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▓▄██ ██▄▓
▓█▀▄▄ Artist : Brian Eno ▄▄▀█▓
▐▓▌▐█▌ Album : Film Music 1976-2020 ▐█▌▓▌
▐▀▄██ Label : Astralwerks / Opal Records ██▄▀▌
▄███▌ Genre : Pop ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2021-01-22 ██▀▄▌
▐▓▌▐█▌ Quality : 621 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 316.72 MB ███▓
▀ ▀█▌ Time : 66:14 min ▐█▀ ▀
▓▄███ Url : http://https://www.allmusic.com/album/release/fil ███▄▓
▐▓████▌ m-music-1976-2020-mr0005280280 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Top Boy 2:30 ▐██
██▌ 2. Ship In A Bottle 2:40 ▐██
██▌ 3. Blood Red 3:04 ▐██
██▌ 4. Under 5:19 ▐██
██▌ 5. Decline And Fall 3:32 ▐██
██▌ 6. Prophecy Theme 4:24 ▐██
██▌ 7. Reasonable Question 2:44 ▐██
██▌ 8. Late Evening In Jersey 4:38 ▐██
██▌ 9. Beach Sequence 3:34 ▐██
██▌ 10. You Don't Miss Your Water 3:46 ▐██
██▌ 11. Deep Blue Day 3:57 ▐██
██▌ 12. The Sombre 4:26 ▐██
██▌ 13. Dover Beach 4:40 ▐██
██▌ 14. Design As Reduction 4:18 ▐██
██▌ 15. Undersea Steps 4:07 ▐██
██▌ 16. Final Sunset 4:13 ▐██
██▌ 17. An Ending (Ascent) 4:22 ▐██
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▄███▌ ▐███▄
████ Aside from his productions for mega-selling stars like David ████
████ Bowie and Coldplay, or his Windows start-up jingle, Brian Eno's ████
████ work has received its greatest exposure through film and ████
████ television. While his earlier Music for Films releases included ████
████ pieces originally intended as imaginary soundtracks, many of ████
████ which ending up being used later, Film Music 1976-2020 is more ████
████ like a greatest-hits compilation of his most memorable cinematic ████
████ appearances. This includes everything from atmospheric pieces ████
████ used in early Derek Jarman films to somber cues for the British ████
████ crime series Top Boy, as well as material which found its way ████
████ into the occasional blockbuster, like Heat or Trainspotting. ████
████ There are also a few art-pop songs scattered about, including the ████
████ sensuous, slightly over-long "Under" (from 1992's Cool World) and ████
████ a placid yet still genuine and affecting cover of William Bell's ████
████ classic Stax lament "You Don't Miss Your Water" (from 1988's ████
████ Married to the Mob). The only other recognizable voice to appear ████
████ on the release is that of Bono, who pops up for exactly one line ████
████ ("Time shoots on by") during "Beach Sequence," a tranquil drifter ████
████ by U2 and Eno's short-lived Passengers side project. "Reasonable ████
████ Question," from 2020's We Are as Gods (a documentary about Whole ████
████ Earth Catalog editor Stewart Brand), has a scintillating melody ████
████ and jittery IDM beats, and is easily the most exciting, kinetic ████
████ track here. "Ship in a Bottle," co-written by Jon Hopkins and Leo ████
████ Abrahams and featured in 2009's The Lovely Bones, is a simple but ████
████ powerful weightless piece with a gorgeous melody. "Prophecy ████
████ Theme," from David Lynch's 1984 adaptation of Dune (and the only ████
████ piece from its score that wasn't by Toto), is haunting and ████
████ dramatic without being bombastic. Two highlights from Apollo: ████
████ Atmospheres & Soundtracks are included, with the ambient country ████
████ daydream "Deep Blue Day" chosen due to its appearance in ████
████ Trainspotting, and the sublime "An Ending (Ascent)" logically ████
████ closing out the set. Overall, the collection sums up Eno's gift ████
████ for creating evocative music which enhances cinematic scenes, yet ████
████ works as enjoyable and compelling material on its own. ████
████ ████
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