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██▌ Artist...: Damnation Gallery ░▐██▌
░▐██ Album....: Broken Time ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2021-01-09 ░▐██▓
▐██ Genre....: Heavy Metal ██▌░
░ ██▌ Label....: Black Tears ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Edge of a Broken Time 4:40
2. Hunting Night 6:00
3. Nbaya 5:13
4. Eclipse of Mind 4:23
5. Inferno 5:19
6. The Unnamed 7:10
7. Angoscia 5:52
8. White Lines 3:45
9. Iceberg 7:33
------
49:55
orror music in Italy has always had fertile ground, starting from to the
presence of Death SS (true pioneers and founders of the genre) coming to
most recent very valid bands. Over the last few years, thanks to the
excellent "Black Stainsö from 2018 and the brand new full-length ôBroken
Timeö, Damnation Gallery are musically taking the concept of horror to
extremes boundaries through a more immediate and violent approach that
includes Thrash, Death and Black metal elements creating truly
disturbing atmospheres. The line-up is made up of pure talented
musicians such as Scarlet on vocals, Lord Edgar and Lord of Plague on
guitars, Low on bass and Coroner behind the drums.
The incipit of "Broken Time" is also the first and enthralling single
EDGE OF A BROKEN TIME, in which the biting and evocative voice of
Scarlet stands out, capable of introducing and accompanying the
different and sudden changes of rhythm that are musically very
suggestive. In HUNTING NIGHT the work of the guitars is robust, powerful
and the horrifying atmospheres become more and more pressing while in
NBAYA an intro of rare rituality leaves room for a sound first Death and
then Thrash in which the technical skills of the entire band are
shining.
ECLIPSE OF MIND and INFERNO have nothing to envy to the greatest pieces
of the giants death-thrash-black and are also anchored on the lessons
taught by Italian masters such as the Necrodeath from Genova. Lessons
that are well assimilated and re-arranged in a completely original,
personal and brilliant way by Damnation Gallery. THE UNNAMED is the most
articulated, ambitious, complex and fascinating track of the whole work.
Scarlet's performance is again incredible and her voice, interchanging
with that of Steve Sylvester (luxury guest and author of a thrilling
performance) reminds of filthian memories. Worth of mentioning is also
the work of Lord of Plague and Lord Edgar that in the central part of
the song should be proud of creating an epic, melancholy and gothic
atmosphere.
ANGOSCIA is the only piece entirely sung in Italian in which the band
traverses more doom paths, still achieving excellent results. The album
closes with WHITE LINES, characterized by an almost punk speed of
execution and with ICEBERG, a 7-minutes suite that collects all the
qualities and peculiarities described so far about the band.
The new work by Damnation Gallery is striking hard for its compositional
and executive quality and for the immense charge it releases in every
note. It is surely not a pure ôdiscoveryö because the conditions for
doing well were already there, but here we can undoubtedly say that we
are facing a real masterpiece.
---
Broken Time is a great album, born from the wise and capable mind of
Damnation Gallery and which brings together truly thrilling
inspirations, experiments and innovations. The opener, and first single
of the work, EDGE OF A BROKEN TIME is a sudden declaration of intents
and it shows a high level songwriting, being able to amalgamate various
genres, including Power / Doom influences, within the evocative Black /
Death main plot created by a powerful and never ordinary work of the two
guitars. HUNTING NIGHT moves slowly before paving the way to a very
innovative and stomping Death metal.
NBAYA is one of my favourite tracks of the album, Scarlet's powerful and
versatile voice combined with heavy and pounding riffs creates an
immense Death that recalls the old Scandinavian school but is made
unique and original by the band's compositive style. Worth to mention
the great bass and drumsÆ work that amazingly accompanies the guitars in
bridges and solos. ECLIPSE OF MIND is a very tight piece in which the
succession of melodic arrangements with Thrash outbursts create an
excellent track to kick some serious asses during live performances.
INFERNO shows heavier Power/Classic Metal influences in the structure of
the song and in the guitar solo and introduces another top level piece:
THE UNNAMED, a melodic Death song that conveys the class and talent of
these guys, supported by the singing of an exceptional maSSter. The
incredible interchange, in the middle of the song, between the melodic
arrangements, the guitar solo and melodic death, creates one of the best
moments of the work, brought to even higher peaks by Scarlet's growl.
ANGOSCIA is a song in Italian!! From the very first listening it can be
classified as one of the best pieces of Black metal sung in mother
tongue, creating a real sense of anguish accompanied by the biting
guitar riffs. "BUIO ... BUIO ... SEMPRE PIUÆ BUIO" but the truth is that
this album, which is then closed by WHITE LINES and the long piece
ICEBERG, shines and dazzles thanks to the creative power, the
originality of what is proposed and the great charge it releases in
every song. I see in this work a study, a research and a stylistic
synthesis of rare workmanship, an alchemy that (not all) bands manage to
find in such a short time, but the great compositive strength of the DG
combined with their synergy and perseverance is the main reasons for
this great work.
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