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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Camera - Prosthuman ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Camera ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Prosthuman ▓▓▓▓█
████ GENRE...[ Instrumental Rock CAT#....[ BB3511 ████
████ LABEL...[ Bureau B ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 48:47 REL.DATE[ 02.19.2021 ████
████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████
████ SiZE....[ 111,86 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Kartoffelstampf 03:17 ████
████ 02 Alar Alar 04:02 ████
████ 03 Prosthuman / Apptime 07:55 ████
████ 04 Ueberall Teilchen / Teilchen Ueberall 04:14 ████
████ 05 Freundschaft 04:33 ████
████ 06 El Ley 05:05 ████
████ 07 Schmwarf 04:50 ████
████ 08 A2 03:20 ████
████ 09 Chords4 / Kurz Vor 05:44 ████
████ 10 Harmonite 05:47 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 48:47 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://camerawithin.bandcamp.com/album/prosthu ████
████ man ████
████ ████
████ With the band's tenth anniversary in their ████
████ viewfinder, CAMERA are all set to push the ████
████ button on "Prosthuman", their fifth studio ████
████ album in February 2021. As befits an age in ████
████ which realities can change in the blink of an ████
████ eye, from one day to the next, the Berlin band ████
████ never tire of changing themselves, their music ████
████ or personnel. As Karlheinz Stockhausen noted: ████
████ "New methods change the experience. New ████
████ experiences change man." Taking this as their ████
████ lead, Michael Drummer (the drummer) and CAMERA ████
████ surprise us once more on "Prosthuman" as they ████
████ reinvent and reformulate their sound without ████
████ sacrificing the project's identity which has ████
████ matured over the past decade. Less surprising ████
████ is the fact that some record stores give CAMERA ████
████ their own section, alongside Krautrock pioneers ████
████ like NEU!, Can and La Duesseldorf. ████
████ ████
████ "Emotional Detox", the predecessor to this ████
████ album, was distinguished by the presence of two ████
████ keyboard virtuosos (Steffen Kahles and CAMERA ████
████ founder member Timm Brockmann). Finding ████
████ replacements for "Prosthuman" was, as Michael ████
████ Drummer stresses, "a difficult process." The ████
████ two keyboardists had û in different creative ████
████ periods û formed the backbone of a band ████
████ structure otherwise prone to fluctuations. ████
████ Decisive input came from an unlikely source: ████
████ Tim Schroeder, who first teamed up with CAMERA ████
████ as a performance and video artist on their ████
████ six-week tour of the USA in 2017. Over the ████
████ course of various jams and recording sessions, ████
████ he was able to offer ample proof of his ████
████ synthesizers skills. Alex Kozmidi, a musician ████
████ and composer with a flair for experimentation, ████
████ completed the triumvirate on guitar, with ████
████ Michael Drummer adding his own guitar riffs ████
████ here and there. ████
████ ████
████ Change and friction can be useful allies in ████
████ pursuit of creativity, something to which ████
████ Drummer has grown accustomed as the only ever- ████
████ present member of CAMERA. The pleasures and ████
████ pain of isolation û suddenly a mass phenomenon ████
████ in pandemic times û are well known to the quasi ████
████ frontman of the group. Over the years, he has ████
████ spent many hours alone or with a shifting cast ████
████ of co-musicians in the band's basement studio, ████
████ beneath a former factory site in a less than ████
████ hip southern district of Berlin. Virus-induced ████
████ social distancing and quarantine measures that ████
████ came into force during the recording process ████
████ (June 2019 to June 2020) thus posed no great ████
████ challenge. ████
████ ████
████ Finding the musical framework for "Prosthuman" ████
████ required a great deal of commitment, enthusiasm ████
████ and û clearly û plenty of time, Drummer admits. ████
████ This is, in itself, an impressive achievement û ████
████ in spite of shifts in instrumentation, the ten ████
████ tracks comprising the album fall into place ████
████ like a progressively unfolding narrative. There ████
████ is no apparent beginning to the record, no ████
████ obvious ending û rather more a sense of being ████
████ right in the middle, with no immediate ████
████ reference to any of the previous albums. At the ████
████ same time, traces of the paths travelled on ████
████ "Radiate!" (2012), "Remember I Was Carbone ████
████ Dioxide" (2014), "Phantom Of Liberty" (2016) ████
████ and "Emotional Detox" (2018) are discernible. ████
████ Michael Drummer's approach to drumming is more ████
████ than a constant reference point, emerging as ████
████ the decisive element which pins everything ████
████ together. From surgically precise aggression on ████
████ the galloping album opener "Kartoffelstampf", ████
████ Drummer is able to switch the tone to ████
████ refreshing nonchalance on the record's most ████
████ placatory pieces, "Freundschaft" and "Chords4 / ████
████ Kurz Vor". ████
████ ████
████ Julian Cope compared the evolving Krautrock ████
████ movement of the 1960s and 1970s to Doctor Who's ████
████ time machine, a particularly apt analogy. "You ████
████ pass through a narrow portal and arrive in a ████
████ gigantic, dynamic space." In the early 2010s, ████
████ CAMERA discovered this very portal which had ████
████ generally been forgotten by German music ████
████ history, presumed lost. Without asking for ████
████ permission, they cleared away the rubble ████
████ blocking the entrance and bravely made their ████
████ way through. Thanks to DIY gigs in underground ████
████ train tunnels and above ground on road ████
████ junctions, they became known as the "Krautrock ████
████ guerrillas". Franz Bargmann, founding member ████
████ and guitarist of the band in those days, is now ████
████ one half of the ambient duo Brockmann // ████
████ Bargmann with Timm Brockmann and a member of ████
████ the Michael Rother (NEU!, Harmonia) live band. ████
████ Five albums later, it is clear that any attempt ████
████ to label CAMERA as epigones falls well short of ████
████ the mark. Michael Drummer's collective moves ████
████ through the "gigantic, dynamic space" in ████
████ thoroughly engrossing fashion, even though the ████
████ portal in question has widened to admit wave ████
████ after wave of transnational Krautrock-inspired ████
████ projects. Once you have found the way in, there ████
████ would seem to be space for everyone and ████
████ everything. ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .