Torvara-Killing_Culture-2017-GRAVEWISH
- Section
-
MP3/FLAC
- Group
- GRAVEWISH
- Size
- 66,26 MB
- Files
- 11
- Date
- 2020-06-06
NFO
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▐████ G R A V E W I S H ░░▄
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██▌ Artist...: Torvara ░▐██▌
░▐██ Album....: Killing Culture ░██▌░
▓▐██ Year.....: 2017 ▓▐██▓
▓▐██ Rel.Date.: 2020-06-06 ░▐██▓
▐██ Genre....: Death Metal ██▌░
░ ██▌ Label....: Satanic Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Blood Forest 7:08
2. Blindness 4:50
3. Woundless War 4:54
4. Killing Culture 3:23
5. No Return 6:01
6. Slave of Christianity 4:07
7. Submit and Obey 4:16
------
34:39
ôKilling Cultureö is a swansong for Torvara. After the death of their
guitar player, the rest of the band decided to call it quits.
Respectable move, for sure. Well, they do have a more recent split
release with the final songs recorded with the man who called himself M.
This is the only full-length release of this Italian quartet. I was a
bit skeptical with the songs lasting around 5 minutes on average,
especially considering the genre these guys represented. There are not
too many bands who have enough ideas to make such long songs versatile
enough not to repeat the same riff over and over again. Furthermore,
Torvara plays a primitive version of Blackened Thrash Metal, with some
Punk influences. The opening track didnÆt leave too good impression, so
I was ready to discard the whole CD as a waste of time. ôBlood Forestö
is just as you would expect, with regards to the above mentioned. Raw,
second wave worship, with no distinctive lines to separate the Italians
from a plethora of similar acts. However, the very next track set things
straight. First and foremost, with rhythm section playing a more
distinctive role. While the guitar has a tendency to stand out from time
to time, with fairly creative riffing solutions, the drums are the key
factor here, as well as on the rest of the record. That way, Torvara got
themselves a fresh injection of energy to supply these 34 minutes of
music. The album is pretty fast most of the time, with passages varying
among all three mentioned genres, which are very well connected to each
other (again, by the creative drum patterns). Torvara doesnÆt fear the
slower moments, like in the ôNo Returnö, where the heavy atmosphere
rules the track, along with nice guitar leads. The screaming vocals are
decent enough not to ruin the feel of the album, although they could be
a bit better, more powerful. Lyrically, Italians still lack the language
skills to write in English, although I have heard much worse. Topics are
intertwined between the expected Black and Thrash Metal ones, social and
antireligious.
I wanted to complain about the production work here, since it seemed a
bit ômuddyö to my ears. However, it grew on me somehow, so I donÆt
notice it anymore. On the other hand, I must say that the cover artwork
had to be better. Still, if you donÆt care about the picture, and prefer
music instead, this album should be good enough to satisfy your
appetite. ItÆs a pity we will not hear more stuff from this band.
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Files
| Path | Size |
|---|
| 00-torvara-killing_culture-2017.jpg | 428,14 KB |
| 00-torvara-killing_culture-2017.m3u | 215 B |
| 00-torvara-killing_culture-2017.sfv | 276 B |
| 01-torvara-blood_forest.mp3 | 14,00 MB |
| 02-torvara-blindness.mp3 | 9,71 MB |
| 03-torvara-woundless_war.mp3 | 9,12 MB |
| 04-torvara-killing_culture.mp3 | 6,21 MB |
| 05-torvara-no_return.mp3 | 10,54 MB |
| 06-torvara-slave_of_christianity.mp3 | 8,41 MB |
| 07-torvara-submit_and_obey.mp3 | 7,83 MB |
| torvara-killing_culture-2017.nfo | 17,72 KB |