▄
▀▄ ▀█▄ ▀▄
█▓ ▄ █▓▓ █▓
▄▀ ▄█▀ sCr! ▄█▓▀ ▄█▄ ▄██▀ ▄▀ ▄▀ ▄▄▄▄▄▀
░░ ▓█ ▓▓█ SAC ▄▓▄ ▀ ▀█▓▓▀ ░░ ▓▓██ ▓█ ░░ ▄▓▓██▀
▀ ▀██▄▄ ▄ ▀ ▀ ▄ ▀███▄ ▀█▄ ▓▓▓███ ░░░
▄▄██████████▄▄ ▄▄▀ ▄▓█▀ ▄███▓▓ █▓▓ ▀▓████▄
▄▓▓▓█▀ ▀████▓▓ ▄▄███▀ ▄ ▀ ▄▓▓███▀▀ ▄██▀ ▀▀████▄▄▄▄
▓▓▓██ ▄ ███▓▓▀ ▓▓███ ▀▓▀ ▓▓▓███ ░░ ▓▓██ ▄▀█▄▄ ▀▀████▓▓▄▄
▀▓▓██▄ ▀██▀▀ ▀▀███▄▄▄▄ ▀▀████▄ ░ ▀███▄ ▓███▄ ▄ ▀███▓▓▓▓
▀▄▄▄ ▀▀█████▄▄ ▀█▀█▄▄▄▄ ▀▀███▄▄ ▄ ▓████▄ ▄████▄ ▓█████▄█ ███▓▓▓▓
█████▄ ▀▀██▓▓▄ █ ▓████▀ ▌███▓▓ ▄ ▓███▓ ▀ ░ █████▀█▄█████▄██▄ ▄██▓▓▓▀
█ ▓███▓ ██▓▓▓ █ ▓███▓ ▄█████▓ █ █████ ░ █████ █▓▄███▓ ▀██████▓▓▀
█ ████▓ ░░ ▄██▓▓ ▀ █████ ▀ █████ █ █████ ▄ ▓████▄▀ █████ ▄ ▀▀▀▀
▄ █████ ░ ▄▀████▓ ▀ █████▄ ▀█████ █ █████ ▀██████ ▓████ ▄
▄ ▓███▓ ░ █ █████▀ ▄█████ ▄ █████ █ ████▓ ▄ █████▄ ▓███▓▄█
▀█▓███▀ ░ ▀██████▀ ▓█████▀ ▓███▓▀█ ▓████ ▀▓▀ ▓████ ▀██████ █▀▄ ▀▄
▀████▄ ▄▄███▄ ▄▓███▓ ░░ ▀██▓▓ ▀█████ ▓████▀ ▄█████ █ █▌ █▓
▀████▄█▓▓█▀█▓▓ ▀████▄ ▄██▓▓▀ ▀ ▀████▄ ▄████▀ ▄ ▓████ █▄▀ ▄▀
▄▓▄ ▀███▓▓▀ ▄█▀ ▄▓▄ ▀████▄███▓▀ █ ▀█████▓███▄ ▀█████▓█▀
▀ ▄██▓▀ ▓▓█ ▀ ▄███████ ▄ ▄▓▄ ▄ ▄██▓▓▀ ▀███▀ ▀█▓▓▀
▄███▀▀▀▀▄ ▀██▄ ▀ ▄▀ ▄▀█████▄ ▀ ▄▓██▀▀██▄ ▀███▄ ▀ ▄ ░░
░░ ▓▓██ ░ █▓▓ ▓█ ▀██▄ ██▓▓▓ ▀ ▓▓██ █▓▓ ██▓▓ ▄
▀███▄ ▀▄ ▄███▀ ▀█▄▀ ▄███▀ ▄ ▓███ ██▀ ▄███▀ ░ ▄█▓▀
░ ▀█▓▓ ██ ▓▓██ ░░ ██▓▓▓▓██ ▀██▄ ▀ ▓▓██ ▄ ▀
▄█▀ ▄▀ ▀███▄ ▄██▀ ▀██▄ ▀▄ ░░░░ █▓▓ ░ ▀███▄█▓ ▄▓▄
▓█ ▀▀██▀▀ █▓▓ █▓ ░░ ▄██▀ ░░░░ ▄███▓▓ ▀
▀▄ ▄█▀ ▄▀ ░ ▓▓█ ▄ ░░ ▀▀▀▀▀▀▀ ▀
- S O U P - ▓█ ▀█▄ ▀█▄
▀▄ █▓ █▓▓
┌───---─────────────────────────────────────▄▀ ▄█▀─────----------────┐
│ s o u p p r o u d l y p r e s e n t s │
└────────────────────────────────────────────────────────────────────┘
│
│ new flesh-communicate
│
│ artist ........ new flesh
│ title ......... communicate
│ release date .. 2001
│ label ......... Big Dada
│ cat. no ....... BD030
│ url ........... www.bigdada.com
│
│ rip date ...... 12-2003
│ genre ......... hip-hop
│ quality ....... 192kbps / 44.1Hz
│ time .......... 22:33 min
│ size .......... 31,0 MB
│ source ........ vinyl
│
└────────────────────────────────────────────────────────[ S O U P ┐
│ release info │
└──────────────────────────────────────────────────────────────────┘
│ │
│ BRING THAT BEAT BACK! This is the one. New Flesh return to the │
│ fray and utterly smash it, ripping up preconceptions, your head │
│ and the dancefloor all at once. Still on the bleeding edge of │
│ hip hop, the boys have rediscovered the soul in their sound and │
│ come through with a tune that nods to two step, rumba and A │
│ Tribe Called Quest while sounding like none of them. A blast of │
│ fresh air to lead us into the summer. │
│ │
│ Shortly after their first album came out, New Flesh were touring │
│ Germany when Gift of Gab from Blackalicious poked his head into │
│ their dressing room to congratulate them on the off-the-hook │
│ show he had just witnessed. It took nearly two years from that │
│ first meeting to finally organise a collaboration, but the │
│ result was worth waiting for. │
│ │
│ With producer Part 2 putting together a beat he has described as │
│ "Timbaland on acid" (although it could just as easily be called │
│ dancehall-soul), Gab roars through one of the best verses you'll │
│ hear this year, effortlessly displaying the rhythmic complexity │
│ of the music he's riding. The package is completed by Toastie │
│ Tailor, who looks back to a childhood in Grenada to come through │
│ with some soca-styled MCing and an impassioned chorus that │
│ sounds (a little) like young Michael Jackson inna dub stylee! │
│ │
│ The single is completed by an excellent remix from Part 2 and │
│ the inspirational "Bound' featuring Juice Aleem on microphone │
│ duties, which has already had New Flesh named the Sly & The │
│ Family Stone of Big Dada. │
│ │
│ With the album "Understanding" to follow, featuring guest │
│ appearances from, amongst others, old skool futurist legend │
│ Ramm:Ell:Zee and Beans (Anti-Pop Consortium), New Flesh continue │
│ to innovate and expand their range. Catch it now, before │
│ everyone claims to have discovered themà │
│ │
│ --Big Dada │
│ │
│ │
│ One tiny thing here, for some reason the A side is louder than │
│ the B side. This isn't my doing, the record decided to do that │
│ all by itself. Go figure, I've owned this record for years and │
│ never played it until now. BTW, CMS did the original, thx. │
│ │
│ │
│ please don't wish me a merry christmas. if we don't talk │
│ regularly, does it really make sense to interrupt that for │
│ jesus' birthday? I don't think so. if you want to talk, I'd │
│ love to talk to you, but a merry christmas I can do without. │
│ if, for some reason, you insist on doing so anyway, please try │
│ to not make that the only topic of conversation. thanks. │
│ │
└────────────────────────────────────────────────────────[ S O U P ┤
│ track list │
└──────────────────────────────────────────────────────────────────┘
│ │
│ 01 communicate 04:00 │
│ 02 communicate (personal mix) 05:06 │
│ 03 bound 04:24 │
│ 04 communicate (instrumental) 03:58 │
│ 05 communicate (personal mix instrumental) 05:05 │
│ │
└────────────────────────────────────────────────────────[ S O U P ┤
│ group info / contact │
└──────────────────────────────────────────────────────────────────┘
│
│ soup was founded in early 2002, with the intention of releasing
│ the hip-hop, trip-hop, lo-fi and turntablism that has been slept
│ on by other groups. We're a small, friendly group with a real
│ passion for our music, who are fed up of the overly competitive,
│ elitist and aggressive attitude of certain groups.
│
│ soup extend greetings and thanks to everyone at NuHS, and anyone
│ else who has helped us get where we are today.
│
│ .............................
│
│ If we need you, we will find you.
│
└────────────────────────────────────────────────────────[ S O U P ┐
│ │
└──────────────────────────────────────────────────────────────────┘