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| . | :: : | . |
| | :: Miles Davis-Double Image Rare Miles From The Comp: | |
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| | | |
| | artist: Miles Davis | |
| | album: Double Image Rare Miles From The Complete | |
| | album: Bitches Brew Sessions | |
| | label: Columbia | |
| | cat num: 19439727471 | |
| | genre: Jazz | |
| | style: Fusion | |
| | year: 2020 | |
| | website: https://www.discogs.com/release/16065352 | |
| | | |
| | rls date: 02.2021 | |
| | source: Vinyl | |
| | encoder: FLAC 1.3.1 | |
| | quality: 2643kbps / 96 kHz / Stereo | |
| | tracks: 10 | |
| | length: 95:13 min | |
| | size: 1805,7MB | |
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| | | |
| | A1 Yaphet 09:41 | |
| | A2 Corrado 13:12 | |
| | B1 The Little Blue Frog (Master) 09:11 | |
| | B2 Trevere 05:56 | |
| | B3 The Little Blue Frog (Alternate Take) 12:13 | |
| | C1 Double Image (First Version) 08:27 | |
| | C2 Feio 11:23 | |
| | C3 The Big Green Serpent 04:02 | |
| | D1 Recollections 18:54 | |
| | D2 Take It Or Leave It 02:14 | |
| | | |
| | > total playtime: 95:13 min | |
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| | | |
| | 2 x Vinyl, LP, Album, Compilation, Stereo, Red, | |
| | Limited Edition from US. | |
| | | |
| | Released in a quantity of 6000 copies. | |
| | | |
| | Bitches Brew is a studio double album by American | |
| | jazz trumpeter Miles Davis, released on March 30, | |
| | 1970 on Columbia Records. It marked his continuing | |
| | experimentation with electric instruments that he | |
| | had featured on his previous record, the critically | |
| | acclaimed In a Silent Way (1969). With these | |
| | instruments, such as the electric piano and guitar, | |
| | Davis departed from traditional jazz rhythms in | |
| | favor of loose, rock-influenced arrangements based | |
| | on improvisation. | |
| | | |
| | The album initially received a mixed response, but | |
| | it gained momentum and became Davis's highest | |
| | charting album on the U.S. Billboard 200, peaking at | |
| | No. 35. In 1971, it won a Grammy Award for Best | |
| | Large Jazz Ensemble Album. In 1976, it became Davis' | |
| | first gold album to be certified by the Recording | |
| | Industry Association of America. | |
| | | |
| | In subsequent years, Bitches Brew gained recognition | |
| | as one of jazz's greatest albums and a progenitor of | |
| | the jazz rock genre, as well as a major influence on | |
| | rock and funk musicians. In 1998, Columbia released | |
| | The Complete Bitches Brew Sessions, a four-disc box | |
| | set that includes the original album and previously | |
| | unreleased material. In 2003, the album was | |
| | certified platinum, reflecting shipments of 1 | |
| | million copies. | |
| | | |
| | | |
| | | |
| | Miles Dewey Davis III (May 26, 1926 - September 28, | |
| | 1991) was an American jazz trumpeter, bandleader, | |
| | and composer. He is among the most influential and | |
| | acclaimed figures in the history of jazz and 20th- | |
| | century music. Davis adopted a variety of musical | |
| | directions in a five-decade career that kept him at | |
| | the forefront of many major stylistic developments | |
| | in jazz. | |
| | | |
| | Born in Alton, Illinois, and raised in East St. | |
| | Louis, Davis left to study at the Juilliard School | |
| | in New York City, before dropping out and making his | |
| | professional debut as a member of saxophonist | |
| | Charlie Parker's bebop quintet from 1944 to 1948. | |
| | Shortly after, he recorded the Birth of the Cool | |
| | sessions for Capitol Records, which were | |
| | instrumental to the development of cool jazz. In the | |
| | early 1950s, Miles Davis recorded some of the | |
| | earliest hard bop music while on Prestige Records | |
| | but did so haphazardly due to a heroin addiction. | |
| | After a widely acclaimed comeback performance at the | |
| | Newport Jazz Festival in 1955, he signed a long-term | |
| | contract with Columbia Records and recorded the 1957 | |
| | album 'Round About Midnight. It was his first work | |
| | with saxophonist John Coltrane and bassist Paul | |
| | Chambers, key members of the sextet he led into the | |
| | early 1960s. During this period, he alternated | |
| | between orchestral jazz collaborations with arranger | |
| | Gil Evans, such as the Spanish music-influenced | |
| | Sketches of Spain (1960), and band recordings, such | |
| | as Milestones (1958) and Kind of Blue (1959). The | |
| | latter recording remains one of the most popular | |
| | jazz albums of all time, having sold over five | |
| | million copies in the U.S. | |
| | | |
| | Davis made several lineup changes while recording | |
| | Someday My Prince Will Come (1961), his 1961 | |
| | Blackhawk concerts, and Seven Steps to Heaven | |
| | (1963), another mainstream success that introduced | |
| | bassist Ron Carter, pianist Herbie Hancock, and | |
| | drummer Tony Williams. After adding saxophonist | |
| | Wayne Shorter to his new quintet in 1964, Davis led | |
| | them on a series of more abstract recordings often | |
| | composed by the band members, helping pioneer the | |
| | post-bop genre with albums such as E.S.P (1965) and | |
| | Miles Smiles (1967), before transitioning into his | |
| | electric period. During the 1970s, he experimented | |
| | with rock, funk, African rhythms, emerging | |
| | electronic music technology, and an ever-changing | |
| | line-up of musicians, including keyboardist Joe | |
| | Zawinul, drummer Al Foster, and guitarist John | |
| | McLaughlin. This period, beginning with Davis' 1969 | |
| | studio album In a Silent Way and concluding with the | |
| | 1975 concert recording Agharta, was the most | |
| | controversial in his career, alienating and | |
| | challenging many in jazz. His million-selling 1970 | |
| | record Bitches Brew helped spark a resurgence in the | |
| | genre's commercial popularity with jazz fusion as | |
| | the decade progressed. | |
| | | |
| | After a five-year retirement due to poor health, | |
| | Davis resumed his career in the 1980s, employing | |
| | younger musicians and pop sounds on albums such as | |
| | The Man with the Horn (1981) and Tutu (1986). | |
| | Critics were often unreceptive but the decade | |
| | garnered Davis his highest level of commercial | |
| | recognition. He performed sold-out concerts | |
| | worldwide, while branching out into visual arts, | |
| | film, and television work, before his death in 1991 | |
| | from the combined effects of a stroke, pneumonia and | |
| | respiratory failure.[9] In 2006, Davis was inducted | |
| | into the Rock and Roll Hall of Fame,[10] which | |
| | recognized him as "one of the key figures in the | |
| | history of jazz".[10] Rolling Stone described him as | |
| | "the most revered jazz trumpeter of all time, not to | |
| | mention one of the most important musicians of the | |
| | 20th century,"[9] while Gerald Early called him | |
| | inarguably one of the most influential and | |
| | innovative musicians of that period | |
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| | Gilles de la Tourette | |
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