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| R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ----------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
| |
| Marcos_Resende_and_Index-Marcos_Resende_and_Index_(1976)-(FARO220)-WE |
| --------------------------------------------------------------------- |
| |
| Artist______________ Marcos Resende & Index |
| Title_______________ Marcos Resende & Index |
| Label_______________ Far Out Recordings / FARO220 |
| Genre_______________ Jazz+Funk |
| Year________________ 2021 |
| Release Date________ 2021-01-29 |
| Street Date_________ 2021-01-29 |
| Source______________ WEB |
| Encoder_____________ MP3 / LAME |
| Quality_____________ CBR 320kbps 44.1kHz |
| Size________________ 97.6MiB |
| Playtime____________ 0:42:35 |
| URL_________________ https://amazon.de/dp/B08MVDVPYS/ |
| |
| |
| 1. My Heart 05:40 |
| 2. Nina Nenem 05:10 |
| 3. Praca Da Alegria 08:20 |
| 4. Nergal 09:15 |
| 5. Martina 10:07 |
| 6. Behind The Moon 04:04 |
| |
| |
| R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
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| |
| Beyond their highly sought after 1978 album Festa Para Um Novo Rei - |
| home to the mystical jazz-funk classic 'Vidigal' and released on |
| Philips' iconic Musica Popular Brasileira Contemporanea series |
| (MPBC) - little is known about Marcos Resende & Index, even to |
| aficionados of rare Brazilian music. Far Out Recordings is immensely |
| proud to present their previously unreleased self-titled debut album |
| from 1976, contributing a crucial missing work from the glory days of |
| progressive Brazilian instrumental music. |
| |
| A prodigious child, Marcos Resende learned to play the accordion at |
| the age of two, and taught himself the piano at six. In spite of his |
| immense potential to become a musician he travelled to Lisbon in the |
| 60s to study medicine, though he continued to explore his musical |
| passion on the side, forming a trio which ended up opening for Dexter |
| Gordon at the Cascais Jazz Festival in 1971. From here he formed the |
| electronic oriented prog-jazz group Status, who opened shows for the |
| likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz |
| Messengers, but in spite of their relative live success they have no |
| known recordings. |
| |
| Now established as a highly regarded keyboardist, composer, and |
| innovative electronic musician, Resende returned home to Brazil |
| following Portugal's Revolucao dos Cravos in 1974. Inspired and |
| invigorated by US jazz and British progressive rock he'd experienced |
| while residing in Europe, Resende went all out acquiring a keyboard |
| arsenal to be reckoned with, which included the Prophet 5, Yamaha |
| CP-708 and Mini Moog. Determined to integrate his newfound |
| inspirations with Brazilian rhythms and jazz traditions, he formed a |
| new quartet with Rubao Sabino (bass), Claudio Caribe (drums) and the |
| late great Oberdan Magalhaes, of Banda Black Rio and Cry Babies fame. |
| Marcos Resende & Index recorded their self-titled debut at Sonoviso |
| Studios with the legendary sound engineer Toninho Barbosa, known as |
| the 'Brazilian Rudy Van Gelder' whose impressive resume includes the |
| era defining classics Light As A Feather by Azymuth, Previsao Do |
| Tempo by Marcos Valle, and Quem E Quem by Joao Donato. Marcos Resende |
| & Index fits perfectly amongst these masterpieces, sharing both the |
| timeless ethereal qualities as well as the progressive and futuristic |
| ideals of Light As A Feather in particular. |
| |
| Though he wasn't short of offers to release the album, Resende felt |
| record companies were de-valuing the time and effort he spent |
| absorbing his influences while establishing a career in Europe, and |
| perfecting his sound with his Brazilian bandmates, as well as the |
| magnitude of the recording they achieved. As time passed, Resende |
| become one of the most revered session keyboardists in Brazil, and |
| played on records by Gilberto Gil, Chico Buarque, Edu Lobo, Carlos |
| Dafe and Gal Costa, among many others; as a result his career as a |
| bandleader took a backseat, and this remarkable recording has stayed |
| below the surface til now. |
| |
| Thankfully Marcos kept the tapes from the Sonoviso sessions safe and |
| presented them to Far Out's Joe Davis at his home in Lisbon in 2018. |
| After spending two years working together to restore the tapes, |
| Resende tragically passed away last November at the age of 73. Now |
| that it's finally seeing the light of day, this release stands as a |
| vital piece of not just Resende's own history, but the history of |
| Brazilian music itself. |
| |
| |
| All tracks recorded and mixed by Toninho Barbosa @ Sonoviso Studios, |
| Rio de Janeiro, Brazil, between 5th - 28th September 1976. |
| All tracks composed by Marcos Resende except "Nina Nenem" by |
| Rubao Sabino. |
| All arrangements by Marcos Resende. |
| Produced by Marcos Resende. |
| |
| |
| YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! |
| |
| |
| . . |
| |\/\/| |
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