Hessel_Veldman-Eigen_Boezem-(STRLP-040)-WEB-2020-USR

Section
MP3/FLAC
Group
USR
Size
80,32 MB
Files
18
Date
2020-05-28

NFO

 ARTIST...: Hessel Veldman
 TITLE....: Eigen Boezem
 YEAR.....: 2020
 LABEL....: STROOM
 CAT.NO...: STRLP-040
 GENRE....: Electronic
 TIME.....: 45:21
 SIZE.....: 79.37 MB
 QUALITY..: 243kbps/44.1kHz/Joint Stereo
 ENCODER..: LAME
 SOURCE...: WEB
 RLS.DATE.: 2020/05/28
 WEBSITE..: https://stroomtv.bandcamp.com/album/eigen-boezem

 TRACKLIST

 01) (02:33) Hessel Veldman - Tale
 02) (03:35) Y Create - The Blue Intro
 03) (05:48) Y Create - He Said
 04) (02:53) Y Create - Go Nothing To Do
 05) (02:13) Hessel Veldman - B^te
 06) (05:14) Forbidden Photographs - The Tattooed Fetus
 07) (02:36) Y Create - Je Ne Pas Le Pain
 08) (00:14) Y Create - Broken Chairs
 09) (04:18) Y Create - Everyone Has Left Us Tonight
 10) (02:15) Y Create - àà.And More
 11) (04:29) Y Create - Walkin'
 12) (01:47) Y Create - Let's Go
 13) (01:28) Hessel Veldman - Truth Will Be Cold
 14) (05:58) Hessel Veldman - In Biberach

 Tucked away in the Dutch underground of the early 80Æs a young Hessel Veldman created
 his own music world in the small industrial sea town of IJmuiden. It was a world
 recorded on tapes and reels. A world where things happened according to personal
 logic based on sonic exploration, electronic sounds and improvisation. The approach
 was intimate, at times light-hearted, but often following deep inner contemplation
 and total immersion in the creative process. Above all, music was made according to
 the Do-It-Yourself principle of the home-taping culture.

 The home-taping network established itself globally during the late 70Æs and kept
 blooming throughout the 80Æs. It was a self-exploring, self-sustained music culture
 of people sending each other home recorded music material on cassettes. No external
 music industry was interfering with the musical works. The making of the music, the
 different releases and the labels were all self-managed. Wonderful international
 cassette compilations were created that showed the intensive musical exchange at play
 between the home-tapers. Cassettes were often accompanied by all sorts of printed
 matter and resulted in little pieces of individual artworks. Hessel Veldman played a
 protagonist role in the Dutch home-taping network while also maintaining a large
 international network of contacts.

 Under the moniker Y Create (Why create? or Ymuidense creations) many cassettes were
 recorded at home as well as in collaboration with others. Simultaneously, Veldman
 created his own cassette label Exart with his wife Nicole Veldman on which their own
 and other artists productions were published. The label was created to spread and
 exchange experimental and improvised music made in home-studioÆs. The Exart home-
 studio was the place where compositions, recordings, radio-programs, mixes and
 remixes were made. Veldman has stated that out of hours of home recordings a few
 tracks would derive that had captured rare and special tracks or rare sonic
 atmospheres that would be selected for a release. Most pieces could never be
 reproduced exactly because mistakes and uncomfortable settings were of great
 importance during the recording process. Aside from the many Y Create recordings,
 Veldman was member of the improvisation group Gorgonzola Legs and kept working
 intensively with other artists like Fluxus artist and Dutch underground cult-figure
 Willem de Ridder. With De Ridder, De RidderÆs wife Cora and Nicole hours of
 spontaneous improvisation, field recordings and radio plays were created. They
 recorded deeply shared intimate experiences with each other but also used theatrical
 storytelling.

 Hessel VeldmanÆs diverse music practices have been traversing several decades by now
 and he continues to play music according to his own insights and intuitions today.
 Nevertheless, the home-taping era has played a key role in the shaping of his free
 approach to music. Eigen Boezem is a collection of tracks gathered from different
 cassettes from his body of work that capture moments of magical home recordings.
 Eigen Boezem displays the versatility of his musical output and creativity, ranging
 from industrial experiments to new wave - from trance inducing avant-pop to synthetic
 minimalist funk. The selection of the different tracks on Eigen Boezem is done in
 such a manner that a new cohesive album is created.

 Released May 22, 2020

 Liner Notes by Bence Meijer.
 Photos by Abel MinnΘe & Woody Bos
 Graphic Design by Nana Esi
 Selection by Hessel Veldman & Ziggy Devriendt
 Mastered By Mathieu Savenay

 -

Files

PathSize
00-hessel_veldman-eigen_boezem-(strlp-040)-web-2020.jpg903,40 KB
00-hessel_veldman-eigen_boezem-(strlp-040)-web-2020.m3u446 B
00-hessel_veldman-eigen_boezem-(strlp-040)-web-2020.nfo4,41 KB
00-hessel_veldman-eigen_boezem-(strlp-040)-web-2020.sfv586 B
01-hessel_veldman-tale.mp34,29 MB
02-y_create-the_blue_intro.mp36,09 MB
03-y_create-he_said.mp310,42 MB
04-y_create-go_nothing_to_do.mp35,18 MB
05-hessel_veldman-bte.mp33,65 MB
06-forbidden_photographs-the_tattooed_fetus.mp38,82 MB
07-y_create-je_ne_pas_le_pain.mp34,43 MB
08-y_create-broken_chairs.mp3384,85 KB
09-y_create-everyone_has_left_us_tonight.mp37,57 MB
10-y_create-.and_more.mp34,30 MB
11-y_create-walkin.mp37,78 MB
12-y_create-lets_go.mp33,21 MB
13-hessel_veldman-truth_will_be_cold.mp32,65 MB
14-hessel_veldman-in_biberach.mp310,68 MB