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██▌ Artist...: S.D.I. ░▐██▌
░▐██ Album....: 80s Metal Band ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2020-08-15 ░▐██▓
▐██ Genre....: Heavy Metal ██▌░
░ ██▌ Label....: MDD Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. 80s Metal Band 4:13
2. Freeride 4:17
3. Porno 3:36
4. Action 3:04
5. Trash 4:19
6. Sneaky War 3:33
7. (Let the) Ball Run 3:01
8. Here and Now 4:01
9. Back Against the Wall 4:46
10. I Hate You 2:13
11. Dead and Gone 2:58
12. She Said 4:27
------
44:28
The return of SDI û isnÆt it wonderful? No, alarming! They did not
release a new album during the tiny period of the last 31 years and
honestly speaking, I did not miss them. Their clownish debut fulfilled
my life ration of SDI sounds. But just when I thought that they are dead
they jump, fresh as a daisy, out of their coffin and deliver an album
with the cool title ô80s Metal Bandö. Nice name, indeed, but the general
question remains: was it really necessary to record û and publish! û
twelve new songs? Well, I doubt that this output will catapult the trio
into previously unknown regions of popularity. I wish I could say
something positive, but the guys are quite lousy songwriters and many
lyrics still deal with imbecile topics. Listen to ôPornoö and maybe you
know what I mean. The lyrics do not fit the verse metre, the chorus
seems to be the crippled son of AcceptÆs ôRussian Rouletteö and stupid
bass lines as well as the unbelievably bad bridge with its ultra-pale
melody line do the rest. The song lacks metallic harshness and
everything else which makes fun û thank God, there are also better
(read: not completely botched) pieces to find. Already the next track
ôActionö has a speed metal compatible structure and avoids monumental
defects. This does not mean that a new classic is born, but it also does
not make the audience reflect about suicide as the better solution.
In simple terms: the vocals suck. I regret it, but I cannot say it
differently. They do not go hand in hand with the music. In addition,
there are so many sections where the voice lacks even the smallest form
of aggression. Given this fact, sometimes it seems as if the vocals
actually belong to another album. Whenever a piece seems to find the
right track, either the ordinary, mostly powerless performance of the
lead singer or a shitty Helloween-for-beginners melody tramples the good
ideas into the dust immediately. I know, Helloween melodies are always
an inspiration to self-mutilation (with the exception of those of ôRide
the Skyö), but now SDI û applause û deliver the ultimate nursery rhymes.
Fortunately, they do not do it all the time, but still too often. And so
a lot of tracks pass by while spreading a pretty nonsensical aura or
none at all. Exceptions? Not really. A good detail like the basic riff
of the title track is foiled by the ohoho-vocals at the beginning.
Another example is that the truly catchy and stirring chorus of
ôFreerideö has to accept that the inadequate mid-part kills a lot of the
songÆs strength. Generally speaking, the back-from-coma-combo fails to
integrate appropriate breaks. Sometimes their songs just start to
develop a good flow, but the trio reliably destroys what it just has
created in a matter of seconds.
The production is acceptable, even though I miss density and pressure to
a certain extent. However, with regard to the songs, it does not make
sense to lose many words about the technical realization. And so IÆll
put the focus again on faceless numbers like ôSneaky Warö, the boring
ôShe Saidö with its Accept rip-off riff or the terrible football anthem
ô(Let the) Ball Runö which suffers from miserable gang shouts and
frustratingly weak guitar lines. And isnÆt it almost a burlesque
spectacle that a band that hasnÆt record an album for more than 30 years
proclaims ôwe are here, we are nowö? Needless to say that all these cuts
shape a pretty heterogeneous work that fails to bring speed and
traditional metal together. Due to a couple of mediocre or acceptable
pieces and with regard to the outstanding chorus of ôFreerideö, there is
perhaps a small chance to get used to this full-length. However, read my
lips: I donÆt play the guinea pig. I respect and appreciate the metallic
passion of the band members and I do not doubt their manual skills, but
the best ôSDI songö is still the eponymous closer of Violent ForceÆs
only album.
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