░█
█░█ provides the album with a crucial, █░█
█░█ throat-scorching jolt of undiluted cactus juice. █░█
█░█ █░█
█░█ As with Tanakh's previous releases, there is a █░█
█░█ sense of loss or dislocation that hovers █░█
█░█ mirage-like around the edges here, as though the █░█
█░█ whole mysterious enterprise might vanish in a █░█
█░█ cloud of smoke if addressed too directly. █░█
█░█ Intoxicating though it is, Ardent Fevers leaves █░█
█░█ the listener with little concise idea about what █░█
█░█ exactly constitutes Tanakh's true sound or which █░█
█░█ direction they might travel next, but this vague █░█
█░█ disorientation shouldn't be enough to discourage █░█
█░█ repeat investigations into the matter. █░█
█░█ █░█
█░█ -Matthew Murphy, April 7, 2006 █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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