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± ° ° "OPEN MUSiC ASSOCiATiON"
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°±°±±Û ÛÛÛÛÜÜÜÜÜÜÜܲ²ÜÜÜ ßßÛÛÛÛ °° ° °°° ± Ûßßß ÜÜÛ²°° ° °ÛÛÜÜÜÜÜÛ Û²±°²
°±²²Û ÛÛ²±ÛÛ²²²²²±±±±±°°° ßßÜ ° ° ° ° ° °±²²±±°°°²±²²²±°²² ÜÛ²±Û
° Û²²²Û ÛÛ±±±Û² ±°° ° ° °±±²²°± ± ÜÛ²²±Û °
± Û²²Ûß ÛÛ²° ² PROUDLY PRESENTS: ° ± ° Û²²²±Û ±
² ßÛ±ÛÜ Û ² ÛÛ²±Ûß ²
²Û Û²°Û ± Public Enemy - Revolverlution Tour Australia 2003 Û°±Û Û²
Û ßÛÛÛ ÛÛÛß Û
ßÛÜÜ ß ARTiST..[ Public Enemy ß ÜÜÛß
° Û ßÛ TiTLE...[ Revolverlution Tour Australia 2003 Ûß Û °
± Û ßÛ GENRE...[ Hip-Hop GRABBER.[ EAC Ûß Û ±
² ÛÜ Û LABEL...[ Neo / SonyBMG ENCODER.[ Lame 3.97b2 Û ÜÛ ²
ÛÜ ÛÜ Û YEAR....[ 2006 QUALiTY.[ VBR kbps/44,1hz Û ÜÛ ÜÛ
ÛÜ ÛÜÛ SOURCE..[ DVD MODE....[ Joint-Stereo ÛÜÛ ÜÛ
Û ßÛ PLAYTIME[ 137:13 min REL.DATE[ May-25-2006 Ûß Û
ÛÛÜ TRACKS..[ 25 RiPPER..[ TEAM OMA ÜÛÛ
° Û²ÛÜ SiZE....[ 232,3 MB SUPPLiER[ TEAM OMA ÜÛ²Û °
± Û²²Û Û²²Û ±
² ßÛ±ÛÜ ÜÛ±Ûß ²
²Û Û²°Û ßÛÛß ÛÛßÛ ÛÛßÛ ÛÛßß ÛÛ Û ÛÛ ÛÛ ÛÛßß ßÛÛß Û°²Û Û²
Û ßÛÛÛ ÛÛ ÛÛÜß ÛÛÜÛ ÛÛ ÛÛÜß ÛÛ ÜÜ ßßßÛ ÛÛ ÛÛÛß Û
ßÛÜÜ ß ÜÜÜÜÜÜÜ Ü ²Û ²Û Û ²Û Û ²ÛÛÛ ²Û Û ²ÛÛÛ ²Û ²ÛÛÛ ²Û Ü ÜÜÜÜÜÜÜÜ ß ÜÜÛß
° Û ßÛ Ûß Û °
± ÛÜ ßÛ NR. TRACK. TiME. Ûß ÜÛ ±
²Ü Û Û ùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùù Û Û Ü²
Û Û° Û 01 Intro 02:01 Û °Û Û
Û Û° Û 02 Brothers Gonna Work It Out 04:25 Û °Û Û
Û Û° Û 03 Welcome To The Terrordome 02:45 Û °Û Û
Û Û° Û 04 Bring The Noise 01:27 Û °Û Û
Û Û° Û 05 Son Of A Bush 07:03 Û °Û Û
Û Û° Û 06 Shut em Down 04:52 Û °Û Û
Û Û° Û 07 Black Steel In The Hour Of Chaos 03:58 Û °Û Û
Û Û° Û 08 He Got Game 06:30 Û °Û Û
Û Û° Û 09 Revolverlution 04:53 Û °Û Û
Û Û° Û 10 911 Is A Joke 04:29 Û °Û Û
Û Û° Û 11 Public Enemy 01:28 Û °Û Û
Û Û° Û 12 D.J. Lord Solo 04:11 Û °Û Û
Û Û° Û 13 Give It Up 05:39 Û °Û Û
Û Û° Û 14 Dont Believe The Hype 06:51 Û °Û Û
Û Û° Û 15 Rebel Without A Pause 00:37 Û °Û Û
Û Û° Û 16 Arizona (Ball of Confusion) 02:02 Û °Û Û
Û Û° Û 17 Fight The Power (Soul Power) 04:16 Û °Û Û
Û Û° Û 18 Flavor Set 11:17 Û °Û Û
Û Û° Û 19 7th Octave Set 25:51 Û °Û Û
Û Û° Û 20 Prophets Of Rage 03:21 Û °Û Û
Û Û° Û 21 Can't Truss It 02:00 Û °Û Û
Û Û° Û 22 Do You Wanna Go Our Way 05:44 Û °Û Û
Û Û° Û 23 Peeps (Turbo) 09:59 Û °Û Û
Û Û° Û 24 Hazy Shade Of Criminal (She Watch Channel Zero) 10:48 Û °Û Û
Û Û° Û 25 Outro 00:46 Û °Û Û
Û Û° Û Û °Û Û
Û ßÛÜÛ ùùùùùùùùùùù ° ÛÜÛß Û
ßÛ ßÛ ± TOTAL:137:13 ± Ûß Ûß
ÛÛÜ Ü²° °²Ü ÜÛÛ
° Û²ÛÜ Û²±° ÛÛßÛ ÛÛßß ÛÛ ÛÜ Û ÛÛßÛ ÛÛÛÛ ÛÛßß ÛÛßß °±²Û ÜÛ²Û °
± Û²²Û ²²±±° ÛÛÜß ÛÛß ÛÛ ÛÛÛÛ ÛÛ Û ÛÛ ÛÛß ßßßÛ °±±²² Û²²Û ±
² ßÛ±ÛÜ ÜÜÜÜÜÜÜÜ Ü ²Û Û ²ÛÛÛ ²ÛÛÛ ²Û Û ²ÛÛÛ ²Û ²ÛÛÛ ²ÛÛÛ Ü ÜÜÜÜÜÜÜÜ ÜÛ±Ûß ²
²Û Û²°Û Û°²Û Û²
Û Û²°Û PUBLIC ENEMY Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û PE - HISTORY OF THE ROLLING STONES OF RAP? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?THEIR REVOLUTIONARY GROUPING OF GROUNDBREAKING Û°²Û Û
Û Û²°Û SOUNDSCAPES WITH DECIDEDLY POLITICAL LYRICS MADE Û°²Û Û
Û Û²°Û PUBLIC ENEMY, BEYOND THE SHADOW OF A DOUBT, THE MOST Û°²Û Û
Û Û²°Û CONTROVERSIAL, INFLUENTIAL, AND AUTHORITATIVE Û°²Û Û
Û Û²°Û HARDCORE RAP FORMATION OF THE LATE EIGHTIES, EARLY Û°²Û Û
Û Û²°Û NINETIES. FOR MANY, CHUCK D. AND HIS CREW TO THIS DAY Û°²Û Û
Û Û²°Û REMAIN THE MOST DEFINITIVE RAP GROUP OF ALL TIME, AS Û°²Û Û
Û Û²°Û THEY HAVE NOT ONLY MADE A MASSIVE, CULTURAL IMPACT ON Û°²Û Û
Û Û²°Û BLACK SOCIETY, BUT HAD AN ALMOST EQUALLY SIGNIFICANT, Û°²Û Û
Û Û²°Û CONSCIENCE-ROUSING EFFECT ON ALL PEOPLE OF DIFFERENT Û°²Û Û
Û Û²°Û COLORS AND BACKGROUNDS ACROSS THE PLANET. ? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?IN 1982, COLLEGE DJ CHUCK D., WHOSE REAL NAME IS Û°²Û Û
Û Û²°Û CARLTON DOUGLAS RIDENHOUR, FORMED PUBLIC ENEMY AT THE Û°²Û Û
Û Û²°Û ADELPHI UNIVERSITY ON LONG ISLAND, NEW YORK. HE MET Û°²Û Û
Û Û²°Û HANK SHOCKLEE AT THE STUDENT RADIO STATION WBAU, Û°²Û Û
Û Û²°Û WHERE THE TWO WERE MIXING TRACKS UNDER THE Û°²Û Û
Û Û²°Û SUPERVISION OF BILL STEPHNEY. ALL THREE SHARED A LOVE Û°²Û Û
Û Û²°Û OF HIP-HOP AND POLITICS AND TOGETHER, THEY CREATED A Û°²Û Û
Û Û²°Û COLLECTION OF CUTS, CALLED THE SUPER SPECTRUM MIX Û°²Û Û
Û Û²°Û SHOW, NAMED AFTER THEIR DJ OUTFIT, SPECTRUM CITY. Û°²Û Û
Û Û²°Û WILLIAM DRAYTON, A FRIEND OF CHUCKS AND ONE AVID FAN Û°²Û Û
Û Û²°Û OF THE PROGRAMM, BEGAN HANGING AT THE RADIO STATION Û°²Û Û
Û Û²°Û RELENTLESSLY UNTIL BILL STEPHNEY MADE HIM HOST OF HIS Û°²Û Û
Û Û²°Û OWN SHOW. WHEN THEY BEGAN MIXING THEIR OWN TAPES FOR Û°²Û Û
Û Û²°Û BROADCAST ON WBAU, DRAYTON DEVELOPED AN ALTER-EGO Û°²Û Û
Û Û²°Û NAMED FLAVOR FLAV, EVENTUALLY FUNCTIONING AS Û°²Û Û
Û Û²°Û ABSURDIST COMIC SIDEKICK TO CHUCKS FORCEFUL VOCALS Û°²Û Û
Û Û²°Û AND SOMBER RHYMES. ALL THIS WAS DEVELOPED WHILE Û°²Û Û
Û Û²°Û WORKING AS TRUCK DRIVERS ON THEIR DAY JOBS!? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?IN 1987, CHUCK D. SIGNED ON TO DEF JAM RECORDS, TWO Û°²Û Û
Û Û²°Û YEARS AFTER RICK RUBIN, THE COMPANYS CO-FOUNDER, HAD Û°²Û Û
Û Û²°Û INITIALLY APPROACHED HIM ABOUT A RECORDING CONTRACT. Û°²Û Û
Û Û²°Û RECRUITING SHOCKLEE AS HIS PRODUCER AND STEPHNEY Û°²Û Û
Û Û²°Û ALREADY THERE AS AN EARLY DEF JAM EXECUTIVE, CHUCK D. Û°²Û Û
Û Û²°Û FORMED THE GROUP, WITH DJ TERMINATOR X (NORMAN LEE Û°²Û Û
Û Û²°Û ROGERS) ON THE TURNTABLES AND PROFESSOR GRIFF Û°²Û Û
Û Û²°Û (RICHARD GRIFFIN) HEADING THE BACKUP MILITARIED LOOK Û°²Û Û
Û Û²°Û SECURITY OF THE FIRST WORLD AKA THE S1WS. MEMBERS Û°²Û Û
Û Û²°Û WERE ASSIGNED FUNCTIONS AND GIVEN TITLES, SUCH AS Û°²Û Û
Û Û²°Û MINISTER OF INFORMATION OR S1W GUARD. THE LATTER Û°²Û Û
Û Û²°Û NAME REFERRED TO MEMBERS OF PUBLIC ENEMYS BACKUP Û°²Û Û
Û Û²°Û STAGE SQUAD, WHO WERE SORT OF THE GROUPS BODYGUARDS Û°²Û Û
Û Û²°Û AT THE SAME TIME. WEARING BLACK BERETS AND CAMOUFLAGE Û°²Û Û
Û Û²°Û GEAR, SOMEWHAT REMINISCENT OF THE BLACK PANTHERS, Û°²Û Û
Û Û²°Û THEY WERE PERFORMING MARTIAL ARTS INSPIRED MOVEMENTS Û°²Û Û
Û Û²°Û WITH FAKE UZIS STRAPPED AROUND THEIR SHOULDERS. KNOWN Û°²Û Û
Û Û²°Û AS THE BOMB SQUAD, PUBLIC ENEMYS PRODUCTION TEAM Û°²Û Û
Û Û²°Û MASTERMINDED A PIONEERING STYLE OF MUSIC-MAKING, Û°²Û Û
Û Û²°Û APPLYING SEEMINGLY CHAOTIC CUT-AND-PASTE TECHNIQUES: Û°²Û Û
Û Û²°Û PIECES OF POLITICAL SPEECHES, PIERCING POLICE SIRENS, Û°²Û Û
Û Û²°Û AND SCRATCHY TURNTABLE SEQUENCES WERE COMBINED WITH Û°²Û Û
Û Û²°Û BARELY RECOGNIZABLE FUNK SAMPLES, RAZOR-SHARP GUITAR Û°²Û Û
Û Û²°Û RIFFS, AND RELENTLESS, DENSE DRUM BEATS. IN ITS Û°²Û Û
Û Û²°Û STRUCTURE, THE GROUP TOOK ON FEATURES RESEMBLING Û°²Û Û
Û Û²°Û THOSE OF A SUBSTITUTIONAL POLITICAL PARTY. IT WAS Û°²Û Û
Û Û²°Û THEN, AT THE VERY LATEST, THAT ONE THING BECAME Û°²Û Û
Û Û²°Û UNMISTAKABLY CLEAR: THIS WAS NOT YOUR RUN-OF-THE-MILL Û°²Û Û
Û Û²°Û RAP GROUP!? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?ESPECIALLY AT THE OUTSET, PUBLIC ENEMY, COMMONLY Û°²Û Û
Û Û²°Û HAILED AS THE BLACK SEX PISTOLS, WERE MISUNDERSTOOD Û°²Û Û
Û Û²°Û AS AN ALARMINGLY RADICAL PHENOMENON, THOUGHT TO BE Û°²Û Û
Û Û²°Û PREACHING HATEFUL, HOMOPHOBIC, ANTI-SEMITIC, AND Û°²Û Û
Û Û²°Û MISOGYNIST BELIEFS BECAUSE THEIR STREET-ORIENTED Û°²Û Û
Û Û²°Û RHYMES TALKED ABOUT THE VERY REAL PROBLEMS THE BLACK Û°²Û Û
Û Û²°Û AMERICAN FROM THE GHETTO UNDERCLASS WAS FACED WITH Û°²Û Û
Û Û²°Û EVERY DAY. CALLING FOR SOCIAL ACTIVISM AND CONDONING Û°²Û Û
Û Û²°Û REVOLUTIONARY TACTICS WERE ALL PART OF THE ENDEAVOUR Û°²Û Û
Û Û²°Û OF LEADING HIP-HOP IN THE DIRECTION OF AN EXPLICITLY Û°²Û Û
Û Û²°Û SOCIALLY CRITICAL, SELF-AWARE, PRO-BLACK Û°²Û Û
Û Û²°Û CONSCIOUSNESS. CHUCK D. FREQUENTLY LIKENED RAP TO A Û°²Û Û
Û Û²°Û BLACK CNN, RELATING WHAT WAS HAPPENING IN THE INNER Û°²Û Û
Û Û²°Û CITY WITH A RHETORIC, MAINSTREAM MEDIA WOULD NEVER Û°²Û Û
Û Û²°Û MAKE USE OF. THE FACTS WERE: MASSES OF BLACK PEOPLE Û°²Û Û
Û Û²°Û IN THE US WERE POOR, JOBLESS, HUNGRY, WITHOUT Û°²Û Û
Û Û²°Û SHELTER. PUBLIC ENEMY WERENT HATEFUL, THEY WERE Û°²Û Û
Û Û²°Û TELLING IT LIKE IT IS, FROM THEIR POINT OF VIEW. AND Û°²Û Û
Û Û²°Û THEY WERE BEGINNING TO ASK UNCOMFORTABLE QUESTIONS. Û°²Û Û
Û Û²°Û BEFORE PUBLIC ENEMY APPEARED ON THE SCENE, MOST Û°²Û Û
Û Û²°Û RAPPERS WOULD USE THE MIC TO FLY THEIR OWN KITE AND Û°²Û Û
Û Û²°Û BOAST ABOUT EXPENSIVE CARS, PARTIES, AND GIRLFRIENDS, Û°²Û Û
Û Û²°Û TURNING A BLIND EYE ON THE RUTHLESS REALITY, MANY OF Û°²Û Û
Û Û²°Û THEM HAD PREVIOUSLY EXPERIENCED THEMSELVES. THEN, Û°²Û Û
Û Û²°Û ALONG CAME THIS GROUP WHO SOUNDED NEW AND Û°²Û Û
Û Û²°Û KNUCKLE-BARE, ARTICULATE AND AGGRESSIVE. ? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?IN 1987, PUBLIC ENEMY RELEASED THEIR DEBUT ALBUM Û°²Û Û
Û Û²°Û YO! BUM RUSH THE SHOW, WHICH WAS STILL LARGELY Û°²Û Û
Û Û²°Û IGNORED BY THE ROCK AND R&B MAINSTREAM. THE FOLLOWING Û°²Û Û
Û Û²°Û YEAR, HOWEVER, THEIR SECOND ALBUM WAS HAILED AS Û°²Û Û
Û Û²°Û REVOLUTIONARY. ITS ACCURATE MILITANT AND MUSICAL Û°²Û Û
Û Û²°Û VISION OF URBAN CHAOS COULD NO LONGER BE IGNORED AND Û°²Û Û
Û Û²°Û THE NEW YORK TIMES EVEN RANKED IT TAKES A NATION OF Û°²Û Û
Û Û²°Û MILLIONS TO HOLD US BACK ON ITS LIST OF 25 ALBUMS OF Û°²Û Û
Û Û²°Û THE LAST CENTURY THAT SHAPED MUSIC. FEAR OF A BLACK Û°²Û Û
Û Û²°Û PLANET HIT THE STORES IN 1990, GARNERED EQUALLY RAVE Û°²Û Û
Û Û²°Û REVIEWS, AND PRODUCED THREE TOP 40 R&B HITS. THEIR Û°²Û Û
Û Û²°Û NEXT ALBUM FEATURED A RECORDING OF BRING THE NOISE Û°²Û Û
Û Û²°Û WITH THRASH METAL OUTFIT ANTHRAX. APOCALYPSE 91 THE Û°²Û Û
Û Û²°Û ENEMY STRIKES BLACK DEBUTED AT NUMBER FOUR ON THE Û°²Û Û
Û Û²°Û POP CHARTS AND WAS GREETED ONCE AGAIN WITH Û°²Û Û
Û Û²°Û OVERWHELMING PRAISE. ? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?AS PUBLIC ENEMYS POPULARITY AND INFLUENCE INCREASED Û°²Û Û
Û Û²°Û AND THEIR PROFILE WAS RAISED, THE CONTROVERSY AND Û°²Û Û
Û Û²°Û DEBATE SURROUNDING THEM MULTIPLIED. EVERYTHING THEY Û°²Û Û
Û Û²°Û SAID AND DID WAS PAINSTAKINGLY DISSECTED BY ARDENT Û°²Û Û
Û Û²°Û CRITICS. PUBLIC ENEMY IS YOUR ENEMY BECAME JUST ONE Û°²Û Û
Û Û²°Û OF A NUMBER OF SLOGANS WITH WHICH THEY TRIED TO GET Û°²Û Û
Û Û²°Û RECORD STORES AND RADIO STATIONS TO BOYCOTT THE Û°²Û Û
Û Û²°Û GROUP. PUBLIC ENEMY EVEN APPEARED IN AN FBI REPORT TO Û°²Û Û
Û Û²°Û CONGRESS EXAMINING RAP MUSIC AND ITS EFFECTS ON Û°²Û Û
Û Û²°Û NATIONAL SECURITY. MORE THAN ONCE, THE GROUPS Û°²Û Û
Û Û²°Û LYRICS CAUSED AN UPROAR. BUT DESPITE THEIR SEEMINGLY Û°²Û Û
Û Û²°Û HOSTILE STANCE, CHUCK D. PROVED REACTIVE TO SOME OF Û°²Û Û
Û Û²°Û THE CRITICISM, WHEN COMMENTS ABOUT THE Û°²Û Û
Û Û²°Û ISRAELI-PALESTINIAN CONFLICT MADE BY PROFESSOR GRIFF Û°²Û Û
Û Û²°Û SPAWNED ANTI-SEMITIC ACCUSATIONS. IN THE AFTERMATH OF Û°²Û Û
Û Û²°Û THE NOW INFAMOUS WASHINGTON POST INTERVIEW, PROFESSOR Û°²Û Û
Û Û²°Û GRIFF LEFT PUBLIC ENEMY TO RECORD FOUR Û°²Û Û
Û Û²°Û CONSCIOUS-BASED ALBUMS DURING THE REST OF THE 1990S. Û°²Û Û
Û Û²°Û PROFESSOR GRIFF RETURNED TO THE GROUP IN 1997 AT A PE Û°²Û Û
Û Û²°Û REFORMATION CONCERT WITH KRS-ONE AND RUN-DMC AND HAS Û°²Û Û
Û Û²°Û SINCE CONTINUED TO CONTRIBUTE TO PUBLIC ENEMYS Û°²Û Û
Û Û²°Û PIONEERING EFFORTS IN SONG, IMAGE, AND STRUCTURE. ? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?IN 1992, THE THEN INNOVATIVE REMIX COLLECTION Û°²Û Û
Û Û²°Û GREATEST MISSES WAS RELEASED TO LESS THAN FAVORABLE Û°²Û Û
Û Û²°Û REVIEWS AND PUBLIC ENEMY BEGAN TO LOSE MOMENTUM FOR Û°²Û Û
Û Û²°Û THE FIRST TIME SINCE THE BANDS INCEPTION. CHUCK D. Û°²Û Û
Û Û²°Û FELT IT WAS TOO EARLY TO PUT OUT A GREATEST HITS Û°²Û Û
Û Û²°Û PIECE. IN 1994, MUSE SICK -N- HOUR MESS AGE, THEIR Û°²Û Û
Û Û²°Û FIRST NEW ALBUM IN THREE YEARS, WAS BASHED BY ROLLING Û°²Û Û
Û Û²°Û STONE MAGAZINE. NEVERTHELESS, IT STILL DEBUTED AT Û°²Û Û
Û Û²°Û NUMBER 14, WAS WIDELY ACCEPTED BY MUCH OF THE MUSIC Û°²Û Û
Û Û²°Û PRESS IN THE US, AND BECAME DEF JAMS NUMBER ONE Û°²Û Û
Û Û²°Û INTERNATIONAL RELEASE AROUND THE EARTH. ADDED TO THE Û°²Û Û
Û Û²°Û FACT OF WHAT IN ESSENCE WAS A TRADE OF DEF JAM FROM Û°²Û Û
Û Û²°Û SONY TO POLYGRAM RECORDS, CHUCK D. FELT THAT THE Û°²Û Û
Û Û²°Û MERGER SYSTEMATICALLY LOST THE RECORD INTO THE Û°²Û Û
Û Û²°Û CRACKS SO TO SPEAK. YET, DURING THE FOLLOWING YEAR, Û°²Û Û
Û Û²°Û THE CREW TOURED EXTENSIVELY THROUGHOUT THE WORLD, Û°²Û Û
Û Û²°Û EASILY BECOMING THE MOST TOURED RAP BAND ON THE Û°²Û Û
Û Û²°Û PLANET. THE LATTER TWO RECORDS ALTHOUGH KNOCKED IN Û°²Û Û
Û Û²°Û CERTAIN US GANGSTA CONVERTED RAP CIRCLES PROVED Û°²Û Û
Û Û²°Û TO BE BENCHMARKS EVERYWHERE ELSE AROUND THE GLOBE. Û°²Û Û
Û Û²°Û FLAVOR FLAV WAS REPEATEDLY IN TROUBLE WITH THE Û°²Û Û
Û Û²°Û BRONX-NY-LAW, SEVERAL BAND MEMBERS TOOK A SHOT AT Û°²Û Û
Û Û²°Û SOLO CAREERS, AND CHUCK D. TEMPORARILY SEVERED TIES Û°²Û Û
Û Û²°Û WITH DEF JAM TO DEVELOP HIS OWN RECORD LABEL SLAMJAMZ Û°²Û Û
Û Û²°Û AS WELL AS A PUBLISHING COMPANY, IN AN ATTEMPT TO Û°²Û Û
Û Û²°Û RETHINK PUBLIC ENEMY. HE PUBLISHED HIS FIRST SOLO Û°²Û Û
Û Û²°Û ALBUM, THE AUTOBIOGRAPHY OF MISTACHUCK, ON MERCURY Û°²Û Û
Û Û²°Û RECORDS AND THE BOOK FIGHT THE POWER: RAP, RACE, AND Û°²Û Û
Û Û²°Û REALITY, WHICH WAS A NATIONAL BESTSELLER IN THE US Û°²Û Û
Û Û²°Û AND HAS BEEN REPRINTED IN SEVEN LANGUAGES ACROSS THE Û°²Û Û
Û Û²°Û WORLD.? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?IT WASNT UNTIL 1997/98 THAT CHUCK D. REASSEMBLED Û°²Û Û
Û Û²°Û THE ORIGINAL CREW AND PUBLIC ENEMY RETURNED WITH A Û°²Û Û
Û Û²°Û VENGEANCE. THE MOTION PICTURE SOUNDTRACK TO SPIKE Û°²Û Û
Û Û²°Û LEES HE GOT GAME RECEIVED THE BEST REVIEWS OF ANY Û°²Û Û
Û Û²°Û PUBLIC ENEMY ALBUM SINCE APOCALYPSE 91. IT WAS THE Û°²Û Û
Û Û²°Û FIRST TIME A RAP GROUP HEADED A FILM SOUNDTRACK BY Û°²Û Û
Û Û²°Û ITSELF. STILL, THE RELATIONSHIP BETWEEN PUBLIC ENEMY Û°²Û Û
Û Û²°Û AND ITS RECORD LABEL TURNED INCREASINGLY SOUR. A Û°²Û Û
Û Û²°Û SERIES OF DISAGREEMENTS ENSUED, CULMINATING IN THE Û°²Û Û
Û Û²°Û TERMINATION OF THE 12-YEAR ASSOCIATION WITH DEF JAM, Û°²Û Û
Û Û²°Û AFTER THEY REFUSED TO SUPPORT CHUCK D. IN HIS EFFORTS Û°²Û Û
Û Û²°Û TO BRING FREE MUSIC TO THE MASSES VIA THE INTERNET, Û°²Û Û
Û Û²°Û AMONGST OTHER FARTIST FREEDOM ISSUES. IN AN ACT Û°²Û Û
Û Û²°Û DEFYING THE SUPPRESSION OF CREATIVE THINKING AND Û°²Û Û
Û Û²°Û FREEDOM OF EXPRESSION, PUBLIC ENEMY POSTED THEIR NEW Û°²Û Û
Û Û²°Û SINGLE ON THE WEB: SWINDLERS LUST WAS AN OPEN Û°²Û Û
Û Û²°Û ATTACK ON ALL THOSE MAJOR CORPORATIONS WHICH Û°²Û Û
Û Û²°Û CONTROLLED THE MUSIC INDUSTRY. IN 1999, CHUCK D. AND Û°²Û Û
Û Û²°Û HIS CREW SIGNED UP WITH THE INDEPENDENT Û°²Û Û
Û Û²°Û INTERNET-SAVVY LABEL ATOMIC POP, WHICH MADE PUBLIC Û°²Û Û
Û Û²°Û ENEMY THE FIRST MAINSTREAM BAND TO PUT MP3 FILES OF Û°²Û Û
Û Û²°Û AN ENTIRE ALBUM ON THE WEB. THERES A POISON GOING Û°²Û Û
Û Û²°Û ON HIT RECORD STORES ONLY AFTER IT HAD BEEN MADE Û°²Û Û
Û Û²°Û AVAILABLE FOR SALE ON THE INTERNET. ? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?SINCE THE TURN OF THE NEW CENTURY, PUBLIC ENEMY HAS Û°²Û Û
Û Û²°Û INNOVATED NEW AREAS, WHERE RAP AND HIP HOP HAD NEVER Û°²Û Û
Û Û²°Û GONE BEFORE. 53 COUNTRIES. 51 TOURS. PUBLIC ENEMY HAS Û°²Û Û
Û Û²°Û REDEVELOPED THEIR LIVE PERFORMANCE WITH A BACKING Û°²Û Û
Û Û²°Û BAND CALLED PE AND STEADFASTLY BECAME A JAM BAND Û°²Û Û
Û Û²°Û LIKE THE HIP HOP STONES ROLLING ACROSS THE WORLD, Û°²Û Û
Û Û²°Û EXPANDING THE GENRE PLAYING TO TELEVISION, FESTIVALS, Û°²Û Û
Û Û²°Û AND CLUBS ALIKE. WWW.PUBLICENEMY.COM WAS ONE OF THE Û°²Û Û
Û Û²°Û FIRST WEBSITES EVER FOR A RAP GROUP AND HAS ATTRACTED Û°²Û Û
Û Û²°Û THOUSANDS OF PE FANS FROM ACROSS THE PLANET WHO VISIT Û°²Û Û
Û Û²°Û THE SITE TO COMMUNICATE, FIND THE LATEST NEWS, HEAR Û°²Û Û
Û Û²°Û AND GET NEW MUSIC, AND BEST OF ALL - CHECK THIS OUT - Û°²Û Û
Û Û²°Û TO PARTICIPATE IN THE MAKING AND REMIXING OF SONGS! Û°²Û Û
Û Û²°Û THUS, IN 2002, PUBLIC ENEMY RELEASED Û°²Û Û
Û Û²°Û REVOLVERLUTION, WHICH FEATURED REMIXES FROM A Û°²Û Û
Û Û²°Û VIRTUAL CONTEST OF PARTICIPANTS, LIVE CUTS, AND NEW Û°²Û Û
Û Û²°Û SONGS, ON THE SLAMJAMZ LABEL, DISTRIBUTED BY Û°²Û Û
Û Û²°Û KOCH/THROUGH SLAMJAMZ NEW DISTRIBUTION AND Û°²Û Û
Û Û²°Û MANUFACTURING DEAL THROUGH REDEYE IN THE USA AND Û°²Û Û
Û Û²°Û NOCTURNE AND PROPER DISTRIBUTION INTERNATIONALLY. ?? Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û ?AFTER TOURING EXTENSIVELY IN 2002 AND 2003, PUBLIC Û°²Û Û
Û Û²°Û ENEMY BROUGHT A FEW OTHER INNOVATIVE PROJECTS TO LIFE Û°²Û Û
Û Û²°Û IN 2005: THE TURN OF THE CENTURY SHOWED AN ADDITION Û°²Û Û
Û Û²°Û TO THE PUBLIC ENEMY SHOW ON A SUGGESTION BY PROFESSOR Û°²Û Û
Û Û²°Û GRIFF INSPIRED BY TOURING HIP HOP GROUPS WITH Û°²Û Û
Û Û²°Û MUSICIANS LIKE CYPRESS HILL, THE ROOTS, AND WYCLEF Û°²Û Û
Û Û²°Û JEAN THE ACT ADDED A 3 PIECE SET ( CALLED \'PE\') TO Û°²Û Û
Û Û²°Û THEIR DJ ARRANGEMENT. THIS IN ESSENCE PUT THEIR Û°²Û Û
Û Û²°Û ALREADY INCENDIARY SHOW ON AURAL STEROIDS. IN ESSENCE Û°²Û Û
Û Û²°Û THEY BECAME THE CLOSEST THING TO A HIP HOP JAM BAND , Û°²Û Û
Û Û²°Û BEING THAT FLAVOR FLAV AND PROFESSOR GRIFF ARE ALSO Û°²Û Û
Û Û²°Û MUSICIANS. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û PEEPSVINYL HAS BEEN INSTITUTED AS THEIR OWN LABEL FOR Û°²Û Û
Û Û²°Û NEW MATERIAL ,TWO NEW ALBUMS NEW WHIRL Û°²Û Û
Û Û²°Û ODORCOLLABORATING WITH FELLOW INGENIOUS MUSICIAN Û°²Û Û
Û Û²°Û MOBY, CHUCK D. AND COMPANY MAKE AN APPEAL FOR Û°²Û Û
Û Û²°Û UNIVERSAL PEACE. THE TITLE OF THEIR SINGLE MKLVFKWR Û°²Û Û
Û Û²°Û LEAVES NO QUESTIONS OPEN. MAKE LOVE FUCK WAR WAS Û°²Û Û
Û Û²°Û PART OF THE SOUNDTRACK TO THE OLYMPIC GAMES IN ATHENS Û°²Û Û
Û Û²°Û (UNITY). IN OCTOBER 2006 AND PARISS' REBIRTH OF A Û°²Û Û
Û Û²°Û NATION ON HIS GUERILLA FUNK LABEL. TO CAP THINGS, Û°²Û Û
Û Û²°Û 2006 WILL ALSO SEE 'BRING THAT BEAT BACK' , THE REMIX Û°²Û Û
Û Û²°Û PROJECT DISTRIBUTED THROUGHT KOCH, AND THE UPCOMING Û°²Û Û
Û Û²°Û 'BEATS AND PLACES' HOW YOU SELL SOUL TO A SOULESS Û°²Û Û
Û Û²°Û PEOPLE WHO SOLD THEIR SOUL SLATED FOR SPRING 2007 Û°²Û Û
Û Û²°Û RELEASE AND FLAVOR FLAVS PRODUCTION LABEL AND Û°²Û Û
Û Û²°Û COMPANY KWANAMAN PRODUCTIONS HAS BEEN FORMED, Û°²Û Û
Û Û²°Û SPAWNING THE EXPLOSION OF HIS HIGHLY RATED TELEVISION Û°²Û Û
Û Û²°Û BROADCASTS FLAVOR OF LOVE AND OTHERS ON VH1. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û THE PUBLIC ENEMY ARCHIVE SERIES HAS BEEN ESTABLISHED, Û°²Û Û
Û Û²°Û DELIVERING CLASSIC SONGS, VIDEOS, AND DATA IN A Û°²Û Û
Û Û²°Û SEEMINGLY ENDLESS STREAM OF CD/DVD RELEASES THROUGH Û°²Û Û
Û Û²°Û UNIVERSAL AND OTHER DISTRIBUTORS. AND AS OF THE NEW Û°²Û Û
Û Û²°Û PRESS, ACCORDING TO CHUCK D., THIS RECORD ONCE AGAIN Û°²Û Û
Û Û²°Û EXEMPLIFIES THE POTENTIAL, THE IMPORTANCE, THE POWER Û°²Û Û
Û Û²°Û OF MUSIC IN GETTING AN IMPORTANT MESSAGE OUT TO THE Û°²Û Û
Û Û²°Û PEOPLE. A JUMPOFF TO A BUSY PERIOD AHEAD, LEADING Û°²Û Û
Û Û²°Û INTO 2007, THIS SERIES OF RELEASES, TOURS, AND PUBLIC Û°²Û Û
Û Û²°Û MESSAGES WILL BE A POSITIVE ADDITION TO HIP HOP, RAP, Û°²Û Û
Û Û²°Û AND ALL MUSIC FROM PUBLIC ENEMY, HEADING TO THE ROCK Û°²Û Û
Û Û²°Û AND ROLL HALL OF FAME IN 2012. UNTIL THEN, MINDS, Û°²Û Û
Û Û²°Û BODIES, AND SOULS OF FOLKS ACROSS THE WORLD WILL GET Û°²Û Û
Û Û²°Û A TASTE OF THE BEST THAT EVER DID IT. YES, THE Û°²Û Û
Û Û²°Û ROLLING LIKE THE STONES OF THE RAP GAME AND HIP HOP Û°²Û Û
Û Û²°Û GOIN ON AND ON PAST THE BREAK OF DAWN . Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û HTTP://WWW.PUBLICENEMY.COM/ Û°²Û Û
Û Û²°Û HTTP://WWW.AMAZON.DE/EXEC/OBIDOS/ASIN/B000EBEIJE/QID= Û°²Û Û
Û Û²°Û STREETDATE: 032406 Û°²Û Û
Û Û²°Û ENJOY AND SUPPORT THE ARTIST. Û°²Û Û
Û ÛÛÛÛ ÛÛÛÛ Û
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