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██▌ Artist...: Throneum ░▐██▌
░▐██ Album....: The Tight Deathrope Act over Rubicon ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2020-08-09 ░▐██▓
▐██ Genre....: Death Metal ██▌░
░ ██▌ Label....: Old Temple ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Reissue ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Crossing the Dead River 5:22
2. The Tight Deathrope Act over Rubicon 8:37
3. Enochian Lexicon I 5:54
4. Enochian Lexicon II 5:22
5. Enochian Lexicon III 4:45
6. Enochian Lexicon IV 5:21
7. The Biblical Serpent - The Master of Misfortune 6:30
8. To-Mega-Therion 6:25
9. Primal Words. Orphic 11:04
------
59:20
For just over two decades Polish blackened death metal fixture Throneum
have been unwavering in their devotion to tried-and-true underground
death metal ethos. Founder, guitarist and vocalist The Great Executor
(Tomasz Hanuszkiewicz) hasnÆt hardly taken a break since 1996 and
between Throneum and black metal side-project Morbid Execution his
output is relentlessly achieved and distinctly raw. The core influences
to his songwriting and approach to guitar playing are myriad but come
across quite clearly as he captures the haphazard mania of Necrovore and
Order From Chaos fired out with the blackened death/thrash intensity of
early Merciless and Sabbat. This rumbling rotten sound is made even more
putrid on Throneumæs eight full-length æThe Tight Deathrope Act Over
RubiconÆ as the trio take influence from early Carbonized, Mekong Delta,
and Abruptum alike. The result is a daunting, wildly flailing
gore-drenched hammer of primitive blackened death metal.
The trouble with being a Polish death metal band formed in the late 90Æs
is that the public expectations are set for most bands of those
beginnings. One expects a heavy amount of Deicide and Morbid Angel
influence, loud and flat brutal death production values, and the
potential for an awkward level of plagiarism from Behemothæs
post-millennium discography. Throneum features none of these trends or
beginnings and have always been a raw beast born of a greater
exploration of extreme and true metal underground acts. A mountain of
nigh constant split releases over the years with Martire, Nunslaughter,
and Nocturnal Vomit give a clearer idea of the rabidly thrashing murk
that The Great Executor prefers and this is made even more clear through
the bandÆs full-lengths. Throneum does not evolve, they only just keep
killing.
IÆd personally discovered a lot of the bandÆs back catalog around 2012
through Pagan Records reissues and landed a copy of their first
full-length æOld DeathÆs LairÆ (2001) through a recommendations based on
my admiration for early Mortuary Drape. Though it was more brazenly
death/thrash in style, I came to admire the frantic vocals and riffing
that was done more with feeling than any particular precision. Working
my way up their discography from there it was clear that the bandÆs
style really hinged on the quality of the drummer, The Great Executoræs
influences/aim at the time, and the budget for the release would be
somewhat obvious through production values. æMutiny of DeathÆ (2003) had
a clear influence from classic death/doom while æPestilent DeathÆ (2005)
paired that love of Asphyx with nods to Sarc≤fago with fast and brutal
bursts of blackened death.
æDeathmass of the GravedancerÆ (2007) and the insane æDeathcult
ConspiracyÆ (2009) were brief and straight-forward albums that were
padded by attempts to write longer, more involved compositions. This is
not such a knock to their style but I felt some of the EP/Split material
in this era of the band were more effective as short bursts of their
more furious, bestial sound. The main even for me at that point was
æDeath Throne EntitiesÆ (2011) and perhaps the only release since æOld
DeathÆs LairÆ that I would absolutely recommend. This was a great high
point for my Throneum fandom with itÆs fully realized style, a uniquely
morbid death/thrash sound that mixes in black metal and death/doom
influences. So, what is the point of all of this blathering about my
history with Throneum? The band fell of the map for me at that point and
I hadnÆt been following them until this year.
The remarkable thing was that I jumped back into Throneum with
expectations of their same old rotten shit that were subverted by an
intentional focus on getting ugly and weird as fuck. It is almost twice
as long as their first seven records at a full hour and seems to almost
intentionally run the gamut of influences in showcasing the versatility
of their crypt-coughing sound. It feels composed beyond anything
previous yet still hits with a rotten thump amidst several intentionally
eerie and dissonant guitar rants. Serpentine and sinister without
vaulting off of classic McEntee ideas there is something wrongly
unearthed at the heart of æThe Tight Deathrope Act Over RubiconÆ that
invokes the half-rotten spirit of progressive thrash metal and douses it
with a bucket of Ripped-esque blood. These are the longest, most
involved compositions yet. These monstrous, extensive twists and turns
were only barely hinted at in the re-recording of their 2015 demo
æOrganic Death TempleÆ.
If nothing else their mentions of Carbonized, early Abruptum and Mekong
Delta were entirely serious and the result is a lot to take in; There is
some magic in the idea that this outside-the-box album will no doubt
generate interest from a lot of folks unwilling to listen to the rest of
Throneumæs fairly straightforward and raw blackened death metal
discography. The longest compositions are really fantastic as each shows
a surprising knack for atmospheric tension that outstrips the scope of
similar attempts from Obliteration on their last couple of releases.
Likewise my taste for Execrationæs æMorbid DimensionsÆ serves as a sort
of primer for the more wildly ripping spectrum of off-kilter and bizarre
death trance that Throneum provides on æThe Tight Deathrope Act Over
RubiconÆ.
Although I was not at all expecting to find any connection with this
album my praise for it is not purely due to the novelty of subverting my
expectations. Throneumæs abyss driven old school take on progressive
extreme metal is exactly the type of trip I am inspired by. Although a
couple of the tracks drag their ass a bit the title track, each of the
four parts of ôEnochian Lexiconö and the brilliant, chugging prog-thrash
exodus of ôPrimal Words. Orphicö amount to a very convincing and
repeatable death metal expedition. Of course IÆd suggest the caveat that
itÆs interest lies in rhythmically driven pieces and not in catchy or
memorable riffing, and they havenÆt at all abandoned their æStillbirth
MachineÆ-esque sound. Highly recommended whether youÆve previously been
a Throneum detractor or fanatic.
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