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Presents:
Anjani - Blue Alert
RiPPER..: Team OSC GENRE......: Jazz
LABEL...: Columbia/Sony BMG SCENE DATE.: 05/02/2006
bITRATE.: VBR/44.1Hz STORE DATE.: 05/02/2006
ENCODER.: Lame 3.90.3 APS TRACKS.....: 10
SiZE....: 43,3 MB SOURCE.....: CD
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- TRACKLIST
01 Blue Alert 05:40
02 Innermost Door 03:17
03 The Golden Gate 03:09
04 Half The Perfect World 04:06
05 Nightingale 03:01
06 No One After You 04:10
07 Never Got To Love You 04:37
08 The Mist 03:09
09 Crazy To Love You 04:51
10 Thanks For The Dance 04:39
Total Playtime: 40:39
- NOTES
"Anjani has always been known as a great singer, a
musician's singer," says Leonard Cohen, the musical/literary
legend who co-wrote and produced Anjani's Blue Alert.
"She's known for this impeccable sense of tone and the ability
to stack vocals one on top of the other, but this voice that
she was showing here was a completely different voice that
had moved somehow from the throat to the heart."
"I never knew we were making a record," Anjani confesses.
"I just thought I'd make a demo for Leonard to put his
vocals on." But Blue Alert was patiently waiting in the
ether for their inspired collaboration. It began with some
handwritten lines [there's perfume burning in the air/bits
of beauty everywhere] which Anjani happened to notice on
Cohen's desk. This was the first draft of "Blue Alert,"
which Cohen intended to record himself. Surprising
herself, Anjani asked, "Can I have a crack at this?" He
replied, "You can have it for a minute or two, and then
you have to return it."
Anjani made a quick dash to the studio to set down a track
for Cohen's new poem, and she presented it to him wrapped
in a disarming caveat. "Leonard," she said, "I don't know
if you'll like a jazz approach but check this out."
Hearing Anjani's soulful and evocative interpretation of
"Blue Alert," Cohen knew that something unusual had
happened. "She was singing from a place that few singers
ever get to sing from," he recalls, "so that encouraged me
to let her rummage through a notebook for lyrics that
interested her."
For Anjani, being given access to the works and the
collaborative energies of a literary master opened a
floodgate of creativity. She felt herself especially drawn
to "As the Mist Leaves No Scar," a poem in "Stranger
Music," Leonard's 1993 collection of poems and lyrics,
which she transformed into "The Mist," conjuring a
haunting archetypal score for the song. "I don't know
where she found that melody or that approach," Cohen
wondered, "but it is as though I'd never heard that lyric
before or, more precisely, it is where I'd always heard it
somewhere but had never been able to locate."
An album was taking shape, but Anjani needed more
material. With Cohen's permission she ransacked boxes of
his journals, unpublished works and unfinished drafts,
sometimes seizing on a mere two or three lines or a verse
that appealed to her.
The song, "Thanks for the Dance," for instance, began as a
single found line, which Anjani and Leonard fashioned into
a new complete work. "That's how it moved from one song to
another [with] Anjani finding scraps of lyrics and
pressing me to finish them," Cohen explains.
When it came time to record Blue Alert, Anjani and Leonard
opted to work at the studio of Ed Sanders, who recorded
the album on a vintage Telefunken analog tape recorder
spinning a two-inch seatbelt of tape. The warm, rich sound
they achieved captures the whispered subtleties of
Anjani's vocal cadences and the intimate qualities of her
music. Anjani states, "I love the sound of analog
recording. I'm an old-fashioned girl and I like to see the
tape go round and round."
That "old-fashioned girl" was born in Honolulu, Hawaii,
and trained in guitar, piano and voice before attending
Berklee College of Music. Later moving to Manhattan,
Anjani played the jazz club circuit, drawing inspiration
from pianists ranging from populist Vince Guaraldi to jazz
mystic Bill Evans. Anjani was introduced to Leonard Cohen
in 1984, by producer John Lissauer (who plays baritone sax
on the title track, and clarinet and keyboards on "Thanks
For The Dance"). Her haunting background vocals are heard
on Cohen's original recording of his signature opus,
"Hallelujah." Later that year, Anjani joined Cohen's
Various Positions World Tour as a keyboardist/vocalist,
and she sang on subsequent Leonard Cohen albums including
I'm Your Man (1988), The Future (1992), and Dear Heather
(2004).
In 2000, Anjani released a self-titled independent CD,
blending jazz, folk and Hawaiian influences, including a
duet with famed Hawaiian musician Henry Kapono. She
followed her debut a year later with The Sacred Names, an
inspirational meditation on the Hebrew, Aramaic and Greek
names of God.
"She seems to be able to channel some kind of spirit of
place," Leonard Cohen says of his colleague. "Generally,
people want to be generous, but they go over the top or
they give too much. But to be able to be generous in this
manner of real generosity, which is not to overwhelm, but
to merely satisfy and nourish: that is something very
rare. She has this capacity -- melody after melody -- to
hit the mark. Not go beyond it and not fall short just
perfect."
http://www.anjani-music.com
Another Quality Release from OSC!!
Enjoy!!
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-NEWS
OSC is still holding it down after more than 2 years in
tha scene. Our dedication to bringing you the best in
ol skool classics is, and always will be, our driving
force. Quality over quantity.
"It's all about the music, fuck the other ish." - OSC
Because of this motto we strive to continue bringing you
releases in the highest possible quality, whether it be
urban, house, latin or any other genre.
ASCII BY CACIQ^ACL #ascii.cl