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██▌ Artist...: Pathogen ░▐██▌
░▐██ Album....: Obscure Deathworship ░██▌░
▓▐██ Year.....: 2019 ▓▐██▓
▓▐██ Rel.Date.: 2020-10-04 ░▐██▓
▐██ Genre....: Death Metal ██▌░
░ ██▌ Label....: Old Temple ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Vanquished 1:14
2. Obscure Deathworship 3:33
3. Aggressive Tumor 4:02
4. A New Dragonian Century 4:54
5. Ashen Surreality 7:49
6. The Womb of Rot 5:23
7. Agrimony 3:51
8. Graveyard of Empires 5:59
9. Deliverance from Existence / Into Sepulchral Realms 8:09
------
44:54
One of the Philippine extreme metal bands that I always keep my radar is
the San Pablo-based death metal quartet, Pathogen. The reason behind
this is because the band had never disappointed their listeners with the
releases that they had unfettered all these years. In every demo and
studio record that they had put out, Pathogen had showcased how they can
consistently offer more than of those generic and typical death metal
acts swarming the death metal scene these days can offer.
More than a year after Pathogen had released their crushing and obscure
magnum opus "Ashes of Eternity", the band had unchained their fifth
full-length studio album "Obscure Deathworship" last month of August
this year. Released under Malaysia's Warmaster Productions, this latest
offering is limited to only 150 copies and I went through a lot of
difficulties before I was able to grab my copy because the cassette had
already gone sold out just hours after it was announced available for
order. Lucky for me that a contact of mine, James David of Dethrone
Records Philippines, had a couple of spare copies of the album and he
was selling them.
Now, in my own point of view, "Obscure Deathworship" stands tall above
the bulk of Pathogen's notable output throughout their career in
crafting death metal music. One of the reasons behind this is that the
materials in this latest record hold the existence of numerous massive
and crushing tracks which carries the crunchy and distorted mists of the
guitar work, and a handful of guitar solos, that would envelop the
listeners in a mass of dissonant dementia. Willie and Alex had done a
great job playing their roles in this opus. Both had provided blazing
performances in the guitar department as they have dispensed quite
memorable riffs, episodic solos, and even a few atmospheric doom-laden
riffs which fit perfectly in the album.
Although not that very discernible in sound, the presence of the bass
can still be felt by the listeners. Nino Jerome's bass lines never
really go beyond backing the guitar department, but one can easily
notice them sitting beneath the more obvious sections of the Pathogen's
music. The guy may not be a bass player of aptitude, but he most
certainly gets the job done in supplying assistance of brutality beneath
the sawing guitar riffs distributed by Willie and Alex. Vic's drumming
in this album is pretty old school. The dude is as humble on his
hammering as he always was, but it doesn't hide the fact that his
performance here displays his versatility and agile drumming ability.
Vic pitches in some quick on the uptake fills where it is necessary and
he shows great prudence in the fast sections of the record by not going
too fast. The prudence he displays during the faster sections of the
songs makes this opus even better because the drums don't draw away the
listeners from all the other elements.
Willie's inhuman vocal delivery in here is hair-splitting and superb.
His vocal performance is an equal part of the abysmal whole that
"Obscure Deathworship" showers upon its listeners. From below the
infernal regions, his voice punishes those who dare listens to this
magnum opus. In fact, the moment I hear him uttering the lyrics of the
tracks in this album I felt like he is conjuring ancient invocations to
summon an archaic beast channeled directly from the very depths of the
abyss. And it is not just Willie's vocal that had impressed me about the
guy, as we can easily notice his brilliant lyrics writing in this album.
Reading the lyrics to the track 'A New Dragonian Century' made me truly
comprehend how the dude is a such a clever songwriter. And if you are
familiar with his other project Omenfilth, you would find that Willie
really knows his way in composing lyrics which plunges into a more
introspective pondering. If you already have a copy of this material,
try reading the lyrics of the tunes 'Ashen Surreality', 'The Womb of
Rot', 'Agrimony', and 'Graveyard of Empires' to indubitably fathom how
this guy is such an impressive composer.
I applaud Pathogen, not only for the evenhandedness of all the members'
performances in "Obscure Deathworship", but also their songwriting as
well. The band's songwriting is once again amazing as always, with the
arrangements suiting the group's music very well. These guys exhibit
some stirring songwriting with a lot of changing rhythms in numerous
part of the album, and they most importantly emphasize that in the doomy
and ominous parts. That aspect is the pinnacle of the tunes they appear
on. Pathogen keeps the drumming to a perfect balance, bring to the fore
the tyrannizing and usually more twisted riffs, as well as they bring
the vocals to the front line. On the production end of the material, it
won't bother the listeners either, as it is lucid but natural in its
manner. The record sounds very dark and raw, but each instrument and
element can be apprehended well.
To those of you who haven't heard of this latest Pathogen offering and
consider yourselves death metal fans, you guys are truly missing out on
an opus that is truly catchy and haunting. Everything in this album --
from the riffs, arrangements, lyrics, and performances -- is of
excellence. The whole thing is concentrated into an enormous changing of
tempo from slow to fast to mid-paced at its own inclination and
wrenching its listeners back and forth on a roller-coaster ride of
anguish and torment that only a few death metal bands can evoke. That
said, "Obscure Deathworship" is heavy enough to crush its audience
instantaneously, and it most certainly does, staggering towards us
mortals in an ancient, colossal reverberate that will make each and
every one of us fear the unknown.
For the few lucky ones of us who have scored a copy of this magnum opus,
we have racked up an album that is truly worthy to be added to our pile
of extreme metal music collection. To those who weren't lucky enough to
bag a copy, I suggest you fellas to go hunt it down and you might be
lucky enough to find someone who has a spare copy which he/she would
trade or sell that extra copy to you.
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