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██▌ Artist...: Barbatos ░▐██▌
░▐██ Album....: Rocking Metal Motherfucker ░██▌░
▓▐██ Year.....: 2014 ▓▐██▓
▓▐██ Rel.Date.: 2020-11-22 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: AreaDeath Productions / X Musick ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Reissue ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Red Leather Bitch 2:37
2. Satanik Beer 2:26
3. Rocking Metal Motherfucker 2:31
4. Drink till Death 2:34
5. Blond Hair and Bitch! 2:17
6. 666 Deadly Omens 2:18
7. Hot Sex! 2:07
8. Erotic Dancer 2:04
9. Apocalyptic Nuclear Hell 2:37
10. One Shot! One Kill! 2:27
11. Sexual Alcohol Metal 2:07
12. I Love to Eat Pussy 1:41
13. Dick is Fucking Big 2:20
14. Conflagration 4:53
15. Deutsche Geheimwaffen / Japan, die letzten Qual / 9:53
Prophecy of the Evening Star (Live)
16. The First Point of Aries (Vulpecula cover) 2:57
17. Nuclear Girl and Gasmask (Live) 2:56
18. Rocking Metal Motherfucker (Live) 2:30
19. Blond Hair and Bitch (Live) 2:24
20. Grave Violator (Live) 3:17
21. Baby I'm Your Man (Live) 3:00
22. My Girl Friend with Other Guy (Live) 2:24
23. Baby Baby Baby (Live) 3:16
24. Dick is Fucking Big (Live) 2:30
------
70:06
Track 15 recorded live @ Drakkar Hell Fest, Marseille, France, June
23rd, 2001.
Track 16 recorded May 31st, 2005. Mixed and mastered June 18th @ Very
Metal Studios.
Track 17 recorded in 2008.
Tracks 18-24 recorded live @ Hatsudai WALL, August 10th, 2013.
Rocking Metal Motherfucker is the perfect title for this rocking metal
motherfucker of an album. I like this a LOT better than ABIGAIL.
Musically, it's more of a straightforward tribute to early metal like
Venom, Priest, Motorhead... than aforementioned act, and the vocals are
more decipherable without being less abrasive. The vocal delivery is
really raunchy, which is necessary to give the lyrics their full effect.
I love the way Yasuyuki yells "Dick is... fucking big!!" and "Fuck that
sacred pussy!!" with his unorthodox Japanese accent. Songs are quite
short, almost all of them under three minutes, but this is the most
effective way of doing this kind of music. It's the perfect
accompaniment to some beer-bashing and/or filthy violent fucking, even
if it's not much fun for anything else. I get horny just listening to
this, and start thinking of all kinds of unmentionable debaucheries!
Well, some of that is input from the lyrics which are basically just
like the semi-conscious rantings of some irreverant and violent youth,
piss-drunk for the first time in his life (which, by the way, is not a
bad thing ;D). Production-wise it's pretty grainy, and although usually
the old types of metal that it copies are suited to a somewhat cleaner
sound, there is no problem here as it seems to fit with its sound quite
well, nothing being trampled over and everything being audible enough to
appreciate it. Good stuff!
---
Barbatos can be summed up with the following three actions: Drink beer,
Headbang yourself silly and go fuck. The term bangover is highly
appropriate when applied to Barbatos, or any of Yasuyuki SuzukiÆs
projects for that matter. The lyrics are depraved, overly sexual and
generally just inane with all ignorant stereotypes about metal music and
metalheads attached: The objectification of women, anthems for drinking
excessive amounts of beer, encouragement and praise for deviant acts of
vandalism, and, of course, sex. Lots of sex. ThereÆs no profound,
philosophical or political message to BarbatosÆ material; no
mind-blowing ideology. The take away, if there is any, is getting
shitfaced, having fun, and fucking, all set to the melody of primitive,
bare-boned punk-metal noise.
Rocking Metal Motherfucker is just another collection of BarbatosÆ
blasphemous mantras (The soundtrack to a devoted headbangerÆs
lifestyle). The songs all possess the signature pervert touch of
Yasuyuki Suzuki and all sound like they came from the same musical vein
as all of his other musical projects. The difference between this
release to other Barbatos releases on AreaDeath Productions is the
addition of live recordings from their 2001 Drakkar Hell Fest and 2013
Hatsudai WALL sets along with a cover of Vulpecula æs song ôThe First
Point of Aries.ö BarbatosÆ material is definitely suited for the live
setting. Their rudimentary, fist-pumping-inducing hailstorm would be a
treat to experience in a Japanese dive bar. Similarly, their cover of
VulpeculaÆs ôThe First Point of Ariesö is just as celestial as the
original. All in all, Barbatos is a great downright dirty auditory
encounter that leaves the pervert in all of us thirsty for our most
crucial and primitive need: more thrashing metalàand beer?
---
As you can probably tell from my User Name I'm a pretty huge Barbatos
fan. I remember the first time I heard this band: it was late one night
and I was stoned out of my mind for the first time in my life at my
friend's house. He was showing me Mp3s and he said "Hey man! Check this
song out!" The song he showed me was Barbatos' "Dick Is Fucking Big".
When it heard it my mind was completely blown. It was like a head-on
collision between The Misfits and Venom and quite possibly the catchiest
thing I had ever heard. I wasn't sure if it was just the effects of the
pot, but something about the song stuck with me.
You see, the special thing about Barbatos is that they are quite
possibly the stupidest band of all time. However, they also rule more
than most metal bands around today. The key is catchy song-writing,
vocals that sound like a drunken troll who wants to get laid, lots and
lots of beer, and the funniest (and most unintentionally brilliant)
broken-English lyrics you're ever likely to come across. Yet despite how
hilarious the band is they're also honest and great at doing what they
do. And for that reason I genuinely respect Barbatos from the bottom of
my heart.
So, let's talk about Rocking Metal Motherfucker (or, as the singer says
in the song, "ROCKING METAL MOTHERFUCK!"). Though not every song on the
album is a winner some of the songs are so good that they top "War!
Speed and Power". Their stuff is fast, passionate, rock and roll
influenced, punk/metal that sounds like a mix of Bathory, The Misfits,
Discharge and Venom. The vocals are a whole lot of fun as they sound
like a really silly take on black metal vocals. It's great to scream the
lyrics along with the guy, and how can you resist when there are gems
like "SEXUAL METAL HOLOCAUST WILL CRUSH POSER GAY!" It's the kind of
music that should be essential for any drunken metal night.
Highlights include: "Rocking Metal Motherfucker", "Dick Is Fucking Big",
"Blonde Hair and Bitch", "Drink 'Til Death" and the feminist anthem "I
Love To Eat Pussy".
So it turned out that my love for this band wasn't just the product of
being stoned. I love them because they're good, drunken, Satanic fun!
---
I find the new direction a lot of underground black metal has been
taking very exciting; especially those bands who have adopted thrashier
riffs, and a punk ethos. After 15 years, the traditional template of
black metal is getting a bit worn out, and it's refreshing to see
players new and old reforging the sound of evil. Leading the way seems
to be Japan's Abigail, and in particular, Yasuyuki Suzuki's Barbatos.
I was floored the first time I heard 'War Speed and Power', I was amazed
when Abigail upped the ante with 'Forever Street Metal Bitch'.
Naturally, I assumed 'Rocking Metal Motherfucker' would be just as good
if not better.
At first I was right, as Red Leather Bitch exploded out of the stereo
with it's simplistic riffing and descending bass line, burrowing into my
mind much the same way Prophecy of the Evening Star from WSaP had.
But then it happened.
The opening riff to 'Drink Til Death' was a terrible 'happy punk' riff
that has been regurgitated up by boring punk bands for the last 30
years. Same with the next song, and the next, and the next, and the
next, with 666 Deadly Omens being the absolute worse offender. I was
cringing so bad with memories of boring bands I'd seen in high school,
that I almost flung the CD out of the player then and there. It sounded
like the Casualties, it sounded like Blanks 77, it sounded like Quincy
Punx; in short, every terrible 'street' punk band I'd made the mistake
of listening to in my youth. I halfway expected Yasuyuki to throw and
'oi oi oi' into the song. Finally, 'Apocalyptic Nuclear Hell' marked a
return to form, but by then, the damage had been done, and I could no
longer muster the excitement for this album I had in the beginning.
I don't care if you're a metalhead just discovering punk, or a punk
discovering metal, shit music is shit music. Just because a black metal
band is playing bland overused punk riffs doesnt add any sort of
credibility to the music. If it's bad, it's bad, and that's what these
songs were. I expected a lot more out of Barbatos, it seems like he
would have realized how cliche it sounded.
To summerize, I'm not saying this is a terrible album, it just could
have been so much better. I can only hope that this rampant disregard of
good musical composition was brought on by high levels of intoxication
and drug use.
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