Wrecks-N-Effect-New_Jack_Swing-VLS-FLAC-1990-THEVOiD

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MP3/FLAC

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THEVOiD

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397,88 MB

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9

Date

2020-12-18

NFO

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────┤ Info   ├─────────────────────────────────────────────────────────────────
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     Artist  | Wrecks-N-Effect
     Title   | New Jack Swing

     Genre   | Hip-Hop                              Format  | Maxi-Single
     Source  | Vinyl                                Time    | 18:53

     Label   | Motown                               Store   | 1990
     Catalog | ZT 43578                             Rip     | 2020

     Bitrate | 2912kbps                             Size    | 412.60 MB
     Freq    | 96.0 kHz                             Encoder | FLAC 1.3.1

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     A1. New Jack Swing (Club Version)                               6:13
     A2. New Jack Swing (Single Version)                             3:36
     B1. New Jack Swing (12" Remix)                                  5:36
     B2. New Jack Swing (Percapella)                                 3:28

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     While Keith Sweat was the soul loverman, Bobby Brown the R&B bad boy, and
     Guy the new jack of all trades, Wrecks-N-Effect was the rap contingent of
     Teddy Riley's new jack swing juggernaut. And before there was the monster
     crossover single "Rump Shaker" (with its immodestly fleshy video), there
     was the somewhat tamer (though still fairly lascivious) pleasures of
     Wrecks-N-Effect. Lyrically and thematically, this debut recording does not
     exactly get over on its ambition.

     Aside from fascinating deviations into hypnotic soul-rap ('Soul Man' with
     it chant-like overtones) and fusion (the drawn-out jazz keyboards of 'Deep'
     and 'V-Man'), the album mostly splits the difference between battle-style
     boasting ('Leave The Mike Smoking', a showcase for Aqil Davidson, the
     trio's primary mic-man), nods to quiet storm R&B (the cornball but somehow
     endearing, slow-mo sleaze of 'Juicy'), and club workouts ('Club Head',
     'Wipe Your Sweat').

     But then, Wrecks-n-Effect wasn't pretending to make anything but good,
     sweaty, slightly debauched fun, a goal it accomplishes quite wonderfully.
     This is party-starting and extending music. Still, with the insistent "New
     Jack Swing" (produced by Riley's brother, Markell), the trio also came up
     with a call to arms for the then-neophyte genre that was precisely midway
     between the squelchy funk of the Gap Band and old school rap. It remains
     arguably the most memorable thing they ever recorded.

     "New Jack Swing" was the lead single off the "Wrecks-N-Effect" debut LP and
     reached number one on the Billboard Rap chart. It featured samples of The
     Village Callers' 1967 song "Hector" and Parliament's 1975 song "Give Up the
     Funk (Tear the Roof off the Sucker)" from their album Mothership
     Connection. An alternate version, "New Jack Swing (Hard Version)" appeared
     on the album (and was used in 2Pac's 'California Love') featuring Renny
     Jones (formerly with Parliament) playing bass. This 12-inch is the Motown
     UK wax including new remixes of "New Jack Swing" produced by Markell Riley
     & Wrecks-N-Effect.

    ┌────────┐
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    └────────┘

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