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p r o u d l y p r e s e n t s ..::
░ Artist | VA
Title | Our New Orleans: A Benefit Album
Genre | Blues
Source | CDDA
Format | Album
Label | Nonesuch Records
Catalog | 7559-79934-2
Released | 2005
Ripped | 2021
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Quality | 248 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.100 ▄▄██▀▀ ░
Size | 119.03 MB ▄▄█████▀ ░░░
Playtime | 62:54 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
Several benefit albums have been released in the wake of Hurricane
Katrina's landfall in New Orleans on August 29, 2005, and most - if
not all - of them have been fine and well-intentioned affairs, full
of the spirited and lively music that has long made the Crescent
City special. Each of these collections has merit, but if you can
only afford to pick up one, then this is it.
"Our New Orleans: A Benefit Album" features New Orleans-linked
musicians, several of whom were among the four-hundred-thousand
people displaced when the levees failed, on new recordings made
within a month of the disaster, and that immediacy gives these
performances uncommon resonance. The full weight of the region's
loss permeates every track here, as well as the power of music to
confront, diffuse, overcome, define, absorb and transcend.
Allen Toussaint, the pianist, singer, songwriter and producer, lost
everything but the clothes on his back to the flood waters, yet his
funky, hopeful "Yes We Can Can," which opens this amazing set,
reveals the boundless hope inherent in the human spirit, and the
song is reshaped by Toussaint into a powerful belief in the future
of New Orleans, soaring against the long odds with defiant joy. Soul
singer Irma Thomas' stunning version of Bessie Smith's "Backwater
Blues," which was recorded by Smith shortly after the failure of the
levees in 1927, is as raw as a shocked nerve, held together by the
singer's subtle, angry resignation.
The Wild Magnolia's ramshackle and insistent "Brother John Is
Gone/Herc-Jolly-John" reminds us of the wild, uplifting, and chaotic
energy that has always been at the heart of the region's music. The
Dirty Dozen Brass Band's "My Feet Can't Fail Me Now" seems
particularly apt given the current refugee status of so many of the
coast's residents, yet the classic second-line arrangement is
likewise powerfully reassuring. Buckwheat Zydeco's "Cryin' in the
Streets" is a powerfully emotional gospel shout that draws on its
own desperation until a kind of redemption is reached, the musical
equivalent of the old saying 'we laughed/we cried'.
Randy Newman's gorgeous "Louisiana 1927" is also here, re-recorded
with the combined Louisiana and New York Philharmonic Orchestras,
and the song's chorus, "Louisiana/They're tryin' to wash us away,"
has never sounded so poignant and terrifyingly true. Song after song
on Our New Orleans exhibits an elegiac awareness of what has been
lost and the difficult decisions and tasks that are yet to come. The
Preservation Hall Jazz Band's version of "Do You Know What It Means
to Miss New Orleans," a song that was written for the 1947 film New
Orleans and had since become a kind of cheesy tourist staple.
Reclaims the heart of the tune and returns it to its status as a
gloriously beautiful love song for an amazing city, a city that not
only has to be rescued and rebuilt, it must also be remade, for what
is lost, if it comes back again, comes back inevitably changed.
Pianist Eddie Bo tackles the hoary "When the Saints Go Marching In"
like it's a song he's singing for the first time ever in his life,
and the world-weary joy and exhausted determination inherent in the
lyrics gives "Saints" a renewed substance and weight. The old song,
perhaps half forgotten even by the people who sing it and hear it
daily, is here stripped of all its tired moss and revealed for the
glorious parade hymn it always was, the best tune ever for marching
joyously into the future.
But the future for New Orleans is uncertain. Many who were forced to
leave when the levees were breached may not return, either because
they can't or won't. The city will have to be remade, hopefully in
its old image, but it won't be easy, it it's possible at all. The
ghosts of Katrina and its aftermath will always be there. But the
musicians on this stunning album trust the music of New Orleans to
give solace, hope and direction in the massive recovery that lies
ahead, and as Eddie Bo ends his revisionist, stripped down,
sparkling rendition of "Saints" here with a quiet, softly spoken "I
wanna be in that number," it's obvious the music already has. Get
this.
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.. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░
::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░
ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
------------------------------------------------------------------------------
01. Allen Toussaint - Yes We Can Can 4:15
02. Dr. John - World I Never Made 4:01
03. Irma Thomas - Back Water Blues 3:31
04. Davell Crawford - Gather By The River 3:40
05. Buckwheat Zydeco - Cryin' In The Streets 8:43
06. Dr. Michael White - Canal Street Blues 3:40
07. The Wild Magnolias - Brother John Is Gone Herc-Jolly-John 5:31
08. Eddie Bo - When The Saints Go Marching In 2:18
09. The Dirty Dozen Brass Band - My Feet Can't Fail Me Now 4:38
10. Carol Fran - Tou' Les Jours C'est Pas La Meme 3:59
11. Beausoleil - L'ouragon 3:58
12. Preservation Hall Jazz Band - Do You Know What It Means To Miss 2:42
New Orleans
13. Charlie Miller - Prayer For New Orleans 2:14
14. The Wardell Quezergue Orchestra Featuring Donald Harrison - What A 3:50
Wonderful World
15. Allen Toussaint - Tipitina And Me 2:52
16. Randy Newman And The Louisiana Philharmonic Orchestra - Louisiana 3:02
1927
-----
62:54
------------------------------------------------------------------------------
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and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄
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▀▀▀█▓░░ ░ ░░░ ▄██▀ ▀█▓░█▀█▄░▓██▀
▀▀▀ ▀ ▀▀ G R E E T I N G S ██▄█░█▓▄▄█▄
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░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss
░ and all rippers that have and continue to rip quality music. ░
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▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀
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