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▓█▀▄▄ Artist : Pat Metheny ▄▄▀█▓
▐▓▌▐█▌ Album : From This Place ▐█▌▓▌
▐▀▄██ Label : Nonesuch Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2020-02-21 ██▀▄▌
▐▓▌▐█▌ Quality : 747 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 439.61 MB ███▓
▀ ▀█▌ Time : 76:33 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/from-this-place ███▄▓
▐▓████▌ -mr0005137980 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. America Undefined 13:22 ▐██
██▌ 2. Wide And Far 8:26 ▐██
██▌ 3. You Are 6:13 ▐██
██▌ 4. Same River 6:43 ▐██
██▌ 5. Pathmaker 8:19 ▐██
██▌ 6. The Past In Us 6:23 ▐██
██▌ 7. Everything Explained 6:52 ▐██
██▌ 8. From This Place 4:40 ▐██
██▌ 9. Sixty-Six 9:38 ▐██
██▌ 10. Love May Take A While 5:57 ▐██
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▄███▌ ▐███▄
████ During the late 2010s, guitarist and composer Pat Metheny toured ████
████ a new quartet featuring British piano prodigy Gwilym Simcock, ████
████ Malaysian-Australian bassist Linda May Han Oh, and veteran ████
████ Mexican-American drummer Antonio Sanchez. This group learned the ████
████ guitarist's catalog and toured it globally, gelling and maturing ████
████ before entering the studio for From This Place, the first new ████
████ studio material from Metheny since 2014. Metheny's group is aided ████
████ by the Hollywood Symphony Orchestra conducted by Joel McNeely. ████
████ The orchestral charts were handled by Alan Broadbent and Gil ████
████ Goldstein, who developed them after the players' recorded ████
████ interactions so as not to muddy the live playing and improvising. ████
████ Tensions exist throughout: There are musical and sonic references ████
████ to storms (literal and metaphorical), the environment, American ████
████ political life, and trying emotional, romantic, and economic ████
████ times. Metheny and the band balance them with hope, sensitivity, ████
████ steely determination, and vulnerability. ████
████ ████
████ From This Place is lush, airy, elegant, and graceful, framed by ████
████ adventurous harmonics, dark drama, and illuminating melodic ████
████ invention. At over 13 minutes, opener "America Undefined" is more ████
████ a suite than a composition. Introduced by Sanchez's whispering ████
████ cymbals, a sonorous cello, ambient textures, and Simcock's piano, ████
████ Metheny's languid entrance becomes an incantation that, just a ████
████ few minutes later, introduces fleet post-bop propelled by Han Oh ████
████ and Sanchez. Pianist and guitarist complement each other with ████
████ fills, accents, and counter melodies; they eventually commingle ████
████ and add sweeping colors through their interplay, as an echoing ████
████ train and a swelling orchestra make the drama transcendent. By ████
████ contrast, "Wide and Far" is a bluesy groover that nods to ████
████ Metheny's first great jazz influence, Wes Montgomery, while ████
████ Simcock melds Horace Silver's funky hard bop to nearly pastoral ████
████ expressionism. The tune's orchestration recalls Don Sebesky's on ████
████ The Rape of El Morro, one of the CTI dates that remains important ████
████ to Metheny. "You Are" commences as a slow, crystalline ballad ████
████ stated impressionistically by piano, guitar, and bass with only ████
████ brushed percussion accents. Halfway through, Sanchez erupts, a ████
████ storm darkens from the orchestra and the entire band crashes in ████
████ as wordless vocals hover like sirens in the backdrop. The tune ████
████ swells and simmers, then soars thanks to Sanchez's thunderous ████
████ rolls and fills. "Pathmaker" sums up the questions posed by ████
████ "American Undefined." It charts a way through some of the murky ████
████ darkness to revel in its intricate post-bop before Sanchez and ████
████ Metheny create a second dialogue with sweeping harmonies before ████
████ Simcock's knotty solo crisscrosses tradition with modernism. ████
████ Metheny calms it all halfway, and begins to assemble another ████
████ musical narrative in his solo break. Guest Gregoire Maret adds a ████
████ tender, high-lonesome harmonica to the gorgeous ballad "The Past ████
████ Is in Us." Metheny composed the title track's melody in 2016, the ████
████ morning after Donald Trump's election. Alison Riley's poignant ████
████ lyrics are delivered by her partner MeShell Ndegeocello. Metheny ████
████ explained that they "àcaptured exactly the feeling of that tragic ████
████ moment while reaffirming the hope of better days aheadà". From ████
████ This Place integrates and illuminates most of Metheny's musical ████
████ personas. His compositions allow this stellar collective to roam ████
████ through them with their many strengths. They ultimately provide ████
████ fans an abundance of listening pleasure. Even in a catalog filled ████
████ with so many gems, From This Place shines brightly. ████
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