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████████████████████████████████████████████████████████████████████████████████████████████DDC 2006
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░▒██▒█ Antonio Vivaldi - Le Quattro Stagioni Opus 8 Nos.1-4 █████▓
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▒▒▒ Url : n/a ▒█▒▓
█▓▓ Label : ▒▒▒▒
▒▓▓ Genre : Chamber Music █▓▒▒
▒▒▒ Album : Le Quattro Stagioni Opus 8, Nos.1-4 ▒▓█▓
▒▓▒ Artist : Antonio Vivaldi ▒▒▒▓
▒█▓ Playtime : 42:25 min ▒▓▒▒
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▒▓█▓▒█ Size : 49,10 MB ▒▒█▓
▒█▒▓▒▒ Songs : 12 █▓▒▓
▒▒▒▒█▓ Ripper : Team DDC ▒▓▒▒
█▒▓▒▓▓ Source : Vinyl ▒▒▒▒
▒▒█▒█▒ Encoder : Lame v3.90.3 ▒▒ ▓
▒▓▒▒▒▒ Quality : VBR kbps/44,1kHz/Joint-Stereo ▓▒▒
▒█▓█▓▒ Rip Date : 05-27-2006 ▒▒▒▒
▒▒▓▒▓▒ Street Date : 00-00-0000 ▒▒▒▓
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▒▒█▒█████░██░▒▒▒░░░█▓██░░░░░░▓░░ RELeASE NoTES ░ ░▒ ▒ ░▒▒▒▓
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▒▒▒▒▒▒ The Warsaw Philharmonic Chamber Orchestra ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ Director: Karol Teutsch ▒▒▒▓
▒▒▒▒▒▒ On Violin: Konstanty Andrzej Kulka ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ Antonio Vivaldi (1675-1741). Venetian priest, violinist and ▒▒▒▓
▒▒▒▒▒▒ composer, one of the most representative and creative ▒▒▒▓
▒▒▒▒▒▒ artists of the late baroque period, was the first major ▒▒▒▓
▒▒▒▒▒▒ musician to write concertos for violin solo and string ▒▒▒▓
▒▒▒▒▒▒ orchestra, a musical form which in following periods ▒▒▒▓
▒▒▒▒▒▒ (by this time with the support of a symphony orchestra) ▒▒▒▓
▒▒▒▒▒▒ was particularly popular. "The Four Seasons" open ▒▒▒▓
▒▒▒▒▒▒ the set of 12 violin concertos op. 8 that were written ▒▒▒▓
▒▒▒▒▒▒ in 1775-30 and given the title "II cimento dell'armonia ▒▒▒▓
▒▒▒▒▒▒ e dell Invenzione". Le Quattro Stagioni are are ▒▒▒▓
▒▒▒▒▒▒ programme pieces to which the composer added ▒▒▒▓
▒▒▒▒▒▒ a corresponding set of sonnets, propably written by ▒▒▒▓
▒▒▒▒▒▒ himself and describing country scenes in the four ▒▒▒▓
▒▒▒▒▒▒ seasons. At some places of the score he even put ▒▒▒▓
▒▒▒▒▒▒ references to corresponding lines of the verse. ▒▒▒▓
▒▒▒▒▒▒ These programme elements do not diminish, ▒▒▒▓
▒▒▒▒▒▒ however, the autonomy of the music which is rich ▒▒▒▓
▒▒▒▒▒▒ enough to be fully enjoyed also without those poetic ▒▒▒▓
▒▒▒▒▒▒ commentaries. What make the four concertos so ▒▒▒▓
▒▒▒▒▒▒ valuable is the pure musical art and investiveness we ▒▒▒▓
▒▒▒▒▒▒ find in them, their virtuoso qualities, melodic beauty ▒▒▒▓
▒▒▒▒▒▒ and harmonic finesse, succulent and very original ▒▒▒▓
▒▒▒▒▒▒ (quite new in those days!) sound effects, based on ▒▒▒▓
▒▒▒▒▒▒ capricious contrasts, formation of the particular ▒▒▒▓
▒▒▒▒▒▒ movements. ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ "SPRING". The first movement (Allegro) is opened by ▒▒▒▓
▒▒▒▒▒▒ a joyousorchestral theme announcing the arrival of ▒▒▒▓
▒▒▒▒▒▒ spring. A moment later the soloist joins in with ▒▒▒▓
▒▒▒▒▒▒ ornamental figures which illustrate the singing of ▒▒▒▓
▒▒▒▒▒▒ birds. Delicate trills of the violin solo interlaced ▒▒▒▓
▒▒▒▒▒▒ with high passages of the orchestra combine in ▒▒▒▓
▒▒▒▒▒▒ creating here one of the most coloufully evocative ▒▒▒▓
▒▒▒▒▒▒ compositions in baroque music. After fleeting quaver ▒▒▒▓
▒▒▒▒▒▒ figures (wind blowing), sombre tremolos and triplets ▒▒▒▓
▒▒▒▒▒▒ of the violin (thunder-storm), we hear again the ▒▒▒▓
▒▒▒▒▒▒ singing of birds; then, to conclude the joyous; ▒▒▒▓
▒▒▒▒▒▒ theme of srping" returns. The second movement ▒▒▒▓
▒▒▒▒▒▒ (Largo e pianissimo sempre) is a singing "aria" ▒▒▒▓
▒▒▒▒▒▒ of the violin against the background of a delicate ▒▒▒▓
▒▒▒▒▒▒ rhytmic accompaniment of the orchestra - a shepherd ▒▒▒▓
▒▒▒▒▒▒ is sleeping on a flowery meadow with his faithful ▒▒▒▓
▒▒▒▒▒▒ dog at his side. The third movement (Allegro) ▒▒▒▓
▒▒▒▒▒▒ represent a rich and rhytmically elaborate "country ▒▒▒▓
▒▒▒▒▒▒ dance": nymphs and stepherds are dancing to ▒▒▒▓
▒▒▒▒▒▒ welcome the spring. ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ "SUMMER". The first movement (Allegro non molto), ▒▒▒▓
▒▒▒▒▒▒ rich in contrast, opens with slow, lazy sounding ▒▒▒▓
▒▒▒▒▒▒ motives: this is the image of nature drowsing in the ▒▒▒▓
▒▒▒▒▒▒ summer heat. This theme is the interlaced with more ▒▒▒▓
▒▒▒▒▒▒ lively phrases in which we can hear again the voices ▒▒▒▓
▒▒▒▒▒▒ of birds: of cuckoo, turtledove, goldfinch. A very ▒▒▒▓
▒▒▒▒▒▒ effectful fragment illustrates the appearance of winds ▒▒▒▓
▒▒▒▒▒▒ of the gentle Zephyr, and then the severe Boreas. ▒▒▒▓
▒▒▒▒▒▒ Clouds are pilling up: in the doleful violin melody ▒▒▒▓
▒▒▒▒▒▒ one hears the crying of a little shepherd, afraid of ▒▒▒▓
▒▒▒▒▒▒ the outpur. The movement is concluded by stormy ▒▒▒▓
▒▒▒▒▒▒ demisemiquavers of both the soloist and the orchestra. ▒▒▒▓
▒▒▒▒▒▒ In the second movement and insistent theme of the ▒▒▒▓
▒▒▒▒▒▒ orchestra with the violin's melody (Adagio), potraying ▒▒▒▓
▒▒▒▒▒▒ a restless swarm of flies, alternates with an impetuous ▒▒▒▓
▒▒▒▒▒▒ Presto (sound of thunder). And lastly the magnificent ▒▒▒▓
▒▒▒▒▒▒ virtuoso third movement (Presto) - storm, outpour, ▒▒▒▓
▒▒▒▒▒▒ hail - the most beautiful fragment of this kind before ▒▒▒▓
▒▒▒▒▒▒ Beethoven's "storm" in the Sixth Symphony, also ▒▒▒▓
▒▒▒▒▒▒ foreshadowing the famous scene in Hades of Gluck's ▒▒▒▓
▒▒▒▒▒▒ Orpheus. ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ "AUTUMN". The gay and rhytmical theme of the first ▒▒▒▓
▒▒▒▒▒▒ movement (Allegro) portrays the singing and dancing ▒▒▒▓
▒▒▒▒▒▒ of peasants at a harvest festival. The fanciful passages ▒▒▒▓
▒▒▒▒▒▒ and arobesques of the soloist illustrate "the excitement ▒▒▒▓
▒▒▒▒▒▒ provoked by Bacchu's liquor". Some of the peasants, ▒▒▒▓
▒▒▒▒▒▒ drunk, have fallen asleep - the music quiets down into ▒▒▒▓
▒▒▒▒▒▒ a piano e larghetto. But again the dancelike theme ▒▒▒▓
▒▒▒▒▒▒ returns (this time Allegro molto) - the dancing resumes. ▒▒▒▓
▒▒▒▒▒▒ The second movement (Adagio), based on a sharply ▒▒▒▓
▒▒▒▒▒▒ rhytmical, sprightly theme, pictures a hunting scene. ▒▒▒▓
▒▒▒▒▒▒ The solo violin's fourths and thirds imitate the sounds of ▒▒▒▓
▒▒▒▒▒▒ a horn. There is also a fast virtuoso episode: this is a ▒▒▒▓
▒▒▒▒▒▒ chase of the game that has been wounded and finally ▒▒▒▓
▒▒▒▒▒▒ falls. dead. ▒▒▒▓
▒▒▒▒▒▒ ▒▒▒▓
▒▒▒▒▒▒ "WINTER". The first movement (Allegro non molto) begins ▒▒▒▓
▒▒▒▒▒▒ with measured progressing beatifully with dissonances, - ▒▒▒▓
▒▒▒▒▒▒ illustrating falling snow. The stormy motives of the soloist ▒▒▒▓
▒▒▒▒▒▒ announce the arrival of a strong norhtenly wind: cold, with ▒▒▒▓
▒▒▒▒▒▒ chattering teeth, we run about, stamping our feet to keep ▒▒▒▓
▒▒▒▒▒▒ wind ourselves warm. The music expresses this by energetic ▒▒▒▓
▒▒▒▒▒▒ passages. The second movement (Largo) brings us and ▒▒▒▓
▒▒▒▒▒▒ enchanting, restful cantilena - we sit closely in front of the ▒▒▒▓
▒▒▒▒▒▒ fire, forgetting the bad weather. The third movement (Allegro) ▒▒▒▓
▒▒▒▒▒▒ moves quietly and fluently in semiquavers - this is a ▒▒▒▓
▒▒▒▒▒▒ cautious walk on ice, though not without its more dramatic ▒▒▒▓
▒▒▒▒▒▒ incidents: slipping, falling, the the ice breaking up (sudden ▒▒▒▓
▒▒▒▒▒▒ interrupted figures of the violin). The concerto concludes ▒▒▒▓
▒▒▒▒▒▒ on brilliant cascades of sounds portraying Boreas's fight with ▒▒▒▓
▒▒▒▒▒▒ other winds. At the end of the score Vivaldi wrote the ▒▒▒▓
▒▒▒▒▒▒ following words: "Such is the winter, and yet it brings us joy". ▒▒▒▓
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▒▒█▒█████░██░▒▒▒░░░█▓██░░░░░░▓░░ TRaCK LiST ░ ░▒ ▒ ░▒▒▒▓
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▒▓█▓▒█ 01.Concerto No.1 "LA [03:27] ▒▒█▓
▒█▒▓▒▒ PRIMAVERA", P.241. Allegro █▓▒▓
▒▓█▓▒█ 02.Concerto No.1 "LA [02:53] ▒▒█▓
▒█▒▓▒▒ PRIMAVERA", P.241. Largo █▓▒▓
▒▓█▓▒█ 03.Concerto No.1 "LA [04:22] ▒▒█▓
▒█▒▓▒▒ PRIMAVERA", P.241. Allegro █▓▒▓
▒▓█▓▒█ 04.Concerto No.2 [04:58] ▒▒█▓
▒█▒▓▒▒ "L'ESTATE", P.336. Allegro █▓▒▓
▒▓█▓▒█ 05.Concerto No.2 [02:32] ▒▒█▓
▒█▒▓▒▒ "L'ESTATE", P.336. Adagio █▓▒▓
▒▓█▓▒█ 06.Concerto No.2 [03:02] ▒▒█▓
▒█▒▓▒▒ "L'ESTATE", P.336. Presto- █▓▒▓
▒▓█▓▒█ 07.Concerto No.3 [04:58] ▒▒█▓
▒█▒▓▒▒ "L'AUTUNNO", P.257. Allegr █▓▒▓
▒▓█▓▒█ 08.Concerto No.3 [03:17] ▒▒█▓
▒█▒▓▒▒ "L'AUTUNNO", P.257. Adagio █▓▒▓
▒▓█▓▒█ 09.Concerto No.3 [03:33] ▒▒█▓
▒█▒▓▒▒ "L'AUTUNNO", P.257. La Cac █▓▒▓
▒▓█▓▒█ 10.Concerto No.4 [03:35] ▒▒█▓
▒█▒▓▒▒ "L'INVERNO", P.442. Allegr █▓▒▓
▒▓█▓▒█ 11.Concerto No.4 [02:39] ▒▒█▓
▒█▒▓▒▒ "L'INVERNO", P.442. Largo █▓▒▓
▒▓█▓▒█ 12.Concerto No.4 [03:09] ▒▒█▓
▒█▒▓▒▒ "L'INVERNO", P.442. Allegr █▓▒▓
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▒▓▒▒▒▒ ─────── ▓▒▒
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█▓▒▒▒▓ 49,10 MB ▒▓▒▓
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▒▒█▒█████░██░▒▒▒░░░█▓██░░░░░░▓░░ CoNTact ░ ░▒ ▒ ░▒▒▒▓
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▒▒█▒█▒ Currently we are looking for: ▒█▒▒
▒▒█▒█▒ ▒█▒▒
▒▓▒▒▒▒ Rippers willing to rip music from 2006+. We are also looking ▒█▒▒
▒█▓█▓▒ for Old School music rippers, especially from rock, rap, soul, ▒█▒▒
▒▓▒▒▒▒ blues, metal, punk, electro, jazz, classical etc. ▒█▒▒
▒▓▒▒▒▒ 100mb+ top sites, legitimate shells and anyone who has skills ▒█▒▒
▒▓▒▒▒▒ which may be useful are welcome to DDC. ▒█▒▒
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▒▓▒▒▒▒ Please send email to: digginindacrates@hush.com ▒█▒▒
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