Temple.University.Press.-.Painting.Publics.Transnational.Legal.Graffiti.Scenes.As.Spaces.For.Encounter.2019.Retail.eBook-BitBook

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2021-02-01

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 ■▀▀▀   ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀  ░ BitBook Presents ░  ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀■

 Painting Publics - Transnational Legal Graffiti Scenes As Spaces For Encounter 
                            by Caitlin Frances Bruce                            
                                     (p)n/a                                     

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   DATE: 01-02-2021      ▓   SIZE: 7.76 MB            ▓   PAGES: 277           
   FORMAT: PDF           ▒   DISKS: 1x50.00MB         ▒   EDITION: n/a          
   LANGUAGE: English     ░   ISBN: 9781439914441      ░   REMOVED: DRM

                              https://is.gd/e68eq3                              

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  Public art is a form of communication that enables spaces for encounters
 across difference. These encounters may be routine, repeated, or rare, but
 all take place in urban spaces infused with emotion, creativity, and
 experimentation. In Painting Publics, Caitlin Bruce explores how various
 legal graffiti scenes across the United States, Mexico, and Europe provide
 diverse ways for artists to navigate their changing relationships with
 publics, institutions, and commercial entities. Painting Publics draws on a
 combination of interviews with more than 100 graffiti writers as well as
 participant observation, and uses critical and rhetorical theory to argue
 that graffiti should be seen as more than counter-cultural resistance.
 Bruce claims it offers resources for imagining a more democratic city, one
 that builds and grows from personal relations, abandoned or under-used
 spaces, commercial sponsorship, and tacit community resources. In the case
 of Mexico, Germany, and France, there is even some state support for the
 production and maintenance of civic education through visual culture. In
 her examination of graffiti culture and its spaces of inscription, Bruce
 allows us to see moments where practitioners actively reckon with
 possibility.
 
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