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a r t i s t : Michel Wintsch
t i t l e : Wintsch-Schutz-Hemingway
d a t e : 1994
l a b e l : Unit
g e n r e : Jazz
r l s. d a t e : Aug-2005
t r a c k s : 12
b i t r a t e : VBRkbps
s i z e : 65,5 MB
_______________________________________________________________________
Martin Schutz Cello, Electric Cello
Michel Wintsch Piano, Accordion
Gerry Hemingway Drums, Marimba, Vibraphone
Recorded at Studio 1 Radio Suisse Romande, Lausanne,
Switzerland on 28 January 1994.
This juggernaut of jazz and new music compositions by pianist
Michel Wintsch (with the exception of the last four tracks,
which are group improvisations) is a revelation of fresh ideas
and new harmonic approaches to the combining of jazz
improvisation and classical, particularly of the Second
Viennese School model-modalities. Wintsch creates mini-epics in
his writing ("Access," "Onze Rire," "Sang de Vivaldo"), where
tonal and timbral balances are offered up as pillars in an
entirely new harmonic and rhythmic conception of chromatic
integration. Wintsch is an arpeggiatic player, though he tends
to favor slower tempos and spacious reaches from low to middle
register in his intervals, and Schⁿtz is the perfect
counterpart with his long, sonorous, and even droning lines,
filling space and keeping constants while moving modes around
at will. Finally, in Hemingway he has the most adaptable and
forward-thinking drummer on the planet when it comes to this
kind of cultural miscegenation. Hemingway's sense of rhythm is
that all time is beat-conscious; all time is relative and it
exists not in a continuum of space, but in a continuum of
place. Hence, these pieces begin sometimes maniacally,
sometimes slowly and mournfully, and open out onto other
branches of the metalinguistic tree of harmonic invention. The
final four works, which are group improvisations are full of
fire and abandon, with fiery rimshots and accents from
Hemingway and searing arco work from Schutz to act in
counterpart with and lay counterpoint to Wintsch's gloriously
precise legato phrasing. This is a masterpiece of original
thought and execution. ~ Thom Jurek, All Music Guide
_______________________________________________________________________
01-Forets de la lune [00:45]
02-Access [06:36]
03-Mikhailov, le peintre? [02:38]
04-Sang de Vivaldo [02:28]
05-37 P is out! [04:23]
06-L'homme est une petite montre [01:32]
07-Au milieu du sahara [01:26]
08-Onze rire [04:28]
09-Hedgehog's Puberty [05:57]
10-Le pire avec la jalousie [05:33]
11-C'est qu'elle survive si longtemps a l'amour [05:47]
12-Wrong Emancipation [07:11]
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48:44 min