Antonio_Vivaldi-Instrumental_Concertos-LP-2006-DDC

Section
MP3/FLAC
Group
DDC
Size
54,83 MB
Files
15
Date
2006-06-12

NFO

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                  ░▒██▒█        Antonio Vivaldi - Instrumental Concertos       █████▓
              ░ ▒█▓██▒▒▒                                                       ██████
             ▒ ▒▓▒▒█▒▒▒▒                                                       ██████
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          ▒█▒███▓▓█▒▒▒▒▒▒▒████▒░░░░▒▒  ReLEAsE InFo   ▒       ▒▒  ▒  ▒▒  ▒  ░░ ░▒ ▒▒▒▒
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          ▒██                                                                     ▒▒▒▒
          ▒▒▒ Url      : n/a                                                      ▒█▒▓
          █▓▓ Label    :                                                          ▒▒▒▒
          ▒▓▓ Genre    : Chamber Music                                            █▓▒▒
          ▒▒▒ Album    : Instrumental Concertos                                   ▒▓█▓
          ▒▓▒ Artist   : Antonio Vivaldi                                          ▒▒▒▓
          ▒█▓ Playtime : 48:03 min                                                ▒▓▒▒
          ▒▒▒                                                                     ▒█▒▓
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          ▒▓▒▒▒▓                                                                  ▒█▒▒
          ▒▓█▓▒█ Size        : 54,8 MB                                            ▒▒█▓
          ▒█▒▓▒▒ Songs       : 15                                                 █▓▒▓
          ▒▒▒▒█▓ Ripper      : Team DDC                                           ▒▓▒▒
          █▒▓▒▓▓ Source      : Vinyl                                              ▒▒▒▒
          ▒▒█▒█▒ Encoder     : Lame v3.90.3                                       ▒▒ ▓
          ▒▓▒▒▒▒ Quality     : VBR kbps/44,1kHz/Joint-Stereo                       ▓▒▒
          ▒█▓█▓▒ Rip Date    : 05-25-2006                                         ▒▒▒▒
          ▒▒▓▒▓▒ Street Date : 00-00-0000                                         ▒▒▒▓
          █▓▒▒▒▓                                                                  ▒▓▒▓
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          ▒▒█▒█████░██░▒▒▒░░░█▓██░░░░░░▓░░ RELeASE NoTES        ░          ░▒ ▒  ░▒▒▒▓
          ▒▒▒▒▒▒▓███▓███▒█▓▓▓░▓░░░░░░░░░▒▒                              ▒░▒▒  ▒░▒▒ ▒▒▒
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          ▒▒▓▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ Orchestra: Warsaw Chamber Orchestra                              ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ Artistic Director: Stefan Sytkowski                              ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ On the Harpsichord plays Jerzy Dobrza±ski.                       ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ With the 17th century and especially its second half came        ▒▒▒▓
          ▒▒▒▒▒▒ the breaking of the hegemony of vocal music and the              ▒▒▒▓
          ▒▒▒▒▒▒ appearance of independent, typical instrumental parts            ▒▒▒▓
          ▒▒▒▒▒▒ in vocal-instrumental compositions and the shaping               ▒▒▒▓
          ▒▒▒▒▒▒ of typical instrumental forms like the solo sonata the trio      ▒▒▒▓
          ▒▒▒▒▒▒ sonata, the concerto grosso and the solo concerto.               ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ Italy was the place where the greatest changes took place        ▒▒▒▓
          ▒▒▒▒▒▒ and where the most gifted and most creative composers            ▒▒▒▓
          ▒▒▒▒▒▒ were, it was a country famous for religious (oratoria,           ▒▒▒▓
          ▒▒▒▒▒▒ masses catatas) and secular compositions (operas, ballets and    ▒▒▒▓
          ▒▒▒▒▒▒ a whole set of chamber compositions that have been mentioned     ▒▒▒▓
          ▒▒▒▒▒▒ before). Antonio Vivaldi was an exeptional composerof over 800   ▒▒▒▓
          ▒▒▒▒▒▒ works of various types. The ranged from great vocal intrumental  ▒▒▒▓
          ▒▒▒▒▒▒ works liek operas, oratorios, cantatas, vespers, to the          ▒▒▒▓
          ▒▒▒▒▒▒ incredible number of about 500 solo concertos for almost all     ▒▒▒▓
          ▒▒▒▒▒▒ instruments known in those times.                                ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ Concertos for wind instruments form an important group here      ▒▒▒▓
          ▒▒▒▒▒▒ of course the ones that in those times has a secure future       ▒▒▒▓
          ▒▒▒▒▒▒ before them, both as to the technical development and a place    ▒▒▒▓
          ▒▒▒▒▒▒ in orchestra and solo literature. These are the glute, the oboe  ▒▒▒▓
          ▒▒▒▒▒▒ bassoon, clarino and horn. Among the compositions mentioned      ▒▒▒▓
          ▒▒▒▒▒▒ it would be impossible to find solo pats for the viola da gamba, ▒▒▒▓
          ▒▒▒▒▒▒ the lute or any wind instrument from the family of recorders,    ▒▒▒▓
          ▒▒▒▒▒▒ cromornes, etc.                                                  ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ Besides such interesting pieces as the mandolin and guitar       ▒▒▒▓
          ▒▒▒▒▒▒ concertos, the viola d'amore concerto has entered the concert    ▒▒▒▓
          ▒▒▒▒▒▒ programmes for good, it is a grue pearl among Vivaldi's          ▒▒▒▓
          ▒▒▒▒▒▒ concertos. Compositions written fo this instrument, which was    ▒▒▒▓
          ▒▒▒▒▒▒ held in high esteem in the 17th and 18th centuries although      ▒▒▒▓
          ▒▒▒▒▒▒ it never became part of an orchestra or was included in          ▒▒▒▓
          ▒▒▒▒▒▒ chamber orchestras and always remained a solo instrument,        ▒▒▒▓
          ▒▒▒▒▒▒ are today a repertoire that is very seldom performed because     ▒▒▒▓
          ▒▒▒▒▒▒ of the small number of musicians who play the viola d'amore.     ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ However, the concertos for the solo violin, for 2 and 4 violins  ▒▒▒▓
          ▒▒▒▒▒▒ with the accompaniment of a string orchestra and harpsichord     ▒▒▒▓
          ▒▒▒▒▒▒ are commonly performed in modern times. The division of          ▒▒▒▓
          ▒▒▒▒▒▒ voices in the concertos for 4 violins which as in every baroque  ▒▒▒▓
          ▒▒▒▒▒▒ concerto are divided into solo and tutti can be played by one    ▒▒▒▓
          ▒▒▒▒▒▒ player to a part in a asmall room at the same keeping the solo   ▒▒▒▓
          ▒▒▒▒▒▒ performance by the alto and bass violas or, which gives better   ▒▒▒▓
          ▒▒▒▒▒▒ effects in modern concert halls, the whole orchestra and         ▒▒▒▓
          ▒▒▒▒▒▒ soloists play tutti and the solo parts are performed by the      ▒▒▒▓
          ▒▒▒▒▒▒ soloists with the accompaniment, as in concertos for solo        ▒▒▒▓
          ▒▒▒▒▒▒ instruments.                                                     ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ The repertoire on this record does not of course, exhaust        ▒▒▒▓
          ▒▒▒▒▒▒ the great problem of learning to know Vivaldi's work but         ▒▒▒▓
          ▒▒▒▒▒▒ it does reveal the treasury fo countless ideas that are          ▒▒▒▓
          ▒▒▒▒▒▒ contained in the five chosen concertos of this great master      ▒▒▒▓
          ▒▒▒▒▒▒ of the baroque.                                                  ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ The Warsaw Chamber Orchestra is an ensemble consisting           ▒▒▒▓
          ▒▒▒▒▒▒ of distinguished musicians of the National Philharmonic          ▒▒▒▓
          ▒▒▒▒▒▒ and the Grand Theatre that specialise in performing music        ▒▒▒▓
          ▒▒▒▒▒▒ of the baroque and Viennese classicim.                           ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ The selection of certain instruments is subject to charge,       ▒▒▒▓
          ▒▒▒▒▒▒ depending on the period in which the chose, compositions         ▒▒▒▓
          ▒▒▒▒▒▒ was written; thus in the baroque works there are violas,         ▒▒▒▓
          ▒▒▒▒▒▒ viola da gamba, and the bass viol together with the              ▒▒▒▓
          ▒▒▒▒▒▒ inseparable harpsichord on which the conductor realizes          ▒▒▒▓
          ▒▒▒▒▒▒ (according to the custom practised in the given age)             ▒▒▒▓
          ▒▒▒▒▒▒ the impovisational basso continuo part, instead of the           ▒▒▒▓
          ▒▒▒▒▒▒ viola, cellos and double-bass. Both in the concerti              ▒▒▒▓
          ▒▒▒▒▒▒ grossi by J.S Bach, G.F Haendel, and in the solo concertos       ▒▒▒▓
          ▒▒▒▒▒▒ by G.P. Telemann, A. Vivaldi and othercomposers of the           ▒▒▒▓
          ▒▒▒▒▒▒ 17th and the first half of the 18th century there are wind       ▒▒▒▓
          ▒▒▒▒▒▒ instruments that do not essentially differ from their            ▒▒▒▓
          ▒▒▒▒▒▒ present-day form, for these instuments, unlike the strings       ▒▒▒▓
          ▒▒▒▒▒▒ have not been subject to any basic changes.                      ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ While preparingconcert or recording programmers the              ▒▒▒▓
          ▒▒▒▒▒▒ ensemble wishes first of all to present portraits of the         ▒▒▒▓
          ▒▒▒▒▒▒ most distinguished baroque and classical composers               ▒▒▒▓
          ▒▒▒▒▒▒ in instrumental music and vocal instrumental                     ▒▒▒▓
          ▒▒▒▒▒▒ compositions, that is with the participation of vocalists        ▒▒▒▓
          ▒▒▒▒▒▒ who perform the solo parts of the cantatas or the chamber        ▒▒▒▓
          ▒▒▒▒▒▒ forms that correspond to our programme plans and                 ▒▒▒▓
          ▒▒▒▒▒▒ possibilities of performance.                                    ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ The basic ensemble of the Warsaw Chamber Orchestra               ▒▒▒▓
          ▒▒▒▒▒▒ is an almost twenty-member string ensemble that is               ▒▒▒▓
          ▒▒▒▒▒▒ supplemented for compositions that have parts for wind           ▒▒▒▓
          ▒▒▒▒▒▒ instruments: flutes, oboes, bassoons and horns, and              ▒▒▒▓
          ▒▒▒▒▒▒ for classical music also clarinets.                              ▒▒▒▓
          ▒▒▒▒▒▒                                                                  ▒▒▒▓
          ▒▒▒▒▒▒ The most accomplished members of the ensemble                    ▒▒▒▓
          ▒▒▒▒▒▒ perform the solo parts in concerti grossi and classical          ▒▒▒▓
          ▒▒▒▒▒▒ concertos and distinguished soloists from outside the            ▒▒▒▓
          ▒▒▒▒▒▒ ensemble play harpsichord, organ or piano concertos.             ▒▒▒▓
          █▓▒▒▒▓                                                                  ▒▓▒▓
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          ▒▒█▒█████░██░▒▒▒░░░█▓██░░░░░░▓░░ TRaCK LiST           ░          ░▒ ▒  ░▒▒▒▓
          ▒▒▒▒▒▒▓███▓███▒█▓▓▓░▓░░░░░░░░░▒▒                              ▒░▒▒  ▒░▒▒ ▒▒▒
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          ▒▓▒▒▒▓                                                                  ▒█▒▒
          ▒▓█▓▒█          01.Concerto in F major       [02:45]                    ▒▒█▓
          ▒█▒▓▒▒             Op.10, No.5 for flute, str                           █▓▒▓
          ▒▓█▓▒█          02.Concerto in F major       [03:43]                    ▒▒█▓
          ▒█▒▓▒▒             Op.10, No.5 for flute, str                           █▓▒▓
          ▒▓█▓▒█          03.Concerto in F major       [01:51]                    ▒▒█▓
          ▒█▒▓▒▒             Op.10, No.5 for flute, str                           █▓▒▓
          ▒▓█▓▒█          04.Concerto in C major for   [03:02]                    ▒▒█▓
          ▒█▒▓▒▒             2 oboes, strings and harps                           █▓▒▓
          ▒▓█▓▒█          05.Concerto in C major for   [01:33]                    ▒▒█▓
          ▒█▒▓▒▒             2 oboes, strings and harps                           █▓▒▓
          ▒▓█▓▒█          06.Concerto in C major for   [02:42]                    ▒▒█▓
          ▒█▒▓▒▒             2 oboes, strings and harps                           █▓▒▓
          ▒▓█▓▒█          07.Concerto in D minor,      [04:19]                    ▒▒█▓
          ▒█▒▓▒▒             Fanna VIII, No.5 for basso                           █▓▒▓
          ▒▓█▓▒█          08.Concerto in D minor,      [03:28]                    ▒▒█▓
          ▒█▒▓▒▒             Fanna VIII, No.5 for basso                           █▓▒▓
          ▒▓█▓▒█          09.Concerto in D minor,      [03:06]                    ▒▒█▓
          ▒█▒▓▒▒             Fanna VIII, No.5 for basso                           █▓▒▓
          ▒▓█▓▒█          10.Concerto in B flat        [04:40]                    ▒▒█▓
          ▒█▒▓▒▒             major, Fanna I, No.40 for                            █▓▒▓
          ▒▓█▓▒█          11.Concerto in B flat        [02:12]                    ▒▒█▓
          ▒█▒▓▒▒             major, Fanna I, No.40 for                            █▓▒▓
          ▒▓█▓▒█          12.Concerto in B flat        [03:13]                    ▒▒█▓
          ▒█▒▓▒▒             major, Fanna I, No.40 for                            █▓▒▓
          ▒▓█▓▒█          13.Concerto in B minor       [04:23]                    ▒▒█▓
          ▒█▒▓▒▒             Op.3, No.10 for 4 violins,                           █▓▒▓
          ▒▓█▓▒█          14.Concerto in B minor       [03:10]                    ▒▒█▓
          ▒█▒▓▒▒             Op.3, No.10 for 4 violins,                           █▓▒▓
          ▒▓█▓▒█          15.Concerto in B minor       [03:56]                    ▒▒█▓
          ▒█▒▓▒▒             Op.3, No.10 for 4 violins,                           █▓▒▓
          ▒▒▒▒█▓                                                                  ▒▓▒▒
          █▒▓▒▓▓                                                                  ▒▒▒▒
          ▒▒█▒█▒                                                                  ▒▒ ▓
          ▒▓▒▒▒▒                                       ───────                     ▓▒▒
          ▒█▓█▓▒                                        48:03 min                 ▒▒▒▒
          ▒▒▓▒▓▒                                        48:03 min                 ▒▒▒▓
          █▓▒▒▒▓                                         54,8 MB                  ▒▓▒▓
          █▓▒▒▒▓                                                                  ▒▓▒▓
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          ▒▓▒▒▒▒                                                                   ▓▒▒
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Files

PathSize
01-concerto_in_f_major_op.10_no.5_for_flute_strings_and_harpsichord._a2,81 MB
02-concerto_in_f_major_op.10_no.5_for_flute_strings_and_harpsichord._l3,75 MB
03-concerto_in_f_major_op.10_no.5_for_flute_strings_and_harpsichord._a1,92 MB
04-concerto_in_c_major_for_2_oboes_strings_and_harpsichord._allegro-dd3,41 MB
05-concerto_in_c_major_for_2_oboes_strings_and_harpsichord._largo-ddc.1,85 MB
06-concerto_in_c_major_for_2_oboes_strings_and_harpsichord._allegro-dd3,07 MB
07-concerto_in_d_minor_fanna_viii_no.5_for_bassoon_strings_and_harpsic4,66 MB
08-concerto_in_d_minor_fanna_viii_no.5_for_bassoon_strings_and_harpsic4,00 MB
09-concerto_in_d_minor_fanna_viii_no.5_for_bassoon_strings_and_harpsic3,51 MB
10-concerto_in_b_flat_major_fanna_i_no.40_for_2_violins_strings_and_ha5,36 MB
11-concerto_in_b_flat_major_fanna_i_no.40_for_2_violins_strings_and_ha2,48 MB
12-concerto_in_b_flat_major_fanna_i_no.40_for_2_violins_strings_and_ha3,67 MB
13-concerto_in_b_minor_op.3_no.10_for_4_violins_strings_and_harpsichor5,42 MB
14-concerto_in_b_minor_op.3_no.10_for_4_violins_strings_and_harpsichor3,97 MB
15-concerto_in_b_minor_op.3_no.10_for_4_violins_strings_and_harpsichor4,94 MB