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| R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
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| The_London_Experimental_Jazz_Quartet-Invisible_Roots_(1974)-(SIR-020) |
| --------------------------------------------------------------------- |
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| Artist______________ The London Experimental Jazz Quartet |
| Title_______________ Invisible Roots |
| Label_______________ The Roundtable / SIR-020 |
| Genre_______________ Jazz |
| Year________________ 2021 |
| Release Date________ 2021-01-30 |
| Street Date_________ 2021-01-29 |
| Source______________ WEB |
| Encoder_____________ MP3 / LAME |
| Quality_____________ CBR 320kbps 44.1kHz |
| Size________________ 89.0MiB |
| Playtime____________ 0:38:45 |
| URL_________________ https://amazon.com/dp/B08SHNXVQ2/ |
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| |
| 1. Time Is Of The Essence 03:37 |
| 2. Edible Wallpaper 04:01 |
| 3. My Dog's Tail Is Longer Than Yours 04:16 |
| 4. Destroy The Nihilist Picnic 05:32 |
| 5. Ron Martin Special With Mustard 01:22 |
| 6. Eric's Madness 04:52 |
| 7. Jazz Widow Waltz 05:31 |
| 8. Spain Is For Old Ladies 05:57 |
| 9. The Sound Of Next Year's Echo 03:37 |
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| R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
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| Beyond the striking photography of the cover artwork, a cursory |
| glance at this LP may appear misleading. One could be forgiven in |
| thinking that what they had discovered was of a more obvious British |
| provenance, but on closer inspection the truth is revealed... |
| |
| London in fact refers to London, Canada, an artistic hotbed that |
| famously spawned the highly influential insurgent noise ensemble, |
| 'The Nihilist Spam Band'. Less celebrated yet equally remarkable was |
| the improvisational powerhouse 'The London Experimental Jazz |
| Quartet', a short lived group led by the forward thinking saxophonist |
| Eric Stach. |
| |
| Their debut album, Invisible Roots is an overlooked jewel from the |
| Canadian jazz scene. Inspired by the revolutionary artists from the |
| New York free-jazz movement, (namely Ornette Coleman, Archie Sheep |
| and Cecil Taylor), and fuelled by the exciting possibilities afforded |
| by a completely free approach to music, Invisible Roots is an album |
| of potent spontaneous composition, exhibiting both fiery unharnessed |
| blowing alongside lyrical streams of consciousness. |
| |
| In recent years, the album has achieved notoriety in certain record |
| collecting circles mainly due to the track Destroy The Nihilist |
| Picnic, an infectious piece of vamping avant-funk. Despite the |
| commanding presence of this track, it would be misguided to judge the |
| merits of the album on this piece alone, for Invisible Roots is a |
| much deeper and more complex musical statement. This is confirmed by |
| the Iberian-jazz sketch, Spain Is For Old Ladies, the spiritual |
| introspection of Jazz Widows Waltz or the ferocious yet soulful |
| Eric's Madness, a track which wouldn't be out of place on an ESP-Disk |
| or BYG Actuel album. Behold, a rare piece of fire music from the |
| Canadian Free-Jazz underground. |
| |
| Recorded on April 23, 1974 at the Creative Electronics Sound Studio. |
| Produced by Peter Cracknell. |
| |
| Ron Martin - alto saxophone |
| Erna Van Daele - cello, flute |
| Gregg Dechert - drums |
| Gerry Van De Kamp - electric bass |
| Nick Gurr - engineer |
| Randy Coryell - piano, drums |
| Gregg Dechert - piano, vocals |
| Eric Stach - soprano saxophone, alto saxophone, flute |
| Erna Van Daele - vibraphone |
| Peter Denny - vibraphone, bass saxophone |
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| YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! |
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| . . |
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