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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Marie Davidson & LÆîil Nu - Renegade Breakdown ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Marie Davidson & LÆîil Nu ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Renegade Breakdown ▓▓▓▓█
████ GENRE...[ Electronic CAT#....[ ZENDNL267 ████
████ LABEL...[ Ninja Tune ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2020 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 52:53 min REL.DATE[ 09.25.2020 ████
████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████
████ SiZE....[ 121,2 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Renegade Breakdown 06:13 ████
████ 02 Back To Rock 07:27 ████
████ 03 Worst Comes To Worst 04:12 ████
████ 04 Center Of The World (Kotti Blues) 05:11 ████
████ 05 La Ronde 02:29 ████
████ 06 CÆest parce que jÆmÆen fous 03:41 ████
████ 07 Just In My Head 06:06 ████
████ 08 Lead Sister 06:07 ████
████ 09 My Love 05:50 ████
████ 10 Sentiment 05:37 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 52:53 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://play.google.com/store/music/album/? ████
████ id=Bfpfzy4qymem7infdsblox7pj7i ████
████ ████
████ Marie Davidson is back with a new album, a new ████
████ band, and a bold new sound: ôRenegade ████
████ Breakdownö is set for release on Ninja Tune. ████
████ Arriving under the banner of Marie Davidson & ████
████ L'îil Nu, a trio formed of three old-time ████
████ friends and long-term collaborators with ████
████ shared roots in MontrealÆs DIY scene: Marie, ████
████ Pierre Guerineau and Asaδl R. Robitaille (the ████
████ former two are also husband and wife, and ████
████ partners in the group Essaie pas). Drawn to ████
████ the idea of the eternal return, they deliver a ████
████ forward-facing, innovative pop record that ████
████ builds on the classic tenets of MarieÆs music ████
████ to create something that strikes out towards a ████
████ broader audience. With dark humour and ████
████ interpolated musical influencesùfrom Fleetwood ████
████ Mac to Kraftwerk, and jazz classics such as ████
████ Billie Holiday and Chet Bakerùthey spin each ████
████ of its entries in wildly imaginative ████
████ directions. ████
████ ████
████ The title, alongside the artworkùwith its ████
████ three versions of Marieùare nods to the recent ████
████ experiences of Davidson, the groupÆs ████
████ frontwoman, lyrics-writer and synth player, ████
████ and the journey thatÆs led her here. ôRenegade ████
████ Breakdownö is a reaction to years in which she ████
████ spent most of her life on the road, navigating ████
████ the club and festival lifestyle: the airports, ████
████ the late nights, the lost or damaged gearù ████
████ often alone, always with her case of ████
████ instruments and cables in tow. Documented in ████
████ part by Resident Advisor for their æBetween ████
████ The BeatsÆ series, she candidly laid out the ████
████ realities of her life on tour and the toll it ████
████ would take on her health: dealing with ████
████ feelings of dislocation and disorientation and ████
████ battling her chronic insomnia, exacerbated by ████
████ a never ending transition from one time zone ████
████ to the next. "I get in these states where I ████
████ start to question everything, and I hate ████
████ myself," she told RA at the time, ôsometimes I ████
████ feel like I donÆt belong anywhere.ö ████
████ ████
████ It follows her breakout 2018 album ôWorking ████
████ Class Womanö, which was lauded by Pitchfork as ████
████ ôa bold-moves-only album where feminist theory ████
████ and house music are inseparable,ö and met with ████
████ similar adulation from the likes of The ████
████ Guardian, The New York Times and Crack ████
████ Magazine, as well as being ranked highly in ████
████ end-of-year (and decade) lists by Mixmag, The ████
████ Quietus, Bleep, Bandcamp and many more. ████
████ Meanwhile, the track æWork ItÆ garnered ████
████ worldwide dance-floor anthem status, helped by ████
████ a Soulwax remix, the iconic duoÆs re-work ████
████ garnering over 10m+ streams and a GRAMMY ████
████ nomination. In the wake of the albumÆs ████
████ success, she toured heavily across Europe and ████
████ North America and it was here that the tipping ████
████ point came for Davidson, worn out by the often ████
████ destructive cycles of the touring lifestyle, ████
████ this disenchantment with club culture provided ████
████ the catalyst to do something different ████
████ musically. As she eyed up the end of the tour, ████
████ she called up Robitaille and Guerineau about ████
████ an idea theyÆd come up with the previous year: ████
████ to make music inspired by popùsuch as the ████
████ iconic work of French singer MylΦne Farmerùand ████
████ to expand their approach to the music from a ████
████ songwriters perspective. ████
████ ████
████ If thereÆs a mood that encapsulates ôRenegade ████
████ Breakdownö, itÆs the one to be found at 3AM ████
████ after a long night, when itÆs time to start ████
████ putting on the classics. ôWe wanted to make ████
████ songs, like the music weÆve been enjoying ████
████ altogether for more than a decade,ö says ████
████ Marie. ItÆs a return to their roots thatÆs ████
████ exemplified by the title track, an all-out, ████
████ anthemic pop track in a unique vein, melding ████
████ 80s-influenced production, DavidsonÆs acerbic ████
████ spoken critique and hands-in-the-air choruses. ████
████ (The trackÆs lyrics, in a mixture of French ████
████ and English are typically coolly and darkly ████
████ funny: ôOh by the way, there are no money ████
████ makers on this record / This time, IÆm ████
████ exploring the loserÆs point of view.ö) ████
████ ████
████ æCentre of the World (Kotti Blues)Æ is another ████
████ prime example of the distinctly singer- ████
████ songwriter vein running throughout the record ████
████ ùit started as an ode to BerlinÆs Kottbusser ████
████ Tor, a sentimental location, and one that has ████
████ been a nexus of the trioÆs shared time in the ████
████ city. The sound and arrangement, led by ████
████ Robitaille, nods to Pat Metheny and the ████
████ acoustic string arrangements of Genesis. ████
████ ████
████ There are other parts that bear a closer ████
████ relation to their respective roots in ████
████ electronic music. On æLead SisterÆ, for ████
████ instance, which started with a MIDI version of ████
████ a piece by baroque composer Marcello, the ████
████ final result is dark and dissonant. The mood ████
████ reflects the subject matter of DavidsonÆs ████
████ lyrics, revolving around Karen Carpenter, of ████
████ The Carpenters, who died of complications from ████
████ anorexia, and who was subject to intense ████
████ psychological abuse behind the duoÆs smiling ████
████ all-American facade. ôItÆs a subject that's ████
████ pretty close to me,ö says Davidson, who got ████
████ immersed in the bandÆs history after hearing ████
████ about their backstory. ████
████ ████
████ Elsewhere, 'C'est parce que j'm'en fous', ████
████ driven by a re-tooled French electro beat, has ████
████ the hallmarks of a classic Marie Davidson ████
████ track, its spoken lyrics sharply critiquing ████
████ preconceptions about feminism and femininity. ████
████ And on æWorst Comes To WorstÆ, they embrace ████
████ their love of classic disco, though always ████
████ re-imagined through an array of small touches, ████
████ like metal guitars chopped up and repurposed ████
████ for the pre-chorus, in a nod to Daft Punk and ████
████ the French Touch. ████
████ ████
████ An eternal subversive whoÆs experienced a bump ████
████ in the road, and decided to take a new ████
████ direction, Marie Davidson wanted the ████
████ camaraderie of making music with the people ████
████ she knew best. For all of them, they were ████
████ enticed by the idea of doing things in a ████
████ different way. Their first proper release as a ████
████ group, after years of friendship and shared ████
████ musical interests, itÆs a new stage that draws ████
████ far into the reaches of their diverse musical ████
████ interests. In the repeated refrain of album ████
████ closer æSentimentÆ, Davidson sings, ôI know I ████
████ have a feeling.ö This album is about following ████
████ your instinct, returning to your roots, and ████
████ building on them to do something new and ████
████ different. ████
████ ████
████ ████
████ URL: n/a ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .