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▀▀███████▓▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀
░████▓▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓████░
▓███▒ FWYH ░░ █ ▒░ ░ ▀ ▒███▓
███▓ ▓███
▒███░ ARTiST....[ Nation Of Language ░███▒
███▒ TiTLE.....[ Introduction, Presence ▒███
▓██▓ GENRE.....[ Synthpop ▓██▓
███ LABEL.....[ Self Released ███
▓██░ SOURCE....[ Vinyl ░██▓
▒██░ KHZ.......[ 44.1 ░██▒
▒██▒ MODE......[ 255kbps / Joint Stereo ▒██▒
░██▒ ENCODER...[ LAME 3.100 ▒██░
░██▒ SIZE......[ 77.54mb ▒██░
░██▒ CATALOGUE.[ N/A ▒██░
▀▄ ▒██▓ REL.DATE..[ 2020 ▓██▒ ▄▀
░ ▀██▄██▓ ▓██▄██▀ ░
░ ▀█▓▓█▄ ▄█▓▓█▀ ░
▄ ▓▒░███▓▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▓███░▒▓ ▄
█▄▄▄▄▄▓▒▀▀▀▀▀▀ [TRACKLiST] ▀▀▀▀▀▀▒▓▄▄▄▄█
▓█▓▀ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME: ▀▓█▓
░█▒ ________________________________________________________________ ▒█░
░█▒ 01│ Tournament │ 03:52 ▒█░
░█▒ 02│ Rush & Fever │ 03:58 ▒█░
░█▒ 03│ September Again │ 03:47 ▒█░
░█▒ 04│ On Division St │ 03:12 ▒█░
░█▒ 05│ Indignities │ 05:20 ▒█░
░█▒ 06│ Automobile │ 04:25 ▒█░
░█▒ 07│ Friend Machine │ 04:21 ▒█░
░█▒ 08│ Sacred Tongue │ 03:27 ▒█░
░█▒ 09│ The Motorist │ 05:05 ▒█░
░█▒ 10│ The Wall & I │ 05:00 ▒█░
░█▒ │ │ _____ ▒█░
░█▓ │ TOTAL PLAYTiME (MiN):│ 42:27 ▓█░
▒██▄ ▄██▒
▄▓▓█▓▒░█▓▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▓█░▒▓█▓▓▄
▀▓█▓▀ [RELEASENOTES] ▀▓█▓▀
▒█▓ ∙∙∙∙∙∙∙∙∙ ▓█▒
░█▒ ▒█░
░█▒ The synth-pop group offers a remarkably assured debut, with 10 ▒█░
░█▒ pristine pieces that eschew dramatics for concision. ▒█░
░█▒ ▒█░
░█▒ The time put in shines through; Introduction, Presence is a ▒█░
░█▒ remarkably self-assured debut, 10 pristine pieces of synth pop ▒█░
░█▒ that eschew dramatics for concision. Songs like ôRush & Feverö ▒█░
░█▒ and ôOn Division Stö reach the glory of Orchestral Manoeuvres in ▒█░
░█▒ the Dark and The Human League through an attention to craft that ▒█░
░█▒ many bands with the same influences fail to notice. The album is ▒█░
░█▒ full of miniaturized synth flourishes and clear, crisp drum beats ▒█░
░█▒ that were probably fussed over for months until they came out ▒█░
░█▒ just right. Sue-PoiÆs bass lines are the secret weapon, having ▒█░
░█▒ learned Peter HookÆs lesson that the bass can be a powerful ▒█░
░█▒ melody instrument. ▒█░
░█▒ ▒█░
░█▒ Despite the shimmer, Introduction, Presence is a decidedly ▒█░
░█▒ forlorn work, haunted by the ever-present specter of past ▒█░
░█▒ mistakes and accumulated hardship. ôIÆm wasting away/I took the ▒█░
░█▒ long road home and it never paid off for me,ö Devaney sings in ▒█░
░█▒ the album opener ôTournamentö in a downcast voice that echoes ▒█░
░█▒ through the entire record. Yet while nostalgia and longing inform ▒█░
░█▒ the album, they never consume it, and the band knows when to push ▒█░
░█▒ forward. ôTurn the pages/Try to find another way,ö he sings ▒█░
░█▒ achingly at the end ofôThe Motorist,ö desperate to escape this ▒█░
░█▒ moment in his life. ▒█░
░█▒ ▒█░
░█▒ ntroduction, Presence doesnÆt offer any great reinventions. Notes ▒█░
░█▒ of Altered Images, early Depeche Mode, or even modern ▒█░
░█▒ contemporaries like Black Marble are impossible to ignore while ▒█░
░█▒ listening. But their understanding of the genre theyÆre working ▒█░
░█▒ inùits workings, tropes, and trappingsùis so refined that they ▒█░
░█▒ are able to boil it down to its barest essence, saving catharsis ▒█░
░█▒ for just the right moment. ▒█░
░█▒ ▒█░
░█▒ That moment arrives with the albumÆs final song, ôThe Wall and ▒█░
░█▒ I.ö It shines as their most anthemic cut through just a few ▒█░
░█▒ well-placed, dramatic keyboard notes and some unexpected guitar ▒█░
░█▒ chords. Devaney sounds just as trapped in his circumstances as he ▒█░
░█▒ always does, but for once it feels like he might transcend them ▒█░
░█▒ as well. ôI stared up the wall and he said/æI donÆt knowÆ is not ▒█░
░█▒ an answer to the question,ö he wails in the chorus, realizing he ▒█░
░█▒ can no longer hide in indecision. Not necessarily a comforting ▒█░
░█▒ epiphany, but fitting for an album built on making peace with the ▒█░
░█▒ past, and taking small steps to something grander. ▒█░
▒██▄ ▄██▒
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▄▀ ▓▒█▓▓█▒▀▀▀▀▀▀ [GROUPNOTES] ▀▀▀▀▀▀▒█▓▓█▒▓ ▀▄
░ ▄████▓░ ∙∙∙∙∙∙∙∙∙∙ ░▓████▄ ░
░ ▄██▒██░░ ░░██▒██▄ ░
▄▀ ▓█▒░ FWYH : FUCK WHAT YOU HEARD, We're all about Family ░▒█▓ ▀▄
▓█▓░ Dedication, Quality, Respect & LOVE for the music! ░▓█▓
▓█▓░ As the years pass, all our motives and objectives ░▓█▓
▓█▓░ remain,we want to give the best of dark electronic ░▓█▓
▓█▓░ genres,with the quality deserved for the only true ░▓█▓
▓█▓░ underground scene, the Future is these genres!!!!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ To all the artists that we release, some newcomers ░▓█▓
▓█▓░ & other established acts: We are sorry if you dont ░▓█▓
▓█▓░ understand the promotion we do, of your own work, ░▓█▓
▓█▓░ but if you make quality music, we are pretty sure ░▓█▓
▓█▓░ that a lot of people will spend their own money on ░▓█▓
▓█▓░ your art. Our intention isn't to spread for the ░▓█▓
▓█▓░ masses, but just to promote good music, so all we ░▓█▓
▓█▓░ can ask is an apologize for any misunderstanding!! ░▓█▓
▓█▓░ You People deserve all our respect and attention!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ __________________________________________________ ░▓█▓
▓█▓░ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ [GREETS] ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ And finally, greets to all FWYH guys and their own ░▓█▓
▓█▓░ families, takes time and patience to go along with ░▓█▓
▓█▓░ all of this, so the warmest greets are to them!!!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ We Prop the few people & crews that have been with ░▓█▓
▓█▓░ us over the years,unfortunately they are lesser by ░▓█▓
▓█▓░ the day. KEEP FIGHTING & KEEP TRUTHFUL!!! ░▓█▓
▓█▓░ ░▓█▓
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▀█▓██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! ██▓█▀
████ Updated on 03-2015 ████
████ ████
███ FWYH : in Joint-Stereo forces ███
██▄ with FLAC1.2.1 ▄██
██ Alive since 2001 ██
█▄ ▄█