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| | / /\| C_____)B E A T| (___> / \ | |
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| : :::::::::: ------------------------------------ ::::::::: : |
| . | :: : | . |
| | :: Kraftwerk-The Mix : | |
| . | :: : | . |
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| | | |
| | artist: Kraftwerk | |
| | album: The Mix | |
| | label: Kling Klang | |
| | cat num: 5099996605219 | |
| | genre: Electronic | |
| | style: Electro | |
| | year: 2020 | |
| | website: https://www.discogs.com/release/16029221 | |
| | | |
| | rls date: 11.2020 | |
| | source: Vinyl | |
| | encoder: FLAC 1.3.1 | |
| | quality: 2752kbps / 96 kHz / Stereo | |
| | tracks: 11 | |
| | length: 65:20 min | |
| | size: 1283,3MB | |
| | | |
| | ------------------------------------------------ | |
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| || |_ ___ ___ ___| |_ ___ | |
| || _| _| .'| _| '_|_ -| | |
| ||_| |_| |__,|___|_,_|___| | |
| | | |
| | A1 The Robots 08:57 | |
| | A2 Computer Love 06:37 | |
| | B1 Pocket Calculator 04:35 | |
| | B2 Dentaku 03:26 | |
| | B3 Autobahn 09:29 | |
| | C1 Radioactivity 06:51 | |
| | C2 Trans Europe Express 03:20 | |
| | C3 Abzug 02:18 | |
| | C4 Metal On Metal 04:59 | |
| | D1 Home Computer 08:02 | |
| | D2 Music Non Stop 06:46 | |
| | | |
| | > total playtime: 65:20 min | |
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| | ------------------------------------------------ | |
| | _ | |
| | ___ ___| |_ ___ ___ | |
| || | . | _| -_|_ -| | |
| ||_|_|___|_| |___|___| | |
| | | |
| | Vinyl, LP, Album, Limited Edition, Reissue, | |
| | Remastered, Special Edition, Stereo, Clear, 180g, | |
| | English Language from Europe. | |
| | | |
| | Kraftwerk, lit. "power station") is a German band | |
| | formed in Dusseldorf in 1970 by Ralf Hⁿtter and | |
| | Florian Schneider. Widely considered as innovators | |
| | and pioneers of electronic music, they were among | |
| | the first successful acts to popularize the genre. | |
| | The group began as part of West Germany's | |
| | experimental krautrock scene in the early 1970s | |
| | before fully embracing electronic instrumentation, | |
| | including synthesizers, drum machines, and vocoders. | |
| | | |
| | On commercially successful albums such as Autobahn | |
| | (1974), Trans-Europe Express (1977), The Man-Machine | |
| | (1978), and Computer World (1981), Kraftwerk | |
| | developed a self-described "robot pop" style that | |
| | combined electronic music with pop melodies, sparse | |
| | arrangements, and repetitive rhythms, while adopting | |
| | a stylized image including matching suits. Following | |
| | the release of Electric Cafe (1986), Wolfgang Flⁿr | |
| | left the group in 1987, followed by percussionist | |
| | Karl Bartos in 1990. Founding member Schneider left | |
| | in 2008. | |
| | | |
| | The band's work has influenced a diverse range of | |
| | artists and many genres of modern music, including | |
| | synth-pop, hip hop, post-punk, techno, ambient, and | |
| | club music. In 2014, the Recording Academy honoured | |
| | Kraftwerk with a Grammy Lifetime Achievement Award. | |
| | They later won the Grammy Award for Best | |
| | Dance/Electronic Album with their live album 3-D The | |
| | Catalogue (2017) at the 2018 ceremony. As of 2020, | |
| | the band continues to tour. | |
| | | |
| | | |
| | Electric CafΘ is the ninth studio album by the | |
| | electronic group Kraftwerk, originally released in | |
| | 1986. In October 2009 it was re-released under its | |
| | original working title, Techno Pop. The initial 1986 | |
| | Electric Cafe came in versions sung in English and | |
| | German, as well as a limited Edicion Espa±ola | |
| | release, featuring versions of "Techno Pop" and "Sex | |
| | Object" with only Spanish lyrics. It was the first | |
| | Kraftwerk LP to be created using predominantly | |
| | digital musical instruments, although the finished | |
| | product was still recorded onto analog master tapes. | |
| | 2 x Vinyl, LP, Album, Limited Edition, Reissue, | |
| | Remastered, Repress, Special Edition, White from | |
| | Europe. | |
| | | |
| | Kraftwerk, lit. "power station") is a German band | |
| | formed in Dusseldorf in 1970 by Ralf Hⁿtter and | |
| | Florian Schneider. Widely considered as innovators | |
| | and pioneers of electronic music, they were among | |
| | the first successful acts to popularize the genre. | |
| | The group began as part of West Germany's | |
| | experimental krautrock scene in the early 1970s | |
| | before fully embracing electronic instrumentation, | |
| | including synthesizers, drum machines, and vocoders. | |
| | | |
| | On commercially successful albums such as Autobahn | |
| | (1974), Trans-Europe Express (1977), The Man-Machine | |
| | (1978), and Computer World (1981), Kraftwerk | |
| | developed a self-described "robot pop" style that | |
| | combined electronic music with pop melodies, sparse | |
| | arrangements, and repetitive rhythms, while adopting | |
| | a stylized image including matching suits. Following | |
| | the release of Electric Cafe (1986), Wolfgang Flⁿr | |
| | left the group in 1987, followed by percussionist | |
| | Karl Bartos in 1990. Founding member Schneider left | |
| | in 2008. | |
| | | |
| | The band's work has influenced a diverse range of | |
| | artists and many genres of modern music, including | |
| | synth-pop, hip hop, post-punk, techno, ambient, and | |
| | club music. In 2014, the Recording Academy honoured | |
| | Kraftwerk with a Grammy Lifetime Achievement Award. | |
| | They later won the Grammy Award for Best | |
| | Dance/Electronic Album with their live album 3-D The | |
| | Catalogue (2017) at the 2018 ceremony. As of 2020, | |
| | the band continues to tour. | |
| | | |
| | | |
| | The Mix is a remix album by German electronic music | |
| | band Kraftwerk. It was released on 11 June 1991 | |
| | through Kling Klang and EMI in Europe and through | |
| | Elektra Records in North America. It featured re- | |
| | recorded and, in some cases, re-arranged versions of | |
| | a selection of songs which had originally appeared | |
| | on the albums Autobahn (1974) through Electric CafΘ | |
| | (1986). Ralf Hⁿtter stated in interviews that he | |
| | regarded The Mix as a type of live album, as it | |
| | captured the results of the band's continual digital | |
| | improvisations in their Kling Klang studio. The band | |
| | had made a return to the stage in 1990, after a | |
| | nine-year hiatus from touring, and since then the | |
| | band's live setlist has used arrangements drawn from | |
| | The Mix rather than the original recordings. | |
| | | |
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| | // 7 // 7 // 7 // 7 | |
| | (_,_/\ (_,_/\ (_,_/\ (_,_/\ | |
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| | \ \ \ \ \ \ \ \ | |
| | _\ \__ _\ \__ _\ \__ _\ \__ | |
| | ( \ )( \ )( \ )( \ ) | |
| | \___\___/ \___\___/ \___\___/ \___\___/ | |
| | | |
| | ------------------------------------------------ | |
| | _ | |
| | ___ ___ ___ ___| |_ ___ | |
| || . | _| -_| -_| _|_ -| | |
| ||_ |_| |___|___|_| |___| | |
| ||___| | |
| | | |
| | Gilles de la Tourette | |
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