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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Hazmat Modine
Title | Cicada
Genre | Blues Format | Album
Source | CD Time | 51:13
Label | Barbes Records Store | 2011
Catalog | BR0031 Rip | 2020
Bitrate | 742 kbps Size | 292.20 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Mocking Bird 3:44
02. Child Of A Blind Man (with Natalie Merchant & Gangbe Brass 4:12
Band)
03. Two Forty Seven 4:46
04. Cicada 4:52
05. Buddy 6:08
06. In Two Years 2:00
07. I've Been Lonely For So Long 4:19
08. The Tide 5:50
09. Ebb Tide 0:46
10. Walking Stick 3:01
11. So Glad 5:44
12. Cotonou Stomp (with Gangbe Brass Band) 2:05
13. Dead Crow (with Kronos Quartet) 3:46
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
New York-based folk group/ethnomusicology experiment Hazmat Modine draw
from a wide array of influences and time periods. Performing music from the
'20s through the early '60s, including genres such as swing, klezmer, hokum
jug band, blues, rocksteady, and more, the dual harmonica-fronted band has
earned a reputation as fearless world music alchemists. Founder Wade
Schuman was brought up in Ann Arbor, MI, a city known for its music scene,
before relocating to New York. His mastery of early blues styles earned him
opportunities to record with some of New York's greatest, including an
appearance on Joan Osborne's Grammy-nominated Relish.
Hazmat Modine's first album, 2006's Bahamut, earned a placing in the
Billboard blues chart. Five years later, the band's second, Cicada, might
be more appropriately slotted in the magazine's traditional jazz chart.
Truthfully, however, Hazmat Modine present an eclectic mixture of roots
styles that is nearly beyond category. Bandleader Wade Schuman sings in an
expressive adenoidal tenor and fronts a group dominated by both familiar
and less frequently employed horns (Joe Daley plays sousaphone and tuba) in
what might be called a 'Ry Cooder meets the Dirty Dozen Brass Band' manner.
But that's only the core of the sound, which also includes other unusual
instruments and found sounds. The instrumental "In Two Years," for example,
combines a haunting trumpet refrain, odd percussion, and the sounds of
fireworks. Schuman can turn to traditional blues, as he does on "Buddy,"
which has a "St. James Infirmary" feel to it, and to conventional
old-school R&B, on "I've Been Lonely for So Long." But even on such tracks,
he changes things up, letting the horns weave in and out as he sings in a
mannered, slightly tongue-in-cheek style, like Tom Waits in a higher key.
The danger with such self-consciously mixed-up revivalist music is of
course that it can come off as something of a joke, but Schuman and company
are too accomplished as players for that; they are having a lot of fun, not
just being funny. No wonder they have attracted prominent guests like
Natalie Merchant, who blends into the group vocals on "Child of a Blind
Man," and the Kronos Quartet, who make of the closing track, "Dead Crow," a
hybrid of country hoedown and contemporary chamber music.
┌────────┐
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└────────┘