Betty_Davis-Nasty_Gal-1975-IGR

Section
MP3/FLAC
Group
IGR
Size
55,56 MB
Files
10
Date
2006-05-08

NFO



        ▄▄███████▄  IGR - Infinite Grooves
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 ┌───────────────--·(Infinite Grooves ·· Proudly Presents)·-─────────────────┐
 └─┬╥─--∙·                                                           ·∙-──╥┬─┘
   │║                         Betty Davis-Nasty Gal                       ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌────────────────────────────--·(Release Info)·-────────────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║  Record Label: Island/MPC         No Of Tracks: 10                  ║│
   │║         Genre: Funk                    Quality: 192K HQ             ║│
   │║      Rip Date: Oct-27-2001          Total Size: 55,6 MB             ║│
   └╢     Ripped By: walpe            Original Media: [x] CD - [ ] Vinyl  ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌─────────────────────────────--·(Rip Notes)·-──────────────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║                                                                     ║│
   │║  Tracklisting:                                                      ║│
   │║                                                                     ║│
   │║  01 - Nasty Gal                                              04:43  ║│
   │║  02 - Talkin Trash                                           04:48  ║│
   │║  03 - Dedicated To The Press                                 03:47  ║│
   │║  04 - You And I                                              02:49  ║│
   │║  05 - Feelins                                                02:50  ║│
   │║  06 - F.U.N.K.                                               04:25  ║│
   │║  07 - Gettin Kicked Off, Havin Fun                           03:13  ║│
   │║  08 - Shut Off The Light                                     03:59  ║│
   │║  09 - This Is It!                                            03:31  ║│
   │║  10 - The Lone Ranger                                        06:17  ║│
   │║                                                                     ║│
   │║                                                                     ║│
   │║                                                                     ║│
   │║  From the very first time I heard Betty Davis, she owned me. It     ║│
   │║  might have been her voice ù swinging from a deceptively seductive  ║│
   │║  lilt to a jagged dagger in the blink of a bar. It might have been  ║│
   │║  her music ù a tidal force of funk, rock and blues that could spin  ║│
   │║  you dizzy or drag you in deep. Mostly it was her attitude ù as     ║│
   │║  loud, black and proud as her Afro, lit by the spark of youth but   ║│
   │║  powered by the fury of a woman scorned. She didnÆt sing love       ║│
   │║  songs, she sang anti-love songs, but even her whispered warnings   ║│
   │║  about her cruelty and cattiness couldnÆt stop you from falling     ║│
   │║  for her. In the space of a number, Davis could make you crawl,     ║│
   │║  make you sweat, and before you knew it, game over ù sheÆd          ║│
   │║  foreclosed on you.                                                 ║│
   │║                                                                     ║│
   │║  Apart from just the pure pleasure of her songs, hearing Davis was  ║│
   │║  also a revelation, as she formed a crucial missing link in the     ║│
   │║  lineage of funkÆs leading ladies. Though her three albums ù Betty  ║│
   │║  Davis (1973), They Say IÆm Different (1974) and Nasty Gal (1975)   ║│
   │║  ù never propelled her to even the modest stardom shared by Jean    ║│
   │║  Knight, Lyn Collins or Chaka Khan, now that the U.K.Æs MPC Ltd.    ║│
   │║  has released all three on CD for the first time, DavisÆ propers    ║│
   │║  should come due. With her unabashed sexuality, flamboyant image    ║│
   │║  and tortured vocals, she didnÆt just bridge Marva Whitney to       ║│
   │║  Parlet, Nina Simone to the Brides of Funkenstein, she seems the    ║│
   │║  likely inspiration behind recent funky femmes such as Macy Gray,   ║│
   │║  Kelis and Joi. And unlike peers who served as female mouthpieces   ║│
   │║  for male producers and songwriters like James Brown and George     ║│
   │║  Clinton, Davis wrote and arranged every song on every album and    ║│
   │║  produced the latter two herself.                                   ║│
   │║                                                                     ║│
   │║  Ironically, where DavisÆ name has usually appeared is as a         ║│
   │║  footnote. Born Betty Mabry, she took her surname from her          ║│
   │║  one-year marriage to Miles Davis, 25 years her senior when they    ║│
   │║  wed in 1968. Most jazz historians donÆt make much of the pairing   ║│
   │║  between the jazz giant and the 23-year-old ex-model except to      ║│
   │║  note her visage on MilesÆ Filles de Kiliminjaro LP and cite her    ║│
   │║  as the inspiration behind that albumÆs ôMademoiselle Mabry.ö What  ║│
   │║  few credit, though, is that Betty was the one to introduce Miles   ║│
   │║  to Jimi Hendrix, a relationship that would be integral to MilesÆ   ║│
   │║  explorations of jazz fusion on Bitches Brew and later albums.      ║│
   │║                                                                     ║│
   │║  Despite being a former first lady of jazz, Davis was more a child  ║│
   │║  of the blues, a point she proudly pushes on the title track for    ║│
   │║  They Say IÆm Different, name-checking everyone from Elmore James   ║│
   │║  to HowlinÆ Wolf to Big Mama Thornton. Her contribution was in      ║│
   │║  taking the misery of the gutbucket blues and salving it with       ║│
   │║  funkÆs cathartic energy, shaking out frustrations and fantasies    ║│
   │║  in a tremble of slapping bass lines, serrated guitar riffs,        ║│
   │║  jabbing drum breaks and her own scratchy voice. Where singers      ║│
   │║  like Aretha Franklin or Roberta Flack emoted, Davis inflicted.     ║│
   │║  Her song titles alone ù ôIf IÆm in Luck I Might Get Picked Up,ö    ║│
   │║  ôNasty Gal,ö ôGame Is My Middle Nameö and ôHe Was a Big Freakö ù   ║│
   │║  made it clear that she wasnÆt penning Bacharach tunes. Unlike      ║│
   │║  soulÆs sentimentality over love, Davis trumpeted funkÆs sexual     ║│
   │║  indulgences. She sang about lust, obsession and rapture, bragging  ║│
   │║  about dressing up and pretty, gettinÆ down and dirty, whipping     ║│
   │║  you with her ôturquoise chainö and leaving you begging for more.   ║│
   │║                                                                     ║│
   │║  But as the song title ôDonÆt Call Her No Trampö (from They Say)    ║│
   │║  suggests, Davis was no raunchy tease ù she also understood that    ║│
   │║  love and sex formed a blurred line that anyone was in danger of    ║│
   │║  slipping into, including herself. Arguably her greatest            ║│
   │║  performance, the provocatively titled anthem ôAnti Love Songö is   ║│
   │║  from her first, eponymous album, and sheÆs irresistibly seductive  ║│
   │║  when she purrs:                                                    ║│
   │║                                                                     ║│
   │║  No, I donÆt want to love you                                       ║│
   │║  Æcause I know how you are . . .                                    ║│
   │║  I know you could possess my body                                   ║│
   │║  I know you could make me crawl.                                    ║│
   │║                                                                     ║│
   │║                                                                     ║│
   │║  But in the blink of an eye, she turns the tables and you realize   ║│
   │║  youÆve lost to her again:                                          ║│
   │║                                                                     ║│
   │║  æCause you know I could possess your body too                      ║│
   │║  (donÆt cha)                                                        ║│
   │║  you know I could make you crawl                                    ║│
   │║  and just as hard as IÆd fall for you                               ║│
   │║  (boy)                                                              ║│
   │║  well, youÆd know youÆd fall for me harder.                         ║│
   │║                                                                     ║│
   │║  Truer words were never spoken.                                     ║│
   │║                                                                     ║│
   │║  --www.laweekly.com                                                 ║│
   │║                                                                     ║│
   │║                                                                     ║│
   │║  Remember to support these artists by some method if you like them  ║│
   │║  by going to their concerts / buying more of their material / etc.  ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌───────────────────────--·(About Infinite Grooves)·-───────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║                                                                     ║│
   │║  Infinite Grooves was founded in early 1999 with the belief that    ║│
   │║  the best music has already been made. This was a neglected part    ║│
   │║  of releasing in the MP3-scene - now that has changed with Infinite ║│
   │║  Grooves at the top. We will constantly keep bringing you the very  ║│
   │║  best in disco-soul, rare grooves, jazz-funk etc. Like wine, a good ║│
   │║  groove only gets better with age - so we will bring you back to    ║│
   │║  the olde school!                                                   ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌──────────────────────--·(We Are Infinite Grooves)·-───────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║                                                                     ║│
   │║  Founder: Felony                                                    ║│
   │║                                                                     ║│
   │║  Members: Draua, El Nino, Tha Funkateer, Grifter, Han-Zo, Inspirit, ║│
   │║           I-Way, jNa, Kaptain Koin-Op, LukeDogg, Phreaknes, Sml,    ║│
   │║           Spectral, Xylene                                          ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌─────────────────────────--·(R-E-S-P-E-C-T To...)·-────────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║                                                                     ║│
   │║  Everybody contributing to the MP3-scene, but these in particular:  ║│
   │║ ·∙-───────────────────────────--∙·∙-───────────────────────────--∙· ║│
   │║  Individuals: Univerz, Squonk, Imo, Gozem, Fill, Morgoth            ║│
   │║                                                                     ║│
   │║       Groups: RNS, EGO, RADIUM, RIAA, MGC, ATM99, UBE, ROTATION     ║│
   │║               iMPG, SB, IDM                                         ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝



 ┌─────────────────────────--·(How To Contact Us)·-──────────────────────────┐
 └─┬╥───────────────────────────────--∙·∙-────────────────────────────────╥┬─┘
   │║                                                                     ║│
   │║  Infinite Grooves is always open for new true funk-friends to help  ║│
   │║  us in our efforts to spread groovy music. This includes rippers,   ║│
   │║  site-ops, box-ops and just about anybody with skills or services   ║│
   │║  to offer that could be of interest to a group like us. People with ║│
   │║  no talent, brains, patience or couriers needn't bother contacting  ║│
   │║  us... All you gotta do is to love the funk!                        ║│
   │║                                                                     ║│
   └╢                                                                     ╟┘
    ╚═════════════════════════════════════════════════════════════════════╝
    ·∙-─(Updated 00/12/15 by Felony)-∙·∙-(logo by imo, nfo by univerz)─--∙·

Files

PathSize
01-betty_davis-nasty_gal-igr.mp36,49 MB
02-betty_davis-talkin_trash-igr.mp36,61 MB
03-betty_davis-dedicated_to_the_press-igr.mp35,21 MB
04-betty_davis-you_and_i-igr.mp33,89 MB
05-betty_davis-feelins-igr.mp33,89 MB
06-betty_davis-funk-igr.mp36,08 MB
07-betty_davis-gettin_kicked_off_havin_fun-igr.mp34,42 MB
08-betty_davis-shut_off_the_light-igr.mp35,48 MB
09-betty_davis-this_is_it-igr.mp34,85 MB
10-betty_davis-the_lone_ranger-igr.mp38,64 MB