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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Jimmy Edgar - Cheetah Bend ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Jimmy Edgar ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Cheetah Bend ▓▓▓▓█
████ GENRE...[ Bass CAT#....[ IL2074A ████
████ LABEL...[ Innovative Leisure ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 43:23 REL.DATE[ 02.27.2021 ████
████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████
████ SiZE....[ 99,52 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Crown 01:41 ████
████ 02 Get Up feat. Danny Brown 02:41 ████
████ 03 Pause feat. Matt OX 02:35 ████
████ 04 Metal feat. SOPHIE 03:20 ████
████ 05 Be With You feat. Millie Go Lightly 02:37 ████
████ 06 Bent feat. Hudson Mohawke 02:32 ████
████ 07 Turn feat. B La B 03:19 ████
████ 08 Have A Great Now! 01:06 ████
████ 09 Cheetah feat. Semma 03:33 ████
████ 10 Zigzag 04:08 ████
████ 11 Notice feat. 24hrs 04:01 ████
████ 12 Ready2die feat. Messer 02:58 ████
████ 13 Crank feat. Rochelle Jordan 04:25 ████
████ 14 Curves 04:27 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 43:23 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://jimmyedgar.bandcamp.com/album/cheetah- ████
████ bend ████
████ ████
████ Looking back, Jimmy Edgar has a lot to be proud ████
████ of. Over the course of the last decade-and-a- ████
████ half, the Detroit native has proven both a ████
████ celebrated favorite and consistent fixture of ████
████ dance music in its multitudinous forms. Looking ████
████ over the arc of his lengthy and diverse ████
████ discography, both under his own name as well as ████
████ pseudonymously, itÆs hard not to see him as one ████
████ of the most innovative producers and skilled ████
████ sound designers to emerge this millennium, an ████
████ artist whose legacy has touched untold numbers ████
████ of home listeners and dance floor revelers ████
████ alike. ████
████ ████
████ Since first emerging onto the scene as a ████
████ prodigious teen via early pseudonymous ████
████ offerings for respected electronic labels like ████
████ Merck, he broke out properly under his own name ████
████ in 2004 as a Warp Records act. Jimmy swiftly ████
████ proved a savvy figure in the IDM world by ████
████ employing the homegrown sounds of electro and ████
████ ghetto-tech as part of his glitchy ████
████ compositions. A restless innovator, he honed ████
████ his skills in the ensuing years, eventually ████
████ moving to the storied German city and ████
████ developing a newfound affinity for techno ████
████ there. ████
████ ████
████ Location often sparks inspiration. Sometimes, ████
████ all it takes is a change of scenery to ████
████ introduce something new in oneÆs creative ████
████ process. For Jimmy, the move from the dance ████
████ music mecca of Berlin to the sunnier climes of ████
████ Los Angeles proved a turning point in an ████
████ already formidable career of artistic ████
████ exploration. ôBerlin was a self aware bubble ████
████ where I was able to be immersed into music and ████
████ rhythms simplicity,ö he says. Relocating ████
████ stateside in LaLa Land altered his perspective ████
████ once again, exposing him to a wider musical ████
████ universe, including modern mainstream hip-hop ████
████ and R&B that had been shadowed out while living ████
████ overseas. ôThe more you open the doors to ████
████ sounds and ideas, the more exploration you find ████
████ fresh. Moving around and opening myself up to ████
████ other sounds allowed me to find my sound.ö He ████
████ refers to the period as one of research and ████
████ development. Before long, he was producing for ████
████ everyone from former Danity Kane singer DAWN to ████
████ erstwhile Odd Future associate Vince Staples. ████
████ ████
████ Continuing on his spirited journey through the ████
████ multifaceted realm of electronic music, Jimmy ████
████ makes a grand return to the solo album fat with ████
████ æCheetah BendÆ for Innovative Leisure, the same ████
████ label behind his most recent J-E-T-S output ████
████ with Machinedrum. Recorded over the past few ████
████ years in multiple cities including Atlanta, ████
████ Detroit, and, of course, L.A., it draws upon ████
████ his vibrant discography as much as it does the ████
████ contemporary ubiquity of rap music. Coming some ████
████ eight years after æMajentaÆ, his oft-explicit ████
████ set of pop-wise booty anthems, the album ████
████ improbably synthesizes what might seem like ████
████ disparate styles together, resulting in ████
████ something as cohesive as it is engrossing. ôThe ████
████ value I bring is hybridization,ö Jimmy explains ████
████ of his approach. ôI think about different ████
████ universes of sound coming together to create an ████
████ entirely new domain of knowing.ö ████
████ ████
████ From the opening whirr of ôCrownö onwards, ████
████ æCheetah BendÆ does precisely that, unspooling ████
████ fresh perspectives and glistening sound design ████
████ that flaunts genre rules while respecting genre ████
████ spirit. ôHave A Great Now!ö evokes classic West ████
████ Coast boogie without dropping a beat, while ████
████ ôZig Zagö gorgeously reconciles deconstructed ████
████ club with the glitch work of his past. ôCurvesö ████
████ seems to capture Berlin and L.A. in one fell ████
████ swoop, creeping and bleeping towards its close ████
████ with cinematic gravity. ████
████ ████
████ Building upon his prior collaborative ████
████ endeavors, not the least of which being the ████
████ various EPs released on his own Ultramajic ████
████ imprint throughout the 2010s, æCheetah BendÆ ████
████ finds Jimmy working in tandem with a veritable ████
████ vanguard of forward-thinking artists towards ████
████ his unique vision. ôSOPHIE and I spent time ████
████ together trading files, sounds and techniques, ████
████ developing a new kind of version of modal ████
████ synthesis,ö Jimmy says, having used resonators ████
████ and delays to emulate sonic environs akin to ████
████ pipes, tunnels, and vibrating sheets. SOPHIE ████
████ and TNGHTÆs Hudson Mohawke respectively assist ████
████ on the tenuous bass rattle of ôMetalö and ████
████ ôBent,ö adding their inflections to JimmyÆs ████
████ signatures. ████
████ ████
████ Beyond these production partners, æCheetah ████
████ BendÆ achieves its ethos with the aid of some ████
████ well- placed vocal guests. Rapper Danny Brown ████
████ does irreparable microphone damage to ôGet Up,ö ████
████ a tough love motivational set to springy synth ████
████ flourishes and bass rattling. Toronto singer ████
████ Rochelle Jordan, a recent J-E-T-S collaborator, ████
████ imbues the lithe R&B suite ôCrankö with her ████
████ breathy delivery, while Atlanta trapper B La B ████
████ spits streetwise singsong over a rugged and ████
████ snappy beat. ôI bring an energy to the room ████
████ whatever I do I wanna be the best at it - ████
████ ideas, direction and technique refined,ö Jimmy ████
████ explains. ████
████ ████
████ By the time æCheetah BendÆ wraps, itÆs hard not ████
████ to see how far Jimmy has come from his early ████
████ days. The culmination of a catalog brimming ████
████ with high points, the album rewards fans whoÆve ████
████ gladly stuck with him over the years, and ████
████ invites a new batch of listeners to dive into ████
████ his world. Above all, it remains true to his ████
████ artistry. ôI'm not willing to sacrifice ████
████ integrity,ö he asserts, reflecting on the path ████
████ that got him here. ôNow we create a new ████
████ reality.ö ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .