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▒ ░ ░ "OPEN MUSiC ASSOCiATiON"
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▒ █▓▓█▀ ██▓░ ▓ PROUDLY PRESENTS: ░ ▒ ░ █▓▓▓▒█ ▒
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▓█ █▓░█ ▒ Tom Waits - Live at Royal Theatre Amsterdam █░▒█ █▓
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▀█▄▄ ▀ ARTiST..[ Tom Waits ▀ ▄▄█▀
░ █ ▀█ TiTLE...[ Live at Royal Theatre Amsterdam █▀ █ ░
▒ █ ▀█ GENRE...[ Alternative GRABBER.[ Wavelab █▀ █ ▒
▓ █▄ █ LABEL...[ n/a ENCODER.[ Lame 3.96.1 █ ▄█ ▓
█▄ █▄ █ YEAR....[ 2004 QUALiTY.[ 192 kbps/44,1hz █ ▄█ ▄█
█▄ █▄█ SOURCE..[ Radio MODE....[ Full Stereo █▄█ ▄█
█ ▀█ PLAYTIME[ 109:32 min REL.DATE[ Aug-25-2005 █▀ █
██▄ TRACKS..[ 01 RiPPER..[ TEAM OMA ▄██
░ █▓█▄ SiZE....[ 150,4 MB SUPPLiER[ TEAM OMA ▄█▓█ ░
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▒ █▄ ▀█ NR. TRACK. TiME. █▀ ▄█ ▒
▓▄ █ █ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ █ █ ▄▓
█ █░ █ 01 live at royal theatre amsterdam 11-22-2004 109:32 █ ░█ █
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█ ▀█▄█ ∙∙∙∙∙∙∙∙∙∙∙ ░ █▄█▀ █
▀█ ▀█ ▒ TOTAL:109:32 ▒ █▀ █▀
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▓█ █▓░█ █░▓█ █▓
█ █▓░█ Recorded November 22nd 2004, Royal Theatre, █░▓█ █
█ █▓░█ Amsterdam. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Setlist: █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ 01. Hoist that Rag █░▓█ █
█ █▓░█ 02. Make it Rain █░▓█ █
█ █▓░█ 03. Jockey Full of Bourbon █░▓█ █
█ █▓░█ 04. Don't Go into that Barn █░▓█ █
█ █▓░█ 05. Sins of My Father █░▓█ █
█ █▓░█ 06. Straight to the Top █░▓█ █
█ █▓░█ 07. God's Away on Business █░▓█ █
█ █▓░█ 08. Misery is the River of the World █░▓█ █
█ █▓░█ 09. Alice █░▓█ █
█ █▓░█ 10. November █░▓█ █
█ █▓░█ 11. Eyeball Kid █░▓█ █
█ █▓░█ 12. Walk Away █░▓█ █
█ █▓░█ 13. Metropolitan Glide █░▓█ █
█ █▓░█ 14. What's He Building █░▓█ █
█ █▓░█ 15. Shake It █░▓█ █
█ █▓░█ 16. Sixteen Shells █░▓█ █
█ █▓░█ 17. Trampled Rose █░▓█ █
█ █▓░█ 18. House Where Nobody Lives █░▓█ █
█ █▓░█ 19. Lucky Day █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ officialtomwaits.com █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Biography (by William Ruhlmann) █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ In the 1970s, Tom Waits combined a lyrical focus on █░▓█ █
█ █▓░█ desperate, lowlife characters with a persona that █░▓█ █
█ █▓░█ seemed to embody the same lifestyle, which he sang █░▓█ █
█ █▓░█ about in a raspy, gravelly voice. From the '80s on, █░▓█ █
█ █▓░█ his work became increasingly theatrical as he moved █░▓█ █
█ █▓░█ into acting and composing. Growing up in southern █░▓█ █
█ █▓░█ California, Waits attracted the attention of manager █░▓█ █
█ █▓░█ Herb Cohen, who also handled Frank Zappa, and was █░▓█ █
█ █▓░█ signed by him at the beginning of the 1970s, █░▓█ █
█ █▓░█ resulting in the material later released as The Early █░▓█ █
█ █▓░█ Years and The Early Years, Vol. 2. His formal █░▓█ █
█ █▓░█ recording debut came with Closing Time (1973) on █░▓█ █
█ █▓░█ Asylum Records, an album that contained "Ol' 55," █░▓█ █
█ █▓░█ which was covered by labelmates the Eagles for their █░▓█ █
█ █▓░█ On the Border album. Waits attracted critical acclaim █░▓█ █
█ █▓░█ and a cult audience for his subsequent albums, The █░▓█ █
█ █▓░█ Heart of Saturday Night (1974), the two-LP live set █░▓█ █
█ █▓░█ Nighthawks at the Diner (1975), Small Change (1976), █░▓█ █
█ █▓░█ Foreign Affairs (1977), Blue Valentine (1978), and █░▓█ █
█ █▓░█ Heart Attack and Vine (1980). His music and persona █░▓█ █
█ █▓░█ proved highly cinematic, and, starting in 1978, he █░▓█ █
█ █▓░█ launched parallel careers as an actor and as a █░▓█ █
█ █▓░█ composer of movie music. He wrote songs for and █░▓█ █
█ █▓░█ appeared in Paradise Alley (1978), wrote the title █░▓█ █
█ █▓░█ song for On the Nickel (1980), and was hired by █░▓█ █
█ █▓░█ director Francis Coppola to write the music for One █░▓█ █
█ █▓░█ from the Heart (1982), which earned him an Academy █░▓█ █
█ █▓░█ Award nomination. While working on that project, █░▓█ █
█ █▓░█ Waits met and married playwright Kathleen Brennan, █░▓█ █
█ █▓░█ with whom he later collaborated. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Moving to Island Records, Waits made █░▓█ █
█ █▓░█ Swordfishtrombones (1983), which found him █░▓█ █
█ █▓░█ experimenting with horns and percussion and using █░▓█ █
█ █▓░█ unusual recording techniques. The same year, he █░▓█ █
█ █▓░█ appeared in Coppola's Rumble Fish and The Outsiders, █░▓█ █
█ █▓░█ and, in 1984, he appeared in the director's The █░▓█ █
█ █▓░█ Cotton Club. In 1985, he released Rain Dogs. In 1986, █░▓█ █
█ █▓░█ he appeared in Down By Law and made his theatrical █░▓█ █
█ █▓░█ debut with Chicago's Steppenwolf Theatre in Frank's █░▓█ █
█ █▓░█ Wild Years, a musical play he had written with █░▓█ █
█ █▓░█ Brennan. An album based on the play was released in █░▓█ █
█ █▓░█ 1987, the same year Waits appeared in the films Candy █░▓█ █
█ █▓░█ Mountain and Ironweed. In 1988, he released a film █░▓█ █
█ █▓░█ and soundtrack album depicting one of his concerts, █░▓█ █
█ █▓░█ Big Time. In 1989, he appeared in the films Bearskin: █░▓█ █
█ █▓░█ An Urban Fairytale, Cold Feet, and Wait Until Spring. █░▓█ █
█ █▓░█ His work for the theater continued in 1990 when Waits █░▓█ █
█ █▓░█ partnered with opera director Robert Wilson and beat █░▓█ █
█ █▓░█ novelist William Burroughs and staged The Black Rider █░▓█ █
█ █▓░█ in Hamburg, Germany. In 1991, he appeared in the █░▓█ █
█ █▓░█ films Queens' Logic, The Fisher King, and At Play in █░▓█ █
█ █▓░█ the Fields of the Lord. In 1992, he scored the film █░▓█ █
█ █▓░█ Night on Earth; released the album Bone Machine, █░▓█ █
█ █▓░█ which won a Grammy Award for Best Alternative Music █░▓█ █
█ █▓░█ Album; appeared in the film Bram Stoker's Dracula; █░▓█ █
█ █▓░█ and returned to Hamburg for the staging of his second █░▓█ █
█ █▓░█ collaboration with Robert Wilson, Alice. The The █░▓█ █
█ █▓░█ Black Rider was documented on CD in 1993, the same █░▓█ █
█ █▓░█ year Waits appeared in the film Short Cuts. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ A long absence from recording resulted in the 1998 █░▓█ █
█ █▓░█ release of Beautiful Maladies, a retrospective of his █░▓█ █
█ █▓░█ work for Island. In 1999, Waits finally returned with █░▓█ █
█ █▓░█ a new album, Mule Variations. The record was a █░▓█ █
█ █▓░█ critical success, winning a Grammy for Best █░▓█ █
█ █▓░█ Contemporary Folk album, and was also his first for █░▓█ █
█ █▓░█ the independent Epitaph Records' Anti subsidiary. A █░▓█ █
█ █▓░█ small tour followed, but Waits jumped right back into █░▓█ █
█ █▓░█ the studio and began working on not one but two new █░▓█ █
█ █▓░█ albums. By the time he emerged in the spring of 2002, █░▓█ █
█ █▓░█ both Alice and Blood Money were released on Anti █░▓█ █
█ █▓░█ Records. Blood Money consisted of the songs from the █░▓█ █
█ █▓░█ third Wilson/Waits collaboration that was staged in █░▓█ █
█ █▓░█ Denmark in 2000 and won Best Drama of the year. After █░▓█ █
█ █▓░█ limited touring in support of these two endeavors, █░▓█ █
█ █▓░█ Waits returned to the recording studio and issued █░▓█ █
█ █▓░█ Real Gone in 2004. The album marked a large departure █░▓█ █
█ █▓░█ for him, in that it contained no keyboards at all, █░▓█ █
█ █▓░█ focusing only on rhythm-stringed instruments. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ enjoy █░▓█ █
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██▄ All the siteops that host us... ▄██
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█ ▀█ ░ WEB: http://www.never-ever.com ░ █▀ █
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░ █▓█▄ ▓▓░ We're always looking for skilled rippers! ░▓▓ ▄█▓█ ░
▒ █▓▓█ ██▓░ Use one of the contact methods above to apply ;) ░▓██ █▓▓█ ▒
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█ ▀███▓█████▄▄▄▄▓▄▄▓▓▓▄▄▓▓▄▄▓▄▄▄ ASCii █▄▄▓▄▄▄▓▓▄▄▄▓▄▄██▄▄█████▓███▀ █
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█ ▀█ ░ WEB: http://www.never-ever.com ░ █▀ █
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░ █▓█▄ ▓▓░ We're always looking for skilled rippers! ░▓▓ ▄█▓█ ░
▒ █▓▓█ ██▓░ Use one of the contact methods above to apply ;) ░▓██ █▓▓█ ▒
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cA3R0n