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\ / presents \ / .
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: Artist......: Azymuth, Adrian Younge and Ali Shaheed Muhammad
: Album.......: Jazz is Dead 4 :
: Label.......: Jazz Is Dead .. .:.. .
Genre.......: Jazz :
Catnr.......: JID004 .
' Source......: CD ,
; Rip.date....: 2020-11-22
Str.date....: 2020-10-23
Quality.....: 269kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://jazzisdead.co '
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\ / # title time \ /
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1. A Redor Do Samba 4:30
2. SumarΘ 5:36
3. Cat Jump 4:03
4. Fall Afternoon 4:17
5. Friendship Samba 5:20
6. Apocolyptφco 9:29
7. Pulando Corda 3:48
8. Quiet Storm 4:22
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\ / ________ Runtime 41:25
,\ /... . . .... .... \ / ' Size 83.93 ______
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: Release Notes: \/ , \/ ,
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,: The instrumental trio Azymuth modernized the sound and style of :,
: Brazilian jazz with their electronic instruments, angular :
:' arrangements and ingenious synthesis of jazz, funk, rock and ':
,: samba. After the passing of founding keyboard player JosΘ :,
: Roberto Bertrami in 2012, Alex Malheiros (bass) and Ivan ôMamπoö :
:' Conti (drums) recruited synthesizer samurai Kiko Continentinho ':
,: to the trio as it continued to build on their sound, now in :,
: their fifth decade of pushing the boundaries of their beloved :
:' samba. ':
,: :,
: Between 1969 and 1973, these musicians all born the same year in :
:' 1946, started playing together as in-demand session players, ':
,: sometimes just two of them and often all three of them on larger :,
: sessions. They quickly found that their musical chemistry :
:' produced a sound that was greater than the sum of their ':
,: respective parts. At the root of their collaboration were their :,
: shared influences, namely American jazz and a mutual :
:' appreciation for the foundations of Brazilian music. As session ':
,: musicians the trioÆs telepathic tightness, subtle funkines and :,
: melodic mastery elevated Erasmo CarlosÆ classic Sonhos E :
:' Mem≤rias 1941-1972 (1972) and helped Marcos Valle deliver his ':
,: finest album, Previsπo Do Tempo (1973). :,
: :
:' After a couple key song placements on popular telenovela ':
,: soundtracks, they recorded their debut self-titled album, :,
: Azimⁿth in 1975 followe d by ┴guia Nπo Come Mosca in 1977. That :
:' same year they made their debut on the international stage at ':
,: the 11th annual Montreux festival, resulting in the trio getting :,
: signed with American record label Milestone for an enviable run :
:' of ten LPs and another backing the Brazilophile jazz vocalist ':
,: Mark Murphy. :,
: Even while recording as a self-contained trio, they individually :
:' and collectively continued to contribute their singular skills ':
,: to recordings of others. They provided the backdrop to an :,
: astounding number of classic records during the apex of :
:' Brazilian popular music from the early seventies through the ':
,: mid-eighties. Their contributions to the discography of Jorge :,
: Ben, Tim Maia, Erasmo Carlos, Rita Lee and Hyldon are just the :
:' tip of the iceberg. ':
,: :,
: As a trio, Azymuth hit their stride in the eighties pioneering a :
:' modern, adventurous fusion of jazz, rock and funk all the while ':
,: never losing the scent of samba. By the mid-nineties, just when :,
: it seemed like the band had lost their momentum, they received a :
:' much needed boost and acknowledgement from DJs, musicians and ':
,: dancers in London as favorites of the thriving Acid Jazz scene :,
: that also helped to resuscitate the careers of fellow Brazilian :
:' musicians Marcos Valle and Joyce. Meanwhile, adventurous DJs ':
,: and beatmakers, such as MF Doom, Flying Lotus and Roni Size :,
: found inspiration and novel sounds to repurpose from the trioÆs :
:' classic recordings. In 2008, Ivan Conti joined forces with L.A. ':
,: underground hip-hop royalty, Madlib for a collaborative album :,
: credited to Jackson Conti called Sujinho (Mochilla). :
:' ':
,: In 2016, Ivan Conti, Alex Malheiros and Kiko Continentinho :,
: released Fenix on the London-based label Far Out, proving :
:' without a doubt that the group had lost no steam after losing ':
,: founding member JosΘ Roberto Bertrami. On this unique Jazz Is :,
: Dead recording with Adrian Younge and Ali Shaheed Muhammad, the :
:' trio once again demonstrates their ability to elevate their ':
,: collaborators while also showcasing their distinctive sound, :,
: continuing to redraw the boundaries of Brazilian jazz, :
:' futuristic funk and their beloved samba. ':
: '
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\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
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\ / F A N G \ /
\/ 2 0 2 0 \/