°
° ±
°
° ° °
° ° °
° ±
° ° °
± ° ° "OPEN MUSiC ASSOCiATiON"
± ° °° °° ± ± °
±° °°° ° ±±±± ± ± ± ± ² ² ²± ±°
°±²± °°±±±²²²²²² ²± ±± °±±± ±± ² ²² ²² ²²² ²² ²±°±
° °° ßßß ÜÜÜ ßßÛÛÛ²±°°±²±±±±²±±±±±±²±²²²²²±²²±°°ÛÛÛÛÛßßßß
ÜÜÛÛÛÛÛ°ÛÛÛÛÜÜÜ ßÛ²²²²²²²²²²±±±²²²²²ÛÛÛÛ²²ßßßß ÜÜÜÜÜÛÛÛÛ
° ° ÜÛÛÛ²±°°°°°°°°°±²ÛÛÜ ÛÛßßßßÛÛÛ²²²²²ÛÛÛßß Ü Û ÜÛÛÛÛÛ²±±°°°°ÛÛ
ÛÛ²±°°°°°±°°±°°°°°°±ÛÜ ß ÛÛÜÜ ßßÛÛÛßß ÜÜÛÛ ÜÛ Û°°°°±°°°°°°±°Û
ÛÛ°°±°±°ÛÛÛßßßßÛÛÛ°°°±Û ÛÛ°°ÛÛÛÜ Û ÜÛÛÛ°°ÛÜ ÜÛ°°°°°°°°°°°°°ÛÜ
ÛÛ°±±±°ÛÛß ±²ÜÜ ßÛ±°°ÛÛ Û°°°°°Û ÛÜ Û°°°°°Û Û°°°±°°°²±°°±°°°Û
° Û°±±²±ÛÛ °°°±²²²Û ßÛ°°±Û ²°±°°±ÛÛ Û ÜÛ°°±°°ÛÛ Û°°°°°°ÛßÛÛ°°°±°ÛÜ
ÛÛ±²±±±Û °°±°²±²²ÛÛ ÛÛ°°ÛÛ °°°°°°ÛÜ Û°°°°°±°Û ß°±°±°°Û Û²±°°°°Û
Û²²²±²ÛÛ °±°°±±²±²²ÛÜ Û±°°Û ±°°±°°°Û ÛÛ°°°±°°°ÛÛ ±°±°°ÛÛ ÛÛ°±±²±Û
Û±±²±±Û °°±±°±²²²ÛÛÛ Û°±±Û °°±Û±°°ÛÛÛ°°°Û±°°±°Û °±²±±Û Ü Û±²±±±ÛÛ
ÛÛ²²±²±Û °°±±±±²²²Û²Ûß Û±±²ÛÛ ±ÛÛÛ°±°²±°°ÛÛÛ°±±±ÛÛ ±°±²Û Û² Û±±±²±±Û °
Û±²±²²²Û °±±²²²²ÛÛÛÛ ÛÛ±±±±Û ±Û ÛÛ°°±°°ÛÛ Û±±±±²Û ²±±±Û ßß ÛÛ±²±²±Û
Û²²²²±±ÛÛ °°±±²²Û²ÛÛß Û±±²²±Û °Û Û±°°°ÛÛ Û²±±±±ÛÛ ±²±ÛÛÛÜÜÜÛ²²±±±ÛÛ
Û²²±²²²²ÛÜ °±²Û²ÛÛÛß ÛÛ±±²±ÛÛ ±Û ßÛ°°±Û Ü Û²±²±±±Û ²±²²±²Û±±±±±±²²±Û °
° ÛÛ²²²²±²²ÛÜÜ ßßÛßß ÜÛÛ±²²±±Û ±±Û Û Û²±ÛÛ Û ÛÛ±±±²±ÛÛ ²²²²²²²²²±²²±²±Û
Û²²²±²²²²²ÛÛÛÜÜÜÛÛÛ²²²²±²²Û ±Û ÜÛ ÛÛÛÛ ÜÛÜ Û±²²±±±Û ²ÛßÛÛÛÛ²²²²²²²²ÛÛ °
Û²²²²²²²²²²²²²²²²²²²±±²²²Ûß±²Û ÛÛÜÜ ßß ÛÛÛ Û²±±±²±ÛÛ Û ÜÜ ßßßÛ²²²²²²Û
° ßÛ²²²±²²²²²²²²²±²²²²²²±²ÛÛ ²±Û Û²ÛÛÛÛÛÛ²²Û Û²²±²²²±Û ÜÛÛÛÛÛ ÛÛ²²²²²Û
° ÛÛ²²²²²²±²²²²²²²²±²²²²ÛÛ ²±ÛÛ ²²²²²Û²²²²² ÛÛ²²²²²²ÛÛ ²²²²ÛÛÜ Û²²²²²ÛÛ °
°°Ü ÛÛÛ²²²²²²²±²²²²²²²²ÛÛß ²²±Û ܲ²±±²²²±²±²Ü Û²²²²²²²ÛÜ ß²²±²Û Û²²²²²²Û ±
° ±±Ü ßÛÛÛÛÛ²²²²²²²²²ÛÛÛß Ü²²²²Û ²²±²±±±±±±²²Û Û²²²²²²²ÛÛß ±±²±² Û²²²²ÛÛÛÛ ²
° °±ÛÜ ßßßßÛÛÛÛÛÛßßß ÜÜÛÛ²²²²Û ±±°°°±° ° °±² Û²²ÛÛÛßßß °°°±²² ÛÛÛßßß ÜÜ °
°±°±±Û ÛÛÛÛÜÜÜÜÜÜÜܲ²ÜÜÜ ßßÛÛÛÛ °° ° °°° ± Ûßßß ÜÜÛ²°° ° °ÛÛÜÜÜÜÜÛ Û²±°²
°±²²Û ÛÛ²±ÛÛ²²²²²±±±±±°°° ßßÜ ° ° ° ° ° °±²²±±°°°²±²²²±°²² ÜÛ²±Û
° Û²²²Û ÛÛ±±±Û² ±°° ° ° °±±²²°± ± ÜÛ²²±Û °
± Û²²Ûß ÛÛ²° ² PROUDLY PRESENTS: ° ± ° Û²²²±Û ±
² ßÛ±ÛÜ Û ² ÛÛ²±Ûß ²
²Û Û²°Û ± Public Enemy - Revolverlution Tour Australia 2003 Û°±Û Û²
Û ßÛÛÛ ÛÛÛß Û
ßÛÜÜ ß ARTiST..[ Public Enemy ß ÜÜÛß
° Û ßÛ TiTLE...[ Revolverlution Tour Australia 2003 Ûß Û °
± Û ßÛ GENRE...[ Hip-Hop GRABBER.[ EAC Ûß Û ±
² ÛÜ Û LABEL...[ Neo / SonyBMG ENCODER.[ Lame 3.97b2 Û ÜÛ ²
ÛÜ ÛÜ Û YEAR....[ 2006 QUALiTY.[ VBR kbps/44,1hz Û ÜÛ ÜÛ
ÛÜ ÛÜÛ SOURCE..[ CDDA MODE....[ Joint-Stereo ÛÜÛ ÜÛ
Û ßÛ PLAYTIME[ 63:30 min REL.DATE[ May-24-2006 Ûß Û
ÛÛÜ TRACKS..[ 16 RiPPER..[ TEAM OMA ÜÛÛ
° Û²ÛÜ SiZE....[ 92,5 MB SUPPLiER[ TEAM OMA ÜÛ²Û °
± Û²²Û Û²²Û ±
² ßÛ±ÛÜ ÜÛ±Ûß ²
²Û Û²°Û ßÛÛß ÛÛßÛ ÛÛßÛ ÛÛßß ÛÛ Û ÛÛ ÛÛ ÛÛßß ßÛÛß Û°²Û Û²
Û ßÛÛÛ ÛÛ ÛÛÜß ÛÛÜÛ ÛÛ ÛÛÜß ÛÛ ÜÜ ßßßÛ ÛÛ ÛÛÛß Û
ßÛÜÜ ß ÜÜÜÜÜÜÜ Ü ²Û ²Û Û ²Û Û ²ÛÛÛ ²Û Û ²ÛÛÛ ²Û ²ÛÛÛ ²Û Ü ÜÜÜÜÜÜÜÜ ß ÜÜÛß
° Û ßÛ Ûß Û °
± ÛÜ ßÛ NR. TRACK. TiME. Ûß ÜÛ ±
²Ü Û Û ùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùù Û Û Ü²
Û Û° Û 01 Brothers Gonna Work It Out 04:30 Û °Û Û
Û Û° Û 02 Welcome To The Terrordome 02:52 Û °Û Û
Û Û° Û 03 Bring The Noise 01:29 Û °Û Û
Û Û° Û 04 Son Of A Bush 05:59 Û °Û Û
Û Û° Û 05 Shut 'em Down 04:40 Û °Û Û
Û Û° Û 06 Black Steel In The Hour Of Chaos 03:55 Û °Û Û
Û Û° Û 07 He Got Game 01:49 Û °Û Û
Û Û° Û 08 Revolverlution 03:55 Û °Û Û
Û Û° Û 09 911 Is A Joke 03:04 Û °Û Û
Û Û° Û 10 Public Enemy 01:09 Û °Û Û
Û Û° Û 11 D.J. Lord Solo 03:41 Û °Û Û
Û Û° Û 12 Give It Up 04:42 Û °Û Û
Û Û° Û 13 Don't Believe The Hype 02:10 Û °Û Û
Û Û° Û 14 Rebel Without A Pause 04:43 Û °Û Û
Û Û° Û 15 Arizona (Ball of Confusion) 02:32 Û °Û Û
Û Û° Û 16 Fight The Power (Soul Power) 12:20 Û °Û Û
Û Û° Û Û °Û Û
Û ßÛÜÛ ùùùùùùùùùùù ° ÛÜÛß Û
ßÛ ßÛ ± TOTAL: 63:30 ± Ûß Ûß
ÛÛÜ Ü²° °²Ü ÜÛÛ
° Û²ÛÜ Û²±° ÛÛßÛ ÛÛßß ÛÛ ÛÜ Û ÛÛßÛ ÛÛÛÛ ÛÛßß ÛÛßß °±²Û ÜÛ²Û °
± Û²²Û ²²±±° ÛÛÜß ÛÛß ÛÛ ÛÛÛÛ ÛÛ Û ÛÛ ÛÛß ßßßÛ °±±²² Û²²Û ±
² ßÛ±ÛÜ ÜÜÜÜÜÜÜÜ Ü ²Û Û ²ÛÛÛ ²ÛÛÛ ²Û Û ²ÛÛÛ ²Û ²ÛÛÛ ²ÛÛÛ Ü ÜÜÜÜÜÜÜÜ ÜÛ±Ûß ²
²Û Û²°Û Û°²Û Û²
Û Û²°Û public enemy rewrote the rules of hip-hop, becoming Û°²Û Û
Û Û²°Û the most influential and controversial rap group of Û°²Û Û
Û Û²°Û the late '80s and, for many, the definitive rap group Û°²Û Û
Û Û²°Û of all time. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û building from run-d.m.c.'s street-oriented beats and Û°²Û Û
Û Û²°Û boogie down productions' proto-gangsta rhyming, Û°²Û Û
Û Û²°Û public enemy pioneered a variation of hardcore rap Û°²Û Û
Û Û²°Û that was musically and politically revolutionary. Û°²Û Û
Û Û²°Û with his powerful, authoritative baritone, lead Û°²Û Û
Û Û²°Û rapper chuck d rhymed about all kinds of social Û°²Û Û
Û Û²°Û problems, particularly those plaguing the black Û°²Û Û
Û Û²°Û community, often condoning revolutionary tactics and Û°²Û Û
Û Û²°Û social activism. in the process, he directed hip-hop Û°²Û Û
Û Û²°Û toward an explicitly self-aware, pro-black Û°²Û Û
Û Û²°Û consciousness that became the culture's signature Û°²Û Û
Û Û²°Û throughout the next decade. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û musically, public enemy were just as revolutionary, Û°²Û Û
Û Û²°Û as their production team, the bomb squad, created Û°²Û Û
Û Û²°Û dense soundscapes that relied on avant-garde Û°²Û Û
Û Û²°Û cut-and-paste techniques, unrecognizable samples, Û°²Û Û
Û Û²°Û piercing sirens, relentless beats, and deep funk. it Û°²Û Û
Û Û²°Û was chaotic and invigorating music, made all the more Û°²Û Û
Û Û²°Û intoxicating by chuck d's forceful vocals and the Û°²Û Û
Û Û²°Û absurdist raps of his comic foil flavor flav. with Û°²Û Û
Û Û²°Û his comic sunglasses and an oversized clock hanging Û°²Û Û
Û Û²°Û from his neck, flav became the group's visual focal Û°²Û Û
Û Û²°Û point, but he never obscured the music. while rap and Û°²Û Û
Û Û²°Û rock critics embraced the group's late-'80s and Û°²Û Û
Û Û²°Û early-'90s records, public enemy frequently ran into Û°²Û Û
Û Û²°Û controversy with their militant stance and lyrics, Û°²Û Û
Û Û²°Û especially after their 1988 album, it takes a nation Û°²Û Û
Û Û²°Û of millions to hold us back, made them into Û°²Û Û
Û Û²°Û celebrities. after all the controversy settled in the Û°²Û Û
Û Û²°Û early '90s, once the group entered a hiatus, it Û°²Û Û
Û Û²°Û became clear that public enemy were the most Û°²Û Û
Û Û²°Û influential and radical band of their time. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û chuck d (born carlton ridenhour, august 1, 1960) Û°²Û Û
Û Û²°Û formed public enemy in 1982, as he was studying Û°²Û Û
Û Û²°Û graphic design at adelphi university on long island. Û°²Û Û
Û Û²°Û he had been djing at the student radio station wbau, Û°²Û Û
Û Û²°Û where he met hank shocklee and bill stephney. all Û°²Û Û
Û Û²°Û three shared a love of hip-hop and politics, which Û°²Û Û
Û Û²°Û made them close friends. shocklee had been assembling Û°²Û Û
Û Û²°Û hip-hop demo tapes, and ridenhour rapped over one Û°²Û Û
Û Û²°Û song, "public enemy no. 1," around the same time he Û°²Û Û
Û Û²°Û began appearing on stephney's radio show under the Û°²Û Û
Û Û²°Û chuckie d pseudonym. def jam co-founder and producer Û°²Û Û
Û Û²°Û rick rubin heard a tape of "public enemy no. 1" and Û°²Û Û
Û Û²°Û immediately courted ridenhour in hopes of signing him Û°²Û Û
Û Û²°Û to his fledgling label. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û chuck d initially was reluctant, but he eventually Û°²Û Û
Û Û²°Û developed a concept for a literally revolutionary Û°²Û Û
Û Û²°Û hip-hop group -- one that would be driven by Û°²Û Û
Û Û²°Û sonically extreme productions and socially Û°²Û Û
Û Û²°Û revolutionary politics. enlisting shocklee as his Û°²Û Û
Û Û²°Û chief producer and stephney as a publicist, chuck d Û°²Û Û
Û Û²°Û formed a crew with dj terminator x (born norman lee Û°²Û Û
Û Û²°Û rogers, august 25, 1966) and fellow nation of islam Û°²Û Û
Û Û²°Û member professor griff (born richard griffin) as the Û°²Û Û
Û Û²°Û choreographer of the group's backup dancers, the Û°²Û Û
Û Û²°Û security of the first world, whom performed homages Û°²Û Û
Û Û²°Û to old stax and motown dancers with their martial Û°²Û Û
Û Û²°Û moves and fake uzis. he also asked his old friend Û°²Û Û
Û Û²°Û william drayton (born march 16, 1959) to join as a Û°²Û Û
Û Û²°Û fellow rapper. drayton developed an alter-ego called Û°²Û Û
Û Û²°Û flavor flav, who functioned as a court jester to Û°²Û Û
Û Û²°Û chuck d's booming voice and somber rhymes in public Û°²Û Û
Û Û²°Û enemy. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û public enemy's debut album, yo! bum rush the show, Û°²Û Û
Û Û²°Û was released on def jam records in 1987. its spare Û°²Û Û
Û Û²°Û beats and powerful rhetoric were acclaimed by hip-hop Û°²Û Û
Û Û²°Û critics and aficionados, but the record was ignored Û°²Û Û
Û Û²°Û by the rock and r&b mainstream. however, their second Û°²Û Û
Û Û²°Û album, it takes a nation of millions to hold us back, Û°²Û Û
Û Û²°Û was impossible to ignore. under shocklee's direction, Û°²Û Û
Û Û²°Û pe's production team, the bomb squad, developed a Û°²Û Û
Û Û²°Û dense, chaotic mix that relied as much on found Û°²Û Û
Û Û²°Û sounds and avant-garde noise as it did on old-school Û°²Û Û
Û Û²°Û funk. similarly, chuck d's rhetoric gained focus and Û°²Û Û
Û Û²°Û flavor flav's raps were wilder and funnier. a nation Û°²Û Û
Û Û²°Û of millions was hailed as revolutionary by both rap Û°²Û Û
Û Û²°Û and rock critics, and it was -- hip-hop had suddenly Û°²Û Û
Û Û²°Û became a force for social change. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û as public enemy's profile was raised, they opened Û°²Û Û
Û Û²°Û themselves up to controversy. in a notorious Û°²Û Û
Û Û²°Û statement, chuck d claimed that rap was "the black Û°²Û Û
Û Û²°Û cnn," relating what was happening in the inner city Û°²Û Û
Û Û²°Û in a way that mainstream media could not project. Û°²Û Û
Û Û²°Û public enemy's lyrics were naturally dissected in the Û°²Û Û
Û Û²°Û wake of such a statement, and many critics were Û°²Û Û
Û Û²°Û uncomfortable with the positive endorsement of black Û°²Û Û
Û Û²°Û muslim leader louis farrakhan on "bring the noise." Û°²Û Û
Û Û²°Û "fight the power," public enemy's theme for spike Û°²Û Û
Û Û²°Û lee's controversial 1989 film do the right thing, Û°²Û Û
Û Û²°Û also caused an uproar for its attacks on elvis Û°²Û Û
Û Û²°Û presley and john wayne, but that was considerably Û°²Û Û
Û Û²°Û overshadowed by an interview professor griff gave the Û°²Û Û
Û Û²°Û washington post that summer. griff had previously Û°²Û Û
Û Û²°Û said anti-semitic remarks on-stage, but his quotation Û°²Û Û
Û Û²°Û that jews were responsible for "the majority of the Û°²Û Û
Û Û²°Û wickedness that goes on across the globe" was greeted Û°²Û Û
Û Û²°Û with shock and outrage, especially by white critics Û°²Û Û
Û Û²°Û who previously embraced the group. faced with a major Û°²Û Û
Û Û²°Û crisis, chuck d faltered. first he fired griff, then Û°²Û Û
Û Û²°Û brought him back, then broke up the group entirely. Û°²Û Û
Û Û²°Û griff gave one more interview where he attacked chuck Û°²Û Û
Û Û²°Û d and pe, which led to his permanent departure from Û°²Û Û
Û Û²°Û the group. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û public enemy spent the remainder of 1989 preparing Û°²Û Û
Û Û²°Û their third album, releasing "welcome to the Û°²Û Û
Û Û²°Û terrordome" as its first single in early 1990. again, Û°²Û Û
Û Û²°Û the hit single caused controversy as its lyrics Û°²Û Û
Û Û²°Û "still they got me like jesus" were labeled Û°²Û Û
Û Û²°Û anti-semitic by some quarters. despite all the Û°²Û Û
Û Û²°Û controversy, fear of a black planet was released to Û°²Û Û
Û Û²°Û enthusiastic reviews in the spring of 1990, and it Û°²Û Û
Û Û²°Û shot into the pop top ten as the singles "911 is a Û°²Û Û
Û Û²°Û joke," "brothers gonna work it out," and "can't do Û°²Û Û
Û Û²°Û nuttin' for ya man" became top 40 r&b hits. for their Û°²Û Û
Û Û²°Û next album, 1991's apocalypse 91...the enemy strikes Û°²Û Û
Û Û²°Û black, the group re-recorded "bring the noise" with Û°²Û Û
Û Û²°Û thrash metal band anthrax, the first sign that the Û°²Û Û
Û Û²°Û group were trying to consolidate their white Û°²Û Û
Û Û²°Û audience. apocalypse 91 was greeted with Û°²Û Û
Û Û²°Û overwhelmingly positive reviews upon its fall Û°²Û Û
Û Û²°Û release, and it debuted at number four on the pop Û°²Û Û
Û Û²°Û charts, but the band began to lose momentum in 1992 Û°²Û Û
Û Û²°Û as they toured with the second leg of u2's zoo tv Û°²Û Û
Û Û²°Û tour and flavor flav was repeatedly in trouble with Û°²Û Û
Û Û²°Û the law. in the fall of 1992, they released the remix Û°²Û Û
Û Û²°Û collection greatest misses as an attempt to keep Û°²Û Û
Û Û²°Û their name viable, but it was greeted to nasty Û°²Û Û
Û Û²°Û reviews. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û public enemy were on hiatus during 1993, as flav Û°²Û Û
Û Û²°Û attempted to wean himself off drugs, returning in the Û°²Û Û
Û Û²°Û summer of 1994 with muse sick-n-hour mess age. prior Û°²Û Û
Û Û²°Û to its release, it was subjected to exceedingly Û°²Û Û
Û Û²°Û negative reviews in rolling stone and the source, Û°²Û Û
Û Û²°Û which affected the perception of the album Û°²Û Û
Û Û²°Û considerably. muse sick debuted at number 14, but it Û°²Û Û
Û Û²°Û quickly fell off the charts as it failed to generate Û°²Û Û
Û Û²°Û any singles. chuck d retired public enemy from Û°²Û Û
Û Û²°Û touring in 1995 as he severed ties with def jam, Û°²Û Û
Û Û²°Û developed his own record label and publishing Û°²Û Û
Û Û²°Û company, and attempted to re-think public enemy. in Û°²Û Û
Û Û²°Û 1996, he released his first debut album, the Û°²Û Û
Û Û²°Û autobiography of mistachuck. as it was released in Û°²Û Û
Û Û²°Û the fall, he announced that he planned to record a Û°²Û Û
Û Û²°Û new public enemy album the following year. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û before that record was made, chuck d published an Û°²Û Û
Û Û²°Û autobiography in the fall of 1997. during 1997, chuck Û°²Û Û
Û Û²°Û d reassembled the original bomb squad and began work Û°²Û Û
Û Û²°Û on three albums. in the spring of 1998, public enemy Û°²Û Û
Û Û²°Û kicked off their major comeback with their soundtrack Û°²Û Û
Û Û²°Û to spike lee's he got game, which was played more Û°²Û Û
Û Û²°Û like a proper album than a soundtrack. upon its april Û°²Û Û
Û Û²°Û 1998 release, the record received the strongest Û°²Û Û
Û Û²°Û reviews of any public enemy album since apocalypse Û°²Û Û
Û Û²°Û '91: the enemy strikes black. after def jam refused Û°²Û Û
Û Û²°Û to help chuck d's attempts to bring pe's music Û°²Û Û
Û Û²°Û straight to the masses via the internet, he signed Û°²Û Û
Û Û²°Û the group to the web-savvy independent atomic pop. Û°²Û Û
Û Û²°Û before the retail release of public enemy's seventh Û°²Û Û
Û Û²°Û lp, there's a poison goin' on..., the label made mp3 Û°²Û Û
Û Û²°Û files of the album available on the internet. it Û°²Û Û
Û Û²°Û finally appeared in stores in july 1999. after a Û°²Û Û
Û Û²°Û three-year break from recording and a switch to the Û°²Û Û
Û Û²°Û in the paint label, public enemy released Û°²Û Û
Û Û²°Û revolverlution, a mix of new tracks, remixes, and Û°²Û Û
Û Û²°Û live cuts. the cd/dvd combo it takes a nation Û°²Û Û
Û Û²°Û appeared in 2005. the multimedia package contained an Û°²Û Û
Û Û²°Û hourlong video of the band live in london in 1987 and Û°²Û Û
Û Û²°Û a cd with rare remixes. the new album new whirl odor Û°²Û Û
Û Û²°Û also appeared in 2005. the "special projects" album Û°²Û Û
Û Û²°Û rebirth of a nation -- an album with all rhymes Û°²Û Û
Û Û²°Û written by bay area rapper paris -- was supposed to Û°²Û Û
Û Û²°Û be released right along with it, but didn't appear Û°²Û Û
Û Û²°Û until early the next year. Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û http://www.amazon.de/exec/obidos/asin/b000ebeije/qid= Û°²Û Û
Û Û²°Û 1148464218/sr=8-17/ref=sr_8_xs_ap_i17_xgl/303-7376446 Û°²Û Û
Û Û²°Û -6644238 Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û http://www.publicenemy.com/ Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û streetdate: 032406 Û°²Û Û
Û Û²°Û Û°²Û Û
Û Û²°Û enjoy and support the artist. Û°²Û Û
Û ÛÛÛÛ ÛÛÛÛ Û
ÛÜÜÜ ß ° ° ß ÜÜÜÛ
Û ßÛ ± ± Ûß Û
± Û ßÛ Ü²° °²Ü Ûß Û ±
² ÛÜ Û Û²±° ÛÛßß ÛÛßÛ ÛÛßß ÛÛßß ßÛÛß ÛÛßß °±²Û Û ÜÛ ²
ÛÜ ÛÜ Û ²²±±°°° ÛÛ Û ÛÛÜß ÛÛß ÛÛß ÛÛ ßßßÛ °°°±±²² Û ÜÛ ÜÛ
ÛÜ ÛÜÛ ÜÜÜÜÜÜÜÜÜÜÜÜÜ Ü ²ÛÛÛ ²Û Û ²ÛÛÛ ²ÛÛÛ ²Û ²ÛÛÛ Ü ÜÜÜÜÜÜÜÜÜÜÜÜÜ ÛÜÛ ÜÛ
Û ßÛ Ûß Û
ÛÛÜ All the siteops that host us... ÜÛÛ
ÛÛÜ ÜÛÛ
° Û²ÛÜ ÜÛ²Û °
± Û²²Û Û²²Û ±
² ßÛ±ÛÜ ° ° ÜÛ±Ûß ²
²Û Û²°Û ± ± Û°²Û Û²
Û ßÛÛÛ ²° °² ÛÛÛß Û
ßÛÜÜ ß Û²° ÛÛßß ÛÛßÛ ÛÜ Û ÛÛÛÛ ÛÛßÛ ÛÛßß ÛÛÛÛ °²Û ß ÜÜÛß
° Û ßÛ ßÛ²±°°° ÛÛ ÛÛ Û ÛÛÛÛ ÛÛ ÛÛÜÛ ÛÛ ÛÛ °°°±²Ûß Ûß Û °
± Û ßÛ ÜÜÜÜÜÜÜÜÜÜÜ Ü ²ÛÛÛ ²ÛÛÛ ²Û Û ²Û ²Û Û ²ÛÛÛ ²Û Ü ÜÜÜÜÜÜÜÜÜÜÜ Ûß Û ±
² ÛÜ Û Û ÜÛ ²
ÛÜ ÛÜ Û ° iRC: #euhmnope? ° Û ÜÛ ÜÛ
ÛÜ ÛÜÛ MAiL: oma@hushmail.com ÛÜÛ ÜÛ
Û ßÛ ° WEB: http://www.never-ever.com ° Ûß Û
ÛÛÜ ±± ±± ÜÛÛ
° Û²ÛÜ ²²° We're always looking for skilled rippers! °²² ÜÛ²Û °
± Û²²Û ÛÛ²° Use one of the contact methods above to apply ;) °²ÛÛ Û²²Û ±
± Û²²Û ÛÛ²° °²ÛÛ Û²²Û ±
² ßÛ±ÛÜ Û²±°°° °° ° Ü ÜÜ ÜÜÜÜÜ ° °° °°±²Û ÜÛ±Ûß ²
²Û Û²°ÛÜ ß ßßÛÜ ß ÜÛ°²Û Û²
Û ßÛÛÛ²ÛÛÛÛÛÜÜÜܲÜܲ²²Üܲ²ÜܲÜÜÜ ASCii ÛÜܲÜÜܲ²ÜÜܲÜÜÛÛÜÜÛÛÛÛÛ²ÛÛÛß Û
ßÛÜÜ ßßßßßßßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ By ÛÛÛÛÛÛÛÛÛÛÛÛßßßßßßßßßßßßßß ÜÜÛß
ßÛ AyLieN ß
ßÛÜÜ
ßßßßß ßß ß