Miles_Davis-Double_Image_Rare_Miles_From_The_Complete_Bitches_Brew_Sessions-(19439727471)-Limited_Edition-2LP-2020-NOiR
- Section
-
MP3/FLAC
- Group
- NOiR
- Size
- 173,36 MB
- Files
- 14
- Date
- 2021-02-08
NFO
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░ ▀ ░ ▀ ▀ █████████ ███████▌
░ ▀ ▄ █████████ ▀██████
YOUR LAST TRUE ■▓ █████████ ▄▄▓█▀▀▀▀
░ SCENE GODS CAME ■ ▒ █████████▌ ░ ▄█▀ ▀■
DOWN TO EARTH ■ ░ ██████████▌▒▐█▌
■TO GIVE YOU ... ░ ▄ ░ ███████ ███▓ ▀▀▄
▀ ▒ ▄▄ ▄▄▀ ███████ ████▄▄
▀ ▄ ▄ ▄ ▓▄▀▀▀▄▄▄▄▀▀▀ ███████ █▓▓▓▓▄▄▄▄▀
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▀ ▄ ░ ██▄████ ▐▌
███▄▀██ ▄▀
Miles Davis ████ ▐▄▀▄
Double Image Rare Miles From The Complete▄▄▀▀ █
Bitches Brew Sessions ▀ ▐▌
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SOURCE:.......Vinyl
LABEL:........Columbia GRABBER:.....EAC
RELEASEDATE:..2021.02.08 ENCODER:.....Lame
STREETDATE:...0000.00.00 TRACKS:......10
▄ GENRE:........Jazz PLAYTiME:....95:13 ▄
▀▓▀ URL:..........look@notes SiZE:........173,16 MB ▀▓▀
▄▄▀ ▄ RELEASETYPE:..Limited Edition LANGUAGE:....English ▄ ▀▄▄
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01. Yaphet [09:41]
02. Corrado [13:12]
03. The Little Blue Frog (Master) [09:11]
04. Trevere [05:56]
05. The Little Blue Frog (Alternate Take) [12:13]
06. Double Image (First Version) [08:27]
07. Feio [11:23]
08. The Big Green Serpent [04:02]
09. Recollections [18:54]
10. Take It Or Leave It [02:14]
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y0,
Released in a quantity of 6000
copies.
Bitches Brew is a studio double
album by American jazz trumpeter
Miles Davis, released on March
30, 1970 on Columbia Records. It
marked his continuing
experimentation with electric
instruments that he had featured
on his previous record, the
critically acclaimed In a Silent
Way (1969). With these
instruments, such as the electric
piano and guitar, Davis departed
from traditional jazz rhythms in
favor of loose, rock-influenced
arrangements based on
improvisation.
The album initially received a
mixed response, but it gained
momentum and became Davis's
highest charting album on the
U.S. Billboard 200, peaking at
No. 35. In 1971, it won a Grammy
Award for Best Large Jazz
Ensemble Album. In 1976, it
became Davis' first gold album to
be certified by the Recording
Industry Association of America.
In subsequent years, Bitches Brew
gained recognition as one of
jazz's greatest albums and a
progenitor of the jazz rock
genre, as well as a major
influence on rock and funk
musicians. In 1998, Columbia
released The Complete Bitches
Brew Sessions, a four-disc box
set that includes the original
album and previously unreleased
material. In 2003, the album was
certified platinum, reflecting
shipments of 1 million copies.
https://www.discogs.com/release/1
6065352
Miles Dewey Davis III (May 26,
1926 - September 28, 1991) was an
American jazz trumpeter,
bandleader, and composer. He is
among the most influential and
acclaimed figures in the history
of jazz and 20th-century music.
Davis adopted a variety of
musical directions in a five-
decade career that kept him at
the forefront of many major
stylistic developments in jazz.
Born in Alton, Illinois, and
raised in East St. Louis, Davis
left to study at the Juilliard
School in New York City, before
dropping out and making his
professional debut as a member of
saxophonist Charlie Parker's
bebop quintet from 1944 to 1948.
Shortly after, he recorded the
Birth of the Cool sessions for
Capitol Records, which were
instrumental to the development
of cool jazz. In the early 1950s,
Miles Davis recorded some of the
earliest hard bop music while on
Prestige Records but did so
haphazardly due to a heroin
addiction. After a widely
acclaimed comeback performance at
the Newport Jazz Festival in
1955, he signed a long-term
contract with Columbia Records
and recorded the 1957 album
'Round About Midnight. It was his
first work with saxophonist John
Coltrane and bassist Paul
Chambers, key members of the
sextet he led into the early
1960s. During this period, he
alternated between orchestral
jazz collaborations with arranger
Gil Evans, such as the Spanish
music-influenced Sketches of
Spain (1960), and band
recordings, such as Milestones
(1958) and Kind of Blue (1959).
The latter recording remains one
of the most popular jazz albums
of all time, having sold over
five million copies in the U.S.
Davis made several lineup changes
while recording Someday My Prince
Will Come (1961), his 1961
Blackhawk concerts, and Seven
Steps to Heaven (1963), another
mainstream success that
introduced bassist Ron Carter,
pianist Herbie Hancock, and
drummer Tony Williams. After
adding saxophonist Wayne Shorter
to his new quintet in 1964, Davis
led them on a series of more
abstract recordings often
composed by the band members,
helping pioneer the post-bop
genre with albums such as E.S.P
(1965) and Miles Smiles (1967),
before transitioning into his
electric period. During the
1970s, he experimented with rock,
funk, African rhythms, emerging
electronic music technology, and
an ever-changing line-up of
musicians, including keyboardist
Joe Zawinul, drummer Al Foster,
and guitarist John McLaughlin.
This period, beginning with
Davis' 1969 studio album In a
Silent Way and concluding with
the 1975 concert recording
Agharta, was the most
controversial in his career,
alienating and challenging many
in jazz. His million-selling 1970
record Bitches Brew helped spark
a resurgence in the genre's
commercial popularity with jazz
fusion as the decade progressed.
After a five-year retirement due
to poor health, Davis resumed his
career in the 1980s, employing
younger musicians and pop sounds
on albums such as The Man with
the Horn (1981) and Tutu (1986).
Critics were often unreceptive
but the decade garnered Davis his
highest level of commercial
recognition. He performed sold-
out concerts worldwide, while
branching out into visual arts,
film, and television work, before
his death in 1991 from the
combined effects of a stroke,
pneumonia and respiratory
failure.[9] In 2006, Davis was
inducted into the Rock and Roll
Hall of Fame,[10] which
recognized him as "one of the key
figures in the history of jazz".
[10] Rolling Stone described him
as "the most revered jazz
trumpeter of all time, not to
mention one of the most important
musicians of the 20th
century,"[9] while Gerald Early
called him inarguably one of the
most influential and innovative
musicians of that period
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Files
| Path | Size |
|---|
| 00-miles_davis-double_image_rare_miles_from_the_complete_bitches_brew_ | 125,79 KB |
| 00-miles_davis-double_image_rare_miles_from_the_complete_bitches_brew_ | 421 B |
| 00-miles_davis-double_image_rare_miles_from_the_complete_bitches_brew_ | 35,94 KB |
| 00-miles_davis-double_image_rare_miles_from_the_complete_bitches_brew_ | 521 B |
| 01-miles_davis-yaphet-noir.mp3 | 17,98 MB |
| 02-miles_davis-corrado-noir.mp3 | 25,00 MB |
| 03-miles_davis-the_little_blue_frog_(master)-noir.mp3 | 17,02 MB |
| 04-miles_davis-trevere-noir.mp3 | 10,94 MB |
| 05-miles_davis-the_little_blue_frog_(alternate_take)-noir.mp3 | 22,53 MB |
| 06-miles_davis-double_image_(first_version)-noir.mp3 | 15,49 MB |
| 07-miles_davis-feio-noir.mp3 | 19,94 MB |
| 08-miles_davis-the_big_green_serpent-noir.mp3 | 7,09 MB |
| 09-miles_davis-recollections-noir.mp3 | 33,42 MB |
| 10-miles_davis-take_it_or_leave_it-noir.mp3 | 3,79 MB |