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██▌ Artist...: Chapel ░▐██▌
░▐██ Album....: Satan's Rock 'n' Roll ░██▌░
▓▐██ Year.....: 2012 ▓▐██▓
▓▐██ Rel.Date.: 2021-01-24 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: Invictus Productions ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Rock 'n' Roll from Hell 3:56
2. Nocturnal Blasphemy 2:09
3. Satan's Rock 'n' Roll 4:02
4. Hell Breaks Loose 3:20
5. Alcoholocaust 3:27
6. Blood Will Be Spilled 3:18
7. Satanist 2:01
8. Motorcult 3:14
9. Trashed 2:08
10. Hellrazors 5:02
------
32:37
Where the hell are these guy from? They were formed in 2008 in the
depths of Vancouver, Canada, a city known to produce some of the best
known underground metal bands. How come I havenÆt heard about them 'til
now? Maybe because it is their debut album.
The Vancouver trio offers dirty and surly hard, fast rock mixed with
black and thrash metal elements and spiced with high tempo speed metal.
I can summarize it as black metal MOTORHEAD. I kid you not.
After a short, silly organ introduction, the Vancouver trio named CHAPEL
starts with ôRock æN Roll From Hellö, a song with hellish guitar riffs
presenting real rock æn roll chord progression with driving riffs and
pounding drums so fast it can make a McLaren look like a Ford T model in
a street car race. The rhythm is fast, no shit, no crap - only pure
metal all backed with strong, harsh, and enunciated vocals. Never
thought that rock 'n roll came from Hell. Clearly it did!
ôSatan's Rock 'N' Rollö, the third track, can easily become a hymn of
metal similar to VENOMÆs ôBlack Metalö. Okay. it doesnÆt have the same
impact as the former had, however again CHAPEL test the limits of speed
metal with killer fast drums and riffs, and the only thing left is to
shout ôSatan's Rock 'N' Rollö. ôAlcoholocaustö, the fifth track on the
album, in my opinion is the best track around with a lower guitar pitch
riffs & more power in the vocals. It reminds me of METALLICAÆs ôMetal
Militiaö, but as if it were played by VENOM and sung by Lemmy of
Motorhead. Yet again, you canÆt be mistaken in what you get, which is
fast and head-bashing metal.
Honorable mention goes to ôBlood Will Be Spilledö and ôSatanistö. These
songs kick ass with a molded boot, and either way donÆt miss in any case
or situation the opening of ôHellrazorsö or the song itself. In no time
you will sing aloud the chorus ô...and we are busting outta Hellô.
I would like to conclude here so I will have more time to listen to the
album on my Harley on the way to hell to party with Satan, no kidding.
Listening to this album brought me back to the days when metal was
simple, brutal, and fun! ThatÆs the way it should be! And thatÆs the way
CHAPEL does it: brutal, fast, no-holds-barred metal. Way to go, CHAPEL.
One thing for the band is that this genre is small and dusted with many
bands covering everything in that register for over thirty years and
counting. I do hope that CHAPEL will be able to stand the test of time
or, in their case, the test of the allusive second album. Let me finish
with the immortal words from our sponsor, VENOM - ôlay down your soul to
the godÆs rock `n' rollö, in this case to ôChapel - Satan Rock N' Rollö.
---
I'm all for bringing back the old school sounds and reliving the pioneer
years of metal music, even 'blackening' them with harsher vocals, but
the issue a band like Canadians Chapel faces is that its riff selection
is too immediately bland to really leave much of any impression.
Consider that this band's prime influences like, Venom, Bathory and
Mot÷rhead were mastering all of these chains and leathers 30 or more
years ago, and Satan's Rock 'n' Roll is just bringing too little to the
table. You could take a lot of these very basic, primordial speed metal
and rock chord progressions the band implements and very easy change up
the notes, layer in some dissonance, some atmosphere, or unexpected
patterns, but alas this debut plays it far too straight...and far too
safe.
Now, I don't mind so much that the band's lyrical themes are a bunch of
retread concepts about Satan, Hell, beer, Satan, blood, and more beer,
because that's sort of what one expect in the black/speed/thrash party
scene. Similar groups like Midnight and Speedwolf have been tearing up
the road with a similar schtick lately, but Chapel are a fraction more
bloody and bruising. On the other hand, they're not writing songs on the
same level, just sort of cruising along with some fairly effortless
chord schematics that do little than offer libations to records like Ace
of Spades, Orgasmatron, Welcome to Hell and Exciter's Heavy Metal
Maniac. The brash bark of the vocalist here reminds me a little of
Cronos and with some of Mille Petrozza's mid-80s bite, but it doesn't
have the same character or wickedness. The guitar tone is bold and raw,
and the performance is pretty tight all around, but despite a few
burning, bluesy twists, and some flighty speed punk passages, there's
never much interesting happening that you can't hear coming a mile away.
And a mile on this album is...practically the entire album...
The bass tone is swarthy, fuzzy and effectively repulsive, and the drums
definitely ramp up the band's energy level to the point that I could
never argue their enthusiasm, but overall it's not the production which
hinders the Canadians. The lyrics are fairly minimal, but they read like
a bunch of buzzwords, cliches, or song titles of their influences, and
don't provide any genuinely fucked up, evil imagery beyond what you've
already read from Slayer, Venom and just about every thrash, black or
death metal band walking in their steps since. On a purely aesthetic
plane, I dig what bands like this are all about, but Chapel doesn't take
a fresh enough spin on the songs to add to the legacy they are beholden
too. For some, that might be enough. Certainly this isn't a bad album
that I wanted to hurl into the nearest wastebasket. I doubt I'd mind
hearing their music in the background (stage or sound system) if I were
drinking at some dive. Yet, for something so obviously inspired, it just
doesn't sound 'inspired', it merely takes the blasphemous billy goat by
its horns and rides its back into being. Busier and better, distinct
riffs would make all the difference here. Even the title is all too
obvious and average...and we all know Satan's real rock 'n 'roll is
Jerry Lee Lewis.
---
The sun burns my skin, already carved by wind and mileage. My hands
firmly grab a 1500cc monsterÆs handlebars. The noise is deafening and
terrifies all good people who dares look at me. My leather jacket is
frayed, stained with the blood of my enemies. I have no destination, I
just drive straight ahead.
This magnificent vision is imposed on me while listening to Chapel first
album, beautifully titled SatanÆs Rock n Roll. M÷torhead fans, this
record is for you. The Vancouver trio offers us thirty minutes of dirty
and surly hard rock, crossed with black and thrash metal elements. Pure
biker music.
After a short organ introduction, Rock æN Roll From Hell tumbles at full
speed with a rhythmic drawn from a heavy rock manual. This goes on with
titles like SatanÆs Rock n Roll, Motorcult or Alcoholocaust. Lyrical
themes are all fully assumed clichΘs. Drink, drive and fuck, and not
always in that order. The whole is very well done and must be
appreciated as a guilty pleasure. Even my own microscopic car seemed to
get bigger when the album was playing.
However, this music originality is nonexistent. Legends like Sodom,
Venom or AC / DC covered everything in that register for over thirty
years and counting. Even today, new bands û such as Chrome Division û
are trying to carve out a place in this decibel, sweat and vomit-filled
universe. Is it relevant to add another one?
I do not believe that Chapel members care about that kind of
considerations, which are more related to a jaded reporterÆs work.
SatanÆs Rock n Roll is still fun to listen, even though nothing can
replace my old records. Well, why not listen Aces of Spades? LetÆs roll,
baby!
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