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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Sault - Untitled (Rise) ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Sault ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Untitled (Rise) ▓▓▓▓█
████ GENRE...[ Alternative CAT#....[ FLO0006CD ████
████ LABEL...[ Forever Living OriginalsENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2020 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 51:14 REL.DATE[ 12.03.2020 ████
████ TRACKS..[ 15 RiPPER..[ TEAM OMA ████
████ SiZE....[ 117,54 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Strong 06:20 ████
████ 02 Fearless 04:11 ████
████ 03 Rise 01:03 ████
████ 04 I Just Want to Dance 04:23 ████
████ 05 Street Fighter 03:11 ████
████ 06 Son Shine 03:18 ████
████ 07 Rise Intently 00:52 ████
████ 08 The Beginning & the End 03:40 ████
████ 09 Free 05:07 ████
████ 10 You Know It Ain't 03:40 ████
████ 11 Uncomfortable 03:18 ████
████ 12 No Black Violins in London 01:30 ████
████ 13 Scary Times 03:41 ████
████ 14 The Black & Gold 03:06 ████
████ 15 Little Boy 03:54 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 51:14 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://saultglobal.bandcamp.com/album/untitled ████
████ -rise ████
████ ████
████ Alexis Petridis (The Guardian): ████
████ ████
████ Just 12 weeks after their previous double ████
████ album, the British group dance from sorrow to ████
████ resistance, mixing fearless lyrics with house, ████
████ funk and disco. ████
████ ████
████ Over the last two years, SaultÆs music has ████
████ arrived out of the blue: no interviews, no ████
████ photos, no videos, no live appearances, no ████
████ Wikipedia entry, a perfunctory and entirely ████
████ non-interactive social media presence. Physical ████
████ copies of their three previous albums have ████
████ credited Inflo as producer û otherwise best- ████
████ known as the producer of Little SimzÆ Grey Area ████
████ and co-writer of Michael KiwanukaÆs Black Man ████
████ in a White World, each of which won him an Ivor ████
████ Novello award. Kiwanuka got a guest artist ████
████ credit on their last album, Untitled (Black ████
████ Is), released in June. So did Laurette Josiah, ████
████ the founder of a north London childrenÆs ████
████ charity, who it turns out is Leona LewisÆs ████
████ aunt. The only other available fact is that ████
████ proceeds from the album ôwill be going to ████
████ charitable fundsö. Speculation about the ████
████ collectiveÆs other members has neither been ████
████ confirmed nor denied, nor has anyone claimed ████
████ responsibility for music thatÆs thus far been ████
████ rapturously received on both sides of the ████
████ Atlantic. ████
████ ████
████ You could decry this approach as ████
████ counterproductive. Perhaps a higher profile, a ████
████ modicum of desire to play the game, might have ████
████ helped turn Wildfires, the exquisite and ████
████ excoriating standout from Untitled (Black Is), ████
████ into the hit it deserved to be. Yet Sault seem ████
████ to use the time they save by not promoting ████
████ their albums or engaging with the public ████
████ profitably. Untitled (Rise) is not only their ████
████ fourth album in 18 months, itÆs their second ████
████ double album in just over 12 weeks. ItÆs a work ████
████ rate that would seem remarkable at any point in ████
████ pop history, but feels positively astonishing ████
████ today, compounded by the fact that its ████
████ predecessor gave the impression of having been ████
████ largely written and recorded in response to the ████
████ murder of George Floyd, less than a month ████
████ before it was released. Pop history is littered ████
████ with swiftly released singles reacting to ████
████ events in the news û two of them made No 1 ████
████ during the Covid-19 lockdown û but you struggle ████
████ to think of an entire album doing so, let alone ████
████ one as good as Untitled (Black Is). ████
████ ████
████ Its successor matches those high standards. ████
████ ItÆs more obviously dancefloor-focused û its ████
████ influences shifting from house to disco, from ████
████ the perspiration-soaked post-punk funk of The ████
████ Beginning & the End to Son ShineÆs smooth 80s ████
████ boogie, without ever sounding like a knowingly ████
████ retro homage û and the overall mood has turned ████
████ from sorrow and soothing to empowerment and ████
████ resistance. There are tracks with names such as ████
████ Street Fighter and Rise Intently (the latter an ████
████ interlude based on an army drill chant); lyrics ████
████ that urge ôwe are survivors, we are the titansö ████
████ and ôdonÆt ever stop for nothingö. Even the ████
████ apprehensive-sounding Scary Times, where ████
████ electric piano and luscious orchestration is ████
████ undercut by a weirdly ominous rhythm that ████
████ appears to be constructed from the echo- ████
████ drenched sound of a plectrum hitting bass ████
████ guitar strings, ends on a defiant call: ôDonÆt ████
████ let them make you lose yourself.ö ████
████ ████
████ Straight away you realise youÆre in the ████
████ presence of something special. The first three ████
████ songs function as brilliantly constructed dance ████
████ tracks and keep messing with the listenerÆs ████
████ emotions. Strong features beats spiked with ████
████ explosions of dubby echo, an intricate mesh of ████
████ Nile Rodgers-ish guitar and a terrific ████
████ breakdown inspired by Brazilian batucada ████
████ percussion. You could take its lyrics as ████
████ straightforward paeans to dancefloor ████
████ transcendence û ôweÆre moving forward tonight à ████
████ we want better tonightö û but, as a later, ████
████ noticeably more caustic track puts it, you know ████
████ they ainÆt, particularly in the light of what ████
████ follows. Fearless is supremely funky, but the ████
████ flurries of disco strings donÆt communicate ████
████ excitement so much as anxiety, the words ████
████ shifting from defiance to something more ████
████ troubled: ôAnd it hurts on the inside.ö ████
████ ████
████ I Just Want to Dance, meanwhile, really is a ████
████ paean to dancefloor transcendence, but it never ████
████ allows you to forget what the songÆs ████
████ protagonist might be attempting to escape: the ████
████ sound is claustrophobic and clattering, the ████
████ words demanding ôwhy do my people always die?ö. ████
████ ThereÆs a great, jarring moment where the whole ████
████ thing skids to a halt û like someone hitting ████
████ the stop button on a turntable û before ████
████ grinding back to life, the beat temporarily, ████
████ disorientatingly out of time. ████
████ ████
████ From its fierce opening salvo to its ████
████ deceptively mellow conclusion û the sweetness ████
████ of Little BoyÆs piano-led melody, vocal ████
████ delivery and childrenÆs choir countered by the ████
████ righteous anger in its lyrics û Untitled (Rise) ████
████ hardly yields highlights because the quality ████
████ never wavers: whoeverÆs involved, it feels like ████
████ theyÆve been galvanised to the top of their ████
████ game. It manages to be as lyrically unflinching ████
████ as the music is compelling û not the easiest ████
████ balance to achieve, as acres of terrible ████
████ protest songs historically attest. YouÆd call ████
████ it the album of the year if its predecessor ████
████ wasnÆt just as good. ████
████ ████
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████ URL: N/A ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .