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▐████▓▓▀ █ ▀▓█████▌
▐███▓▓▌ █ BETTER YOU TAKE THAT IS PROUD TO BRING YOU ▐▓████▌
▐████▓▓░ ▄ ▓█████▌
▐█████▓▓▄ Caesura-More Specific Less Pacific ▄▓▓█▀███▌
▐██▀ ▀█▓▓▌ ▐▓▓██████▌
▐███▄██▓▓▓ ARTiST.... Caesura ▓▓███████▌
▐█████▓▓▓▌ TiTLE..... More Specific Less Pacific ▐▓▓▓███▄█▌
▐███▓▓▀▀ LABEL..... 54 40 or Fight! Records SOURCE... CDDA ▀▀▓▓▓██▌
▐█▓▀ GENRE..... Indie QUALiTY.. VBRkbps ▀▓█▌
▐█▌ ▄■ RiP.DATE.. Apr-30-2006 TRACKS... 15 ■▄ ▐▓▌
▐█░▄▄▓▌ STOREDATE. May-07-2002 LENGTH... 42:12 min ▐▓▄▄ █▌
▐███▓▓ SUPPLiER. TEAM BUTT ▓▓███▌
▐██▓▓▌ ▐▓▓██▌
▐█▓▓▀ ▀▓▓▓▌
▐▓▌ NR. TRACKNAME TiME ▐█▌
▐█ █▌
▐█ 01 For Staged Encore 02:58 █▌
▐█ 02 Enter, Fluorescence 03:38 █▌
▐█ 03 Trap Door 03:07 █▌
▐█ 04 Surrounded by Telescopes 01:04 █▌
▐█ 05 Craschandelier 04:18 █▌
▐█ 06 The Curse of Courses 04:09 █▌
▐█ 07 Compromise in Theory 00:55 █▌
▐█ 08 Overhead 03:11 █▌
▐█ 09 Auxiliary Engine 03:04 █▌
▐█ 10 Placebo Persuasion 02:36 █▌
▐█ 11 Assassin Assassin 02:36 █▌
▐█ 12 Gesture 03:13 █▌
▐█ 13 The Tunnel at the End of the Light 02:49 █▌
▐█ 14 Accessories 02:58 █▌
▐█ 15 Brown Out 01:36 █▌
▐█ █▌▄
▐█ TOTAL TiME: 42:12 min █▌▄
▐█ TOTAL SiZE: 64,7 Mb ▄██
▐█ ▐█▀
▐█ █▌▄
▐█ <──────────────────────────────────────────────────────────────> ▐█▀▓▀
▐█ █▌
▐█ RELEASE NOTES: ▐█▌
▐█ █▌
▐█ If I wanted a mud bath I would've gone to a spa. I mean, yeah, █▌
▐█ I'm all strung out on stress and I'm sure my skin could use a █▌
▐█ little exfoliation after all these months of swampy summer air; █▌
▐█ a trip like that might do me some good. I could come back all █▌
▐█ rejuvenated, ready to take on the world with a newly relaxed █▌
▐█ viewpoint and ultra-healthy skin. It'd be like in those BiorΘ █▌
▐█ ads! Yet, despite not having done any of this, I'm still being █▌
▐█ subjected to a heavily applied bath of sludge. The production on █▌
▐█ Caesura's debut album's what I'm talking about, and it's not █▌
▐█ helping my skin any, much less my poor, bloodied ears. █▌
▐█ █▌
▐█ This upstart San Francisco trio really deserve better sound, █▌
▐█ too, which makes listening to this album all the more █▌
▐█ frustrating. Instrumentally speaking, Caesura (named for a █▌
▐█ breathing point in natural speech rhythms) hang together pretty █▌
▐█ damn tight, blasting home a broad range of inventive, complex █▌
▐█ arrangements for the standard rock trio of guitar, bass and █▌
▐█ drums. Never mind that it's frequently difficult to tell the █▌
▐█ difference between the guitar and the bass on the album, these █▌
▐█ guys play with focus, and it's their strongest point. █▌
▐█ █▌
▐█ For proof, you don't even have to listen past "For Staged █▌
▐█ Encore," the band's opening salvo of nonstop riffage and █▌
▐█ distorted, barely audible vocals. Rather than engage you with a █▌
▐█ melody or some sort of memorable musical motif, though, the band █▌
▐█ attempts to trample you under foot, moving rapidly from passage █▌
▐█ to passage and through a disorienting series of tempo shifts █▌
▐█ that, while well executed, don't amount to a hill of beans in █▌
▐█ substance. █▌
▐█ █▌
▐█ Equally charged rhythmically, "Enter, Fluorescence" is more █▌
▐█ focused compositionally, but there's still no real hook to hang █▌
▐█ your hat on, and the production is unrelentingly brown and █▌
▐█ undefined. Then there's the matter of the song's title and its █▌
▐█ odd placement of a comma. Who, exactly, is Fluorescence? All I █▌
▐█ know is that back in the 80s I entered a fluorescent jacket █▌
▐█ every day and all it made me was a fashion victim. I wouldn't go █▌
▐█ so far as to call the guys in Caesura fashion victims, as I █▌
▐█ basically support this post-punk renewal thing they're musically █▌
▐█ tied to, but they do seem to be the victims of poor planning, █▌
▐█ making their small mark on a trendy scene with a sound that's █▌
▐█ only about 60% fleshed out. █▌
▐█ █▌
▐█ There are thirteen other songs on this album, but to talk about █▌
▐█ them would be to repeat what I said about the other two. At █▌
▐█ every turn, the band throws down an impressive, heavy rhythmic █▌
▐█ attack and forgets to add a building to the foundation. Vocals █▌
▐█ are buried either by distortion or by simply being mixed to low █▌
▐█ to be heard-- though, listening closely, it's clear that the █▌
▐█ parts aren't very engaging anyway. Guitarist/vocalist Evan █▌
▐█ Rehill has enough vocal control and ability to rate as █▌
▐█ 'promising,' so it's a mystery to me why the band and engineer █▌
▐█ Aaron Prellwitz have decided to marginalize his voice so much. █▌
▐█ █▌
▐█ The band does take a couple of admirable shots at expanding █▌
▐█ their sound, but they come off as throwaways, like the 50-second █▌
▐█ percussion interlude "Compromise in Theory." "Auxiliary Engine" █▌
▐█ is mostly a standard-issue Caesura tune, but contains a few █▌
▐█ surprisingly clean moments where the blanket of fuzz is lifted █▌
▐█ to let the clean, melodic bass playing of Brad Purvis (great █▌
▐█ name!) to the fore. "Assassin Assassin" is an oddly chaotic █▌
▐█ instrumental that alternates quiet, clattering passages with █▌
▐█ noisy explosions where all of the instruments bleed together. █▌
▐█ Again. But this time even more than usual. █▌
▐█ █▌
▐█ Despite those few sidesteps, though, More Specific, Less Pacific █▌
▐█ is an ultimately monochromatic affair compromised by dirt-bound █▌
▐█ recording that only occasionally allows any space in the mix, █▌
▐█ and then never for long enough. The album slams shut with the █▌
▐█ aptly named instrumental "Brown-Out," which is technically █▌
▐█ proficient enough to reinforce the notion that Caesura can do █▌
▐█ better than this. With any luck, they will in the future, but █▌
▐█ for right now, they could help themselves out by hiring a █▌
▐█ producer who can clean some of the mud off. █▌
▐█ █▌
▐█ -Joe Tangari, August 7th, 2002, taken from pitchforkmedia.com █▌
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▀▀█▄▄▄█▀▀▀▀▀▀▀▀▀ Version: October 1st, 2005 ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
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