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p r o u d l y p r e s e n t s ..::
░ Artist | Blood Of Abraham
Title | Eyedollartree
Genre | Hip-Hop
Source | CDDA
Format | Album
Label | MasterGrip / Basement Records
Catalog | BR1151-2
Released | 2005
Ripped | 2021
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Quality | 267 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.100 V0 ▄▄██▀▀ ░
Size | 115.84 MB ▄▄█████▀ ░░░
Playtime | 57:20 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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eh about this release ░░░░░░░ ▀██████ ░░ ░ ██▀ ░▓███
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░ R E L E A S E I N F O R M A T I O N
Hip-hop is packed with stories coming from unlikely places, but
Blood of Abraham's debut trumps nearly all. Originally discovered by
Eazy-E for Ruthless Records, the duo of Benyad and Mazik suddenly
found themselves in front of a gang truce concert hosted by Eazy,
performing in front of a divided sea of red and blue. Though their
career with Ruthless ended when Eazy departed, their oft-forgotten
album "Future Profits" remains as their legacy in hip-hop, and their
success that night in L.A. was the beginning to a delayed but still
breathing career. Twelve years after their debut, Blood of Abraham
has returned with "EyeDollarTree," a conceptual record on Basement
Records.
Blood of Abraham has always drawn inspiration from their
backgrounds. Benyad is a mix of Moroccan and Jewish heritage, and
Mazik is Irish and Jewish. "Future Profits" contained such
commentaries as "Niggaz and Jewz," but their new effort marks
significant growth musically and lyrically. The duo has crafted an
intricate, deadly serious record. The lyrical themes as well as the
musical melodies are hidden so that multiple listens will reveal
surprising depth.
The production on "EyeDollarTree" is the absolute driving force, a
tempered barrage of a contained variety of noises. There is plenty
to relax into, starting with the calm bass foundation. The combined
efforts of Benyad, Mazik, and Will.I.am hug the vocals without
feeling forced, sharing a supporting role equally with the words.
"Know the Half" acts as the opener, and the momentum of the track is
provided from a soft, distorted sitar. The hook, uttered with
melodic care, is supplemented by humming female voices. As a full
song, the instrumentation stutters slightly, but as a lush
introduction to this musical cornucopia, "Know the Half" is ideal.
The first half of the album is far superior as a strictly hip-hop
record, and "Only the Wise" is the best representation of this. The
beat feels bare amongst this collection, but a variety of background
elements climb up and out from the foundation. The hook is the
centerpiece, a "hey hey hey" cry that strikes as almost taunting.
The vocals on the record are complex but only vaguely ominous
instead of inciting, which is not actually detrimental to the album
as a whole. The most resonant moments, such as the aforementioned
chorus, create transcendence between rap music and pure melody. The
vocals are delivered with more emotion than strength, which is
alternately frustrating and suitable. "Paranoia is Awareness," with
a promising title, shows hope with the delivery of lines like "the
government should hand out free shampoo with their conditioning."
Most of the rhymes within the song, however, simply reinforce the
already paranoid while inspiring disbelief in the doubters.
Another standout arrives near the midpoint with the splendid "Tion."
Though not more complex than the other offerings, the music is
accented by a far deeper bass. Another sitar loop is dragged out,
providing an empty, hollow sound to ride along with the bassline.
The rhymes stand out because of the duo's exceptional sense of
rhythm within their respective voices, which allows them to perform
the hooks themselves without any trouble. "Calling All Citizens"
realizes this phenomenon fully, eschewing rapping completely in
favor of several choruses, making for another excellent moment on
the LP. The incidentally titled "Hurricane" actually provides a rich
metaphor within the context of the album's political musings, albeit
accidentally. The community's rage surrounding the events following
Hurricane Katrina is a logical tie-in on such a political record,
even though the metaphor was obviously not intended. Unfortunately
the song is rather forgettable, with rich instrumentation becoming
lost in the somewhat strange attempts at abstract poetry.
"EyeDollarTree" falters in the second half because of a slight lack
of truly compelling music. Benyad and Mazik are adequate lyricists
and spread intriguing thoughts throughout the record, but the
memorable tracks are all owed to the layered, catchy, and unique
music behind them. A few productions toward the end lose their
beauty with repeated listens, and an absence of memorable hooks
hurts the cause as well. The hook on "Giant Midgets" expounds on the
dichotomy in the title, but the subtle messages can be interpreted
in various ways, which leaves too many doors open. The title track
allows us a glimpse into the concept of the record, stating "keep
your eye on the dollar falling from my tree, subconscious,
subliminal idolatry." This actually frames the lyrical content of
the album quite nicely, but the message is still too blurred to be
inspired. The ideas they present us with are wonderful, and those
who dig abstract rhymes will be in heaven. For the rest of us,
though, it's a bit much for an entire record.
Regardless of rhyming preference, "EyeDollarTree" is still a nice
record because of the beautiful musical tapestries laid over each
song. The production is unified and distinct on a track-by-track
basis. The problems Blood of Abraham encounters are a result of
their brilliance in places, because the standards are set too high
for subsequent songs to stand. "Omegaton," the closer with Divine
Styler and Kool Keith, contains switches in production, but the
ambitious melodies are just not quite as searing as the true highs
of the record. Of course, the rhymes are not sub-par by any
standards, but despite their comfortable fit within the music, the
production is what will have you picking "EyeDollarTree" back up.
Even on a lesser song, there is enough going on to merit many
listens, and the depth of the record is provided almost solely
through these means.
What Benyad and Mazik have accomplished here is remarkable because
of their history, but "EyeDollarTree" is simply an excellent record
with plenty of material that can't be ignored. Complete, involving
concept albums are hard to come by, and one with the musical
dexterity of this one cannot be missed. Hopefully they won't take
another twelve years off, but if they do, the next installment in
2017 should be mighty nice as well.
Executive Producers: Blood Of Abraham, Mike Testone, and Cyrus
Melchor
Additional programming/production by Cyrus Melchor on #2-6, 8, 9, 11
and Motiv8 on #7(Intro), 9, 10.
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.. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░
::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░
ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
------------------------------------------------------------------------------
01. Know The Half (Prod. Cyrus Melchor & Blood Of Abraham) 3:47
02. Only The Wise (Prod. Will.I.Am. & Blood Of Abraham) 4:38
03. 99 Cent Lighter (Feat. Will.I.Am.) (Prod. Motiv8 & Blood Of 3:48
Abraham)
04. Paranoia Is Awareness (Prod. Will.I.Am. & Blood Of Abraham) 3:59
05. Velvet Glove Iron Fist (Prod. Will.I.Am. & Blood Of Abraham) 4:50
06. -Tion (Prod. Will.I.Am. & Blood Of Abraham) 4:37
07. Calling All Citizens (Feat. Will.I.Am.) (Prod. Will.I.Am. & Blood 4:50
Of Abraham)
08. Hurricane (Prod. Will.I.Am. & Blood Of Abraham) 3:48
09. Rosetta Stone (Prod. Will.I.Am. & Blood Of Abraham) 3:40
10. Giant Midgets (Prod. Will.I.Am. & Blood Of Abraham) 4:15
11. Eyedollartree (Prod. Will.I.Am. & Blood Of Abraham) 5:09
12. (Dangerous) Diseases (Prod. Cyrus Melchor & Blood Of Abraham) 5:13
13. Omegaton (Feat. Divine Styler & Kool Keith) (Prod. Cyrus Melchor & 4:46
Blood Of Abraham)
-----
57:20
------------------------------------------------------------------------------
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░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss
░ and all rippers that have and continue to rip quality music. ░
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