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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Solomon Burke
Title | Make Do With What You Got
Genre | Soul Format | Album
Source | CD Time | 44:12
Label | Shout Factory Store | 2005
Catalog | SHO 519538 2 Rip | 2021
Bitrate | 853 kbps Size | 283.64 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. I Need Your Love In My Life 4:19
02. What Good Am I 3:40
03. It Makes No Difference 5:27
04. Let Somebody Love Me 4:28
05. After All These Years 4:37
06. Fading Footsteps 3:59
07. At The Crossroads 4:58
08. I Got The Blues 4:11
09. Make Do With What You Got 4:34
10. Wealth Won't Save Your Soul 3:59
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
While Solomon Burke never made a major impact upon the pop audience
- he never, in fact, had a Top 20 hit - he was an important early
soul pioneer. On his 60's singles for Atlantic, he brought a country
influence into R&B, with emotional phrasing and intricately
constructed, melodic ballads and midtempo songs. At the same time,
he was surrounded with sophisticated 'uptown' arrangements and was
provided with much of his material by his producers, particularly
Bert Berns. The combination of gospel, pop, country, and production
polish was basic to the recipe of early soul. While Burke wasn't the
only one pursuing this path, not many others did so as successfully.
One of the great pleasures of Burke's 2002 comeback album, "Don't
Give Up On Me" (Burke never really went away, but this time around
folks were paying attention), was the fact it was so unexpected -
instead of trying to replicate the sound and feeling of the records
Burke made in the 1960s, producer Joe Henry conjured up a warm but
skeletal backdrop which allowed the once and future king of rock n
soul to dig into the heart of the songs (contributed by the likes of
Bob Dylan, Tom Waits, and Brian Wilson) in a manner unlike anything
he'd done before.
Conversely, the greatest disappointment of Burke's next big-league
album, 2005's "Make Do With What You Got", is that it sounds almost
exactly the way you'd expect it to. The spare approach of "Don't
Give Up On Me" has been abandoned in favor of a high-gloss
production from Don Was, and Was has set up a bombastic soul session
replete with horns, massed keyboards, and big vocal choruses, but
while the accompaniment is strong, professional, and occasionally
even enthusiastic (where has Ray Parker, Jr. been hiding his
razor-sharp guitar skills for the past two decades?), "Make Do With
What You Got" sounds like an overly anxious attempt to re-create the
sound of vintage R&B sides that gets the surfaces right but never
quite captures the heart and soul of the music.
Of course, Was' overly slick production and the less impressive set
list does nothing to hold back Solomon Burke - his performances are
typically superb, and he gives this album enough soul power to fuel
a small city for a month, even bringing chestnuts like "It Makes No
Difference" and "I've Got the Blues" to vivid and passionate life
that's thrilling to hear. No one can sing a song quite Solomon
Burke, and that's what makes "Make Do With What You Got" worth a
listen; unfortunately, lots of people could have produced these
sessions as well if not better than Don Was, and that's this album's
Achilles' heel.
┌────────┐
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└────────┘