Acustronic_Ensemble--Free_For(M)_Rimbaud-CDR-2005-i8

Section
MP3/FLAC
Group
i8
Size
38,19 MB
Files
1
Date
2006-06-04

NFO

      a r t i s t : Acustronic Ensemble
        t i t l e : Free For(m) Rimbaud
          d a t e : 2005
        l a b e l : AFK Records
        g e n r e : Avantgarde
  r l s.  d a t e : May/2006
      t r a c k s : 01
    b i t r a t e : VBRkbps
          s i z e : 38,2 MB

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     Vito M. Laforgia: electric upright bass, electronics,
     megaphone, saw
     Giuseppe Mariani: trumpet, laptop
     Punck: laptop, objects, field recordings
     Luca Sigurtα: objects, tapes
     Fhievel: feedback mixer, field recordings


     "19th century French poet Arthur Rimbaud has famously inspired
     some of rock's finest lyricists, including Bob Dylan, Jim
     Morrison and Patty Smith. He chose to descend into silence
     early in his life, yet the appeal and influence of his work
     has persisted. Ten years after Hector Zazou recorded Sahara
     Blue, urban settings of translations of Rimbaud's
     poems,performed with the help of John Cale. Now Acustronic
     Ensemble pays tribute to Rimbaud with just a few well chosen
     recitations from his writing and a fabric of music that
     manages to convey something of the hallucinatory vividness of
     his poetry. Proximity is part of the vividness; although there
     is depth of field to the recording, many sounds are heard in
     close-up. And although the sounds are various, they often seem
     to be enfolding around one another in a physical way.
     Distinctive instrumentation conveys something of the character
     of the music: Vito M. Laforgia plays electric upright
     bass,electronics,megaphone and saw,with Giuseppe Mariani on
     trumpet and laptop,Punck using laptop, objects and field
     recordings, Luca Sigurta' objects and tapes and Fhievel
     feedback mixer and field recordings. Mariani's trumpet
     supplies some jazz inflections and associations but Free
     For(m) Rimbaud is not anchored in any particular idiom. In a
     single half hour movement it glides across the contours of
     Ambient, avant rock, freely improvised and electroacoustic
     music, defining it's own territory. Scratchy, twitchy rhythms
     of unidentified origin are multi-layered and fringed with
     electronic gleam, a synthetised scirocco, instrumental gloos,
     odd banshee wailing. Don't be deterred if French symbolist
     poetry is not your particular cup of absinthe; this is still a
     musically intriguing and consistently diverting release."
     (Julian Cowley - The Wire)

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      01-Free For(m) Rimbaud                                    [30:00]
                                                                -------
                                                                 30:00 min

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01-acustronic_ensemble--free_for(m)_rimbaud.mp338,19 MB