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p r o u d l y p r e s e n t s ..::
░ Artist | Hammer
Title | The Funky Headhunter
Genre | Rap
Source | CDDA
Format | Album
Label | Giant Records
Catalog | 9 24545-2
Released | 1994
Ripped | 2021
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Quality | 282 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.100 V0 ▄▄██▀▀ ░
Size | 145.13 MB ▄▄█████▀ ░░░
Playtime | 68:09 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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eh about this release ░░░░░░░ ▀██████ ░░ ░ ██▀ ░▓███
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░ R E L E A S E I N F O R M A T I O N
ôIÆm an O.G. fool, the O stands for Oaktownö
When Stanley Kirk Burrell made this statement in 1994 he was not
taken seriously. Despite having dropped the ôM.C.ö from his name and
adopting a harder G-funk based sound for ôThe Funky Headhunter,ö few
people found it believable that the man behind ôU CanÆt Touch Thisö
and ôPrayö had suddenly gone from radio friendly pop music to being
an underground hard rock with street credentials. The now infamous
ôPumps and a Bumpö video only made matters worse. Considering heÆs
better known for his Christian ministry than his rap career these
days, even he must be embarrassed by what appears to be a RAGING
boner he sports throughout the clip in the presence of the beautiful
women the song references.
The video proved to be SO controversial that Hammer actually had to
reshoot it, releasing it as ôpart twoö in the series, but he was
still supporting a suspicious bulge in his Hammer Pants as he did
his Hammer Dance. ItÆs hard to say whether him wearing more clothes
makes it better or worse.
Critics still took aim at the fact he seemed to be swagger jacking
straight from Death Row in the new video. ItÆs hard to deny that in
the new clips he looks like he could be rolling through Compton with
Dre and Snoop. ItÆs not a coincidence either ù he wound up signing
with the label a year later. Ultimately he left after Tupac ShakurÆs
untimely passing without releasing an album, but itÆs clear on ôThe
Funky Headhunterö that he was pursuing a new GÆd up from the feet up
musical direction. Singles like ôDonÆt Stopö pulsed with what the
choral singers described as ôO.G. funkö thanks to samples from
George Clinton and Tom Browne.
ôI keep on tryin to tell yÆall/You keep dissin and dissin and dissin
but I donÆt fall/Yo, tell me who gots da props? (I got da
props!)/Tell me whose got the loot? (Hammer got lots!)ö Clearly that
was before he went bankrupt in Æ96. Even those the excessive
posturing from the man behind pop songs like ô2 Legit 2 Quitö and
ôAddams Familyö seems comical, thereÆs an untold truth behind the
album you might find surprising ù ôO.G.ö Hammer was closer to the
truth than ôM.C.ö Hammer. He actually WAS connected in Oakland, and
if you dared to cross him or insult him, there could be dire
consequences. If youÆve never heard MC Serch talk about Hammer
flexing his muscle to put a contract out on 3rd Bass, itÆs quite an
eye opener. Even with his brand new sound, Hammer still tried to put
out dance friendly songs like ôBreak æEm Off SomethinÆ Properö and
ôOne MoÆ Time.ö
ôIÆm goin for mine, one moÆ time/IÆm gettin my goals accomplished
while the others sit back and whine/None of yÆall can fade me, so
donÆt even try/Cause IÆm the best at what I do and IÆma tell you
why/You see IÆm 2 Legit, 2 ever Quit.ö These bars illustrate
HammerÆs problem in a nutshell. Problem number one ù heÆs trying to
flex as a lyricist but puts so many syllables in one bar he almost
misses the beat. Problem number two ù even though heÆs now
portraying a harder image he never cusses or swears on his records.
Like the late Eazy-E once said, ôI never met an O.G. who never did
shit wrong.ö Problem number three ù despite trying to shed his pop
music image, he canÆt HELP but be proud of his previous successes
and millions of record sold. Hammer canÆt escape his past while heÆs
still referencing it.
Oddly though ôThe Funky Headhunterö isnÆt really a BAD album. This
was the source of several contentious debates I had in my college
days, because like many others I found the new ôhardcoreö Hammer to
be a silly concept with an absurdly pornographic video that only
made matters worse. His defenders had a point I adamantly refused to
accept ù even if going from pop rap to G-funk was a swerve so bad he
could only crash, the music was actually good. I concede. ôItÆs All
Thatö is a highly listenable song as are so many others on this CD.
It sounds like a 1990Æs collision between Teddy Riley and Warren G
and it works perfectly.
In retrospect thereÆs no way Mr. Burrell can deny the derision that
would come from such a drastic makeover. It smacked of a desperate
attempt to stay relevant in the face of a changing musical scene,
and it wreaked of being inauthentic because he wouldnÆt go ALL IN on
it. The gangsters of rap were smoking weed, drinking 40Æs and
fucking bitches all over their songs. Hammer looked tougher and
sounded rougher but underneath the surface he was still as clean cut
as ever. Enough of his old fans stuck around for the album to go
platinum, but when youÆve gone EIGHT TIMES platinum in the past,
that actually seems like a failure by comparison. I canÆt deny the
transformation is comical, but itÆs also not as terrible as first I
thought.
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::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░
ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
------------------------------------------------------------------------------
01. Intro 2:11
02. Oaktown 4:16
03. It's All Good 4:11
04. Somethin' For The O.G.'s 4:15
05. Don't Stop 5:34
06. Pumps And A Bump 5:07
07. One Mo' Time 4:08
08. Clap Yo' Hands 3:47
09. Break 'Em Off Somethin' Proper 4:18
10. Don't Fight The Feelin' 3:40
11. Somethin' 'Bout The Goldie In Me 3:49
12. Sleepin' On A Master Plan 4:50
13. It's All That 3:56
14. The Funky Headhunter 3:45
15. Pumps And A Bump Reprise (Bump Teddy Bump) 6:38
16. Help Lord (Won't You Come) 3:44
-----
68:09
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and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄
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.. ▀█▓▀░░▄██░████ ░░░ ██▄▄░░ ▄▀ ██░ ▀ ░░▀█▀
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▀▀▀ ▀ ▀▀ G R E E T I N G S ██▄█░█▓▄▄█▄
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░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss
░ and all rippers that have and continue to rip quality music. ░
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▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀
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