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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Missy Elliott
Title | Respect M.E.
Genre | Rap Format | Album
Source | CD Time | 68:18
Label | Atlantic Records Store | 2006
Catalog | 7567-83955-2 Rip | 2021
Bitrate | 904 kbps Size | 464.44 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Get Ur Freak On 3:56
02. Lose Control (Feat. Ciara & Fat Man Scoop) 3:47
03. My People (Basement Jaxx Remix) 3:35
04. We Run This 3:25
05. Work It 4:24
06. Gossip Folks (Feat. Ludacris) 3:55
07. One Minute Man (Feat. Ludacris) 4:35
08. I'm Really Hot 3:30
09. Pass That Dutch 3:41
10. Beep Me 911 (Feat. 702 & Magoo) 4:57
11. The Rain (Supa Dupa Fly) 4:10
12. All N My Grill (Feat. Big Boi & Nicole) 4:31
13. Hit Em Wit Da Hee (Feat. Lil' Kim & Mocha) 4:19
14. Hot Boyz 3:35
15. Sock It To Me (Feat. Da Brat) 4:18
16. She's A Bitch 4:00
17. Teary Eyed 3:40
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Few artists have had the cultural impact of Missy Elliott, her
visionary presence as both a producer and an artist reshaping the
entirety of rap and R&B that followed her. From worldwide
breakthrough-producing hits for artists like Aaliyah and Tweet to
Grammy Award-winning solo albums, Elliott put her stamp on the music
industry at large throughout the late '90s and 2000s. Even when
slowing down on her solo output in the 2010s, Elliott continued
working as a producer, and her watershed albums like 1997's Supa
Dupa Fly and 2002's Under Construction changed the course of
commercial rap and R&B for years to come.
One of the great decade-long singles runs is straightforwardly
documented on Respect M.E., a compilation distributed throughout
Europe and, unfortunately, not released in the States. From 1997
through 2006, Elliott's work - often the product of a partnership
with producer Timbaland - was in steady rotation on the radio and on
video programs. Nearly every time out, she came up with something
fun, inventive, out of this world, and lasting, charting alternate
paths for pop music while also projecting the image of a fully
empowered plus-size woman in a mainstream populated by females who
tended to be anything but.
Although each one of Elliott's albums is well worth owning, nothing
can deny the need for this release, which includes almost every
noteworthy track she released during the period, from "The Rain
(Supa Dupa Fly)" through the underappreciated "Teary Eyed." The most
significant omissions are "Lick Shots" and "Take Away": hardly deal
breakers. An ideal companion release would contain the hits Elliott
wrote and/or produced for other artists, such as Aaliyah's "One in a
Million," SWV's "Save Me," 702's "Where My Girls At," Nicole's "Make
It Hot," Total's "What About Us," Monica's "So Gone," and Tweet's
"Oops (Oh My)."
During these years, there was no greater force in popular music.
Proper for Missy_Elliot-Respect_M.E.-CD-FLAC-2006-DeVOiD which has
mislabeled artist name, rule 4.2.1.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘