The_Jimi_Hendrix_Experience-Live_In_Maui-2CD-FLAC-2020-FORSAKEN

Section

MP3/FLAC

Group

FORSAKEN

Size

592,17 MB

Files

24

Date

2020-12-17

NFO

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     ▀█████▓▌                FORSAKEN Proudly Presents              ▐▓█████▀
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   ▓▄██                                                                   ██▄▓
   ▓█▀▄▄ Artist      : The Jimi Hendrix Experience                       ▄▄▀█▓
  ▐▓▌▐█▌ Album       : Live In Maui                                      ▐█▌▓▌
  ▐▀▄██  Label       : Legacy / Sony Music                                ██▄▀▌
  ▄███▌  Genre       : Rock                                               ▐███▄
  ▀███▌  Source      : CD                                                 ▐███▀
  ▐▄▀██  Street Date : 2020-11-20                                         ██▀▄▌
  ▐▓▌▐█▌ Quality     : 816 kbps / 44.1kHz / 2 channels                   ▐█▌▐▓▌
   ▓█▄▀▀ Encoder     : FLAC 1.3.1                                        ▀▀▄█▓
   ▓███  Size        : 619.04 MB                                          ███▓
   ▀ ▀█▌ Time        : 100:18min                                         ▐█▀ ▀
   ▓▄███ Url         : http://allmusic.com/album/live-in-maui-mw00034275 ███▄▓
  ▐▓████▌              16                                               ▐████▓▌
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 ██▌ Disc 1/2                                                                ▐██
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 ██▌ 1.  Chuck Wein (Intro)                                             1:46 ▐██
 ██▌ 2.  Hey Baby (New Rising Sun)                                      4:33 ▐██
 ██▌ 3.  In From The Storm                                              4:25 ▐██
 ██▌ 4.  Foxey Lady                                                     4:40 ▐██
 ██▌ 5.  Hear My Train A-Comin'                                         9:26 ▐██
 ██▌ 6.  Voodoo Child (Slight Return)                                   7:12 ▐██
 ██▌ 7.  Fire                                                           3:43 ▐██
 ██▌ 8.  Purple Haze                                                    4:32 ▐██
 ██▌ 9.  Spanish Castle Magic                                           4:16 ▐██
 ██▌ 10. Lover Man                                                      2:41 ▐██
 ██▌ 11. Message To Love                                                4:20 ▐██
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 ██▌ Disc 2/2                                                                ▐██
 ██▌                                                                         ▐██
 ██▌ 1.  Dolly Dagger                                                   4:49 ▐██
 ██▌ 2.  Villanova Junction                                             5:49 ▐██
 ██▌ 3.  Ezy Ryder                                                      5:05 ▐██
 ██▌ 4.  Red House                                                      6:40 ▐██
 ██▌ 5.  Freedom                                                        4:21 ▐██
 ██▌ 6.  Jam Back At The House                                          8:21 ▐██
 ██▌ 7.  Straight Ahead                                                 3:03 ▐██
 ██▌ 8.  Hey Baby (New Rising Sun/Midnight Lightning)                   4:52 ▐██
 ██▌ 9.  Stone Free                                                     5:44 ▐██
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 ▄███▌                                                                     ▐███▄
 ████    Just about everything about Jimi Hendrix's performances in Maui,   ████
 ████    Hawaii, at the end of July in 1970 suggested they would likely be  ████
 ████    a train wreck. Hendrix's manager had invested in an ill-fated      ████
 ████    film about hippie culture and expanded consciousness, and the      ████
 ████    production was going off the rails. Hoping to make the movie more  ████
 ████    saleable, the filmmakers eagerly agreed to stage a concert         ████
 ████    starring Hendrix that would appear in the film. (In a brave        ████
 ████    display of full hippie-era spaciness, the producers divided the    ████
 ████    audience for the concert by their astrological signs.) Playing     ████
 ████    for a few hundred flower children (when he was accustomed to       ████
 ████    appearing before several thousand) near a volcano while high       ████
 ████    winds interfered with the equipment and the flimsy stage was not   ████
 ████    exactly what Hendrix and his band were used to. However, they      ████
 ████    were seasoned pros, and Live in Maui presents in full the two      ████
 ████    sets they played before the cameras on July 30, 1970. These        ████
 ████    recordings document Hendrix and his accompanists -- bassist Billy  ████
 ████    Cox and drummer Mitch Mitchell -- as a well-oiled machine that     ████
 ████    delivered this material with a confidence and strength that also   ████
 ████    gave them room to stretch out without losing the plot. Hendrix     ████
 ████    delivers the guitar pyrotechnics that were his trademark,          ████
 ████    demonstrating his skills with a clear focus while using the        ████
 ████    swoops and cries of his Stratocaster to explore the outer limits   ████
 ████    of his songs. The Maui recordings don't find him exploring much    ████
 ████    in the way of anything new, but he's in excellent form, playfully  ████
 ████    relaxed and fully engaged at the same time, and Mitch Mitchell's   ████
 ████    drumming is, as always, an excellent foil for Jimi's melodies and  ████
 ████    instrumental attack, while Billy Cox's subtle but solid bass       ████
 ████    anchors this music better than his predecessor, Noel Redding.      ████
 ████    Hendrix would die on September 18, 1970, and the fact this is      ████
 ████    among the very last shows he would perform (and the final one to   ████
 ████    be professionally recorded) certainly adds to the interest for     ████
 ████    many fans, but Live in Maui never sounds like an artist who is     ████
 ████    running out of gas. In some way, Jimi's participation in "The      ████
 ████    Rainbow Bridge Vibratory Color-Sound Experiment" (as filmmaker     ████
 ████    Chuck Wein describes the event while he welcomes the band to the   ████
 ████    stage) was a goof, but he along with Mitchell and Cox saw to it    ████
 ████    that the folks on hand (and the camera crew) saw something         ████
 ████    worthwhile. Despite high winds, a rickety stage, and a small       ████
 ████    crowd, they delivered, and fans will revel in this document of     ████
 ████    late-period Hendrix in full flight.                                ████
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 ▐▓▌▐█▌                                                                   ▐█▌▐▓▌
  ▓█▄▀▀▄                                                                 ▄▀▀▄█▓
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