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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | The Butterfield Blues Band
Title | East-West
Genre | Blues Format | Album
Source | CD Time | 44:51
Label | Elektra Entertainment Store | 1987
Catalog | 7315-2 Rip | 2021
Bitrate | 808 kbps Size | 277.37 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Walkin' Blues 3:19
02. Get Out Of My Life, Woman 3:15
03. I Got A Mind To Give Up Living 4:59
04. All These Blues 2:23
05. Work Song 7:56
06. Mary, Mary 2:52
07. Two Trains Running 3:55
08. Never Say No 2:59
09. East-West 13:13
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Paul Butterfield was the first white harmonica player to develop a
style original and powerful enough to place him in the pantheon of
true blues greats. It's impossible to overestimate the importance of
the doors Butterfield opened: before he came to prominence, white
American musicians treated the blues with cautious respect, afraid
of coming off as inauthentic. Not only did Butterfield clear the way
for white musicians to build upon blues tradition (instead of merely
replicating it), but his storming sound was a major catalyst in
bringing electric Chicago blues to white audiences who'd previously
considered acoustic Delta blues the only really genuine article.
The raw immediacy and tight instrumental attack of The Butterfield
Blues Band's self-titled debut album were startling and impressive
in 1965, but the following year, the group significantly upped the
ante with its second LP, East-West. The debut showed that
Butterfield and his bandmates could cut tough, authentic blues (not
a given for an integrated band during the era in which fans were
still debating if a white boy could play the blues) with the energy
of rock & roll, but East-West was a far more ambitious set, with the
band showing an effective command of jazz, Indian raga, and garagey
proto-psychedelia as well as razor-sharp electric blues.
Butterfield was the frontman, and his harp work was fierce and
potent, but the core of the band was the dueling guitar work of Mike
Bloomfield and Elvin Bishop, especially Bloomfield's ferocious,
acrobatic solos, while Mark Naftalin's keyboards added welcome
washes of melodic color, and the rhythm section of bassist Jerome
Arnold and drummer Billy Davenport were capable of both the
rock-solid support of veteran blues players and the more flexible
and artful pulse of a jazz combo, rising and relaxing with the
dynamics of a performance.
The Butterfield Blues Band sounded muscular and exciting on classic
blues workouts like "Walkin' Blues," "Two Trains Running," and "I
Got a Mind to Give Up Living," but the highlights came when the band
pushed into new territory, such as the taut New Orleans proto-funk
of "Get Out of My Life, Woman," the buzzy and mildly trippy "Mary,
Mary," and especially two lengthy instrumental workouts, the
free-flowing jazz of Nat Adderley's "Work Song" and the title track,
a fiery mix of blues, psychedelia, Indian musical patterns, and
several other stops in between, with Butterfield, Bloomfield, and
Bishop blowing for all their worth.
East-West would prove to be a pivotal album in the new blues-rock
movement, and it was the Paul Butterfield Blues Band's greatest
achievement; Bloomfield would be gone by the time they cut their
next LP to form the Electric Flag, and as good as Bishop was, losing
the thrust and parry between the two guitarists was a major blow.
But East-West captures a great group in high flight as the
bandmembers join together in something even more remarkable than
their estimable skills as individuals would suggest, and its
importance as a nexus point between rock, blues, jazz, and world
music cannot be overestimated.
Original 1966 release remastered in 1987 by Bruce Botnick and Paul
A. Rothchild.
┌────────┐
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└────────┘