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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Public Enemy
Title | There's A Poison Goin On
Genre | Hip-Hop Format | Album
Source | CD Time | 51:57
Label | PIAS Recordings Store | 1999
Catalog | PIASXCD004 Rip | 2020
Bitrate | 930 kbps Size | 361.70 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Dark Side Of The Wall: 2000 1:35
02. Do You Wanna Go Our Way 3:54
03. LSD 3:27
04. Here I Go 3:03
05. 41:19 3:55
06. Crash 3:46
07. Crayola 3:27
08. First The Sheep Next The Shepherd 3:15
09. World Tour Sessions 4:25
10. Last Mass Of The Caballeros 3:54
11. I 4:28
12. What What 5:00
13. Kevorkian 2:35
14. Swindlers Lust 5:13
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Public Enemy revolutionized hip-hop, expanding the music's sonic vocabulary
while raising the stakes for its social impact. Chuck D, the group's leader
and conceptualist, claimed at their peak that "rap music is the invisible
TV station that black America never had" and he ensured that Public Enemy
addressed the concerns of black America, picking up a thread left hanging
by the radical soul and funk of the late 1960s and early '70s. Samples of
this music drove the bracing, cacophonic productions of the Bomb Squad on
the early Public Enemy albums for Def Jam, a dense, invigorating collage of
beats and noise that underscored the urgency of Chuck D's rhymes.
Opening with a sonic collage straight out of "Fear Of A Black Planet",
"There's A Poison Goin' On" comes out of the gates sounding like classic
Public Enemy, which is exactly what Public Enemy intended, since their
slight sonic change-up on "He Got Game" didn't result in a hit. In a way,
PE's feud with Def Jam over downloadable MP3 music was a good thing, since
it brought them media attention, which is rare for a veteran hip-hop band.
Such increased exposure also brought a minor controversy over "Swindlers
Lust", which some perceived as anti-Semitic, but this outrage was isolated
because Public Enemy was now at the margins of hip-hop.
They were no longer considered cutting-edge, and younger kids never picked
up their records, so the only place for this controversy to reside was
among the rock critics and aging fans who remembered when "It Takes A
Nation Of Millions" changed the world ten years prior. Chuck D must have
known that they would be the only ones paying attention to the album, since
it consciously copies PE's past and never really breaks from that
blueprint. In some respects, that's a disappointment, since "He Got Game"
showed that PE could subtly incorporate modern hip-hop and do it better
than some modern acts.
But "There's A Poison Goin' On" is nevertheless a strong album, even if it
is doggedly classicist. It's also dogmatic, with Chuck preaching to the
converted about the evils of the record industry and conformity in hip-hop,
which does become a little trying by the end of the record. But he delivers
lyrically and PE delivers musically, in a manner that's entirely familiar
to fans of Public Enemy, offering a solid continuation of "Apocalypse 91".
Ultimately, it's their most satisfying record in several years - which is a
subtle difference that only the converted will notice.
All tracks produced by Tom E. Hawk (Gary G-Wiz) except #12 by Flavor Flav.
Proper of Public_Enemy-Theres_A_Poison_Goin_On-CD-FLAC-1999-CUSTODES which
was nuked for fake proof.
┌────────┐
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└────────┘