VA-Staedtizism-(Scape)-2000-sb

Section
MP3/FLAC
Group
sb
Size
75,94 MB
Files
10
Date
2006-06-25

NFO


     s w e e t b e a t s

     august.24.2000 - #252
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     album       : Staedtizism
     artist      : Various Mixed by Pole
     year        : 2000
     genre       : Lo-Fi
     label       : Scape
     catalogue   : scape005cd
     url         : www.scape-music.de
     quality     : CD 192k HQ True Stereo

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     01.Gramm--Siemens.Bioport (Live Edit)                         09:23
     02.Vladislav Delay--.D-Kompiila                               04:54
     03.Sun Electric--Echelon                                      05:02
     04.To Rococo Rot And I-Sound--Milker                          05:19
     05.Kit Clayton--Reins                                         04:33
     06.Pole--Sachtesachte                                         05:11
     07.Trash Aesthetic--Pavonia Mix                               06:06
     08.Thomas Fehlman--Fellmaus                                   06:04
     09.The Modernist--Eurojah (Immigrant Dub)                     04:57
     10.Burnt Friedman & The Nu Dub Players--Hard Drive Dub        03:43

     10 tracks | 55:12 mins | 75.9 mb

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     This compilation by Stefan Betke's label, ~Scape, manages to address 
     the heavy-duty concept of soundtracking urban life in Northern European 
     postindustrial cities, whilst producing a music which is seductive, 
     funky, smart, and ultimately as deep as a seam of Ruhrgebiet coal. The 
     pieces comprise work by Gramm (aka Jan Jelinek aka Farben); Vladislav 
     Delay; Sun Electric; To Rococo Rot and i-sound; Kit Clayton; Pole (aka 
     Stefan Betke); Trash Aesthetic; Thomas Fehlmann; The Modernist; and 
     Burnt Friedman and the Nu Dub Players. Casting an eye over these 
     artists reveals a certain pattern. With the exception of Kit Clayton,
     almost all the musicians revolve around Mittel Europe - consequently 
     this "soundtrack for an urban state of mind" (as the press release has 
     it) is a particularly north European one. This is music to be overlaid 
     onto the naturally occurring rhythms of the great post-industrial 
     cities of the North - a conscious attempt to conjure and reflect upon 
     everyday life in urban focal points on this great strip of land, 
     running from Holland and Belgium through Germany (with a quickstep 
     over to Finland). The notion is that you immerse yourself in this 
     music as you take a train, leaving the city and slowly gliding past 
     the suburban working communities, ghosts of factories past, scrapyards
     and wasteland, housing projects and heavy industry ... This scene can 
     be replayed right across Europe (and many cities in Northern Britain 
     and North America of course), and Betke's notion to draw together 
     artists whose work will be aesthetically consistent with this vision
     is a fascinating one. The music here has the transient drive of the 
     journey from city to city - lent largely by dub and techno; the 
     mechanistic trappings of industry - a dominant glitch-based MO 
     producing rattles, scrapes, static crackle; all draped in the cold, 
     overcast, light of Northern Europe. Betke is clearly drawn to this 
     world: for all its faults, he still needs it. Talking to motion 
     recently, he said "My studio is based in an old industrial area in
     Kreuzberg, which is really stripped down - there is no business around 
     there, so it's a bit like countryside ... without trees. Very quiet! 
     ... on the one hand it's definitely urban, and I need the city, and 
     on the other hand it's ... not. It's also relaxed." This 
     contradiction within the built environment - desolation within a city
     - is made into music here, and elsewhere throughout Betke's ouvre. 
     The music has an attractive sense of space and lonely emptiness - 
     it's very personal music, hence the solitary journeys with headphones
     - and at one and the same time is full of bustling rolling rhythms and 
     a lively fizzing clattering dynamics. This isn't a literal sound 
     mapping of particular cities - the people at Scape are smart enough 
     to know that "a 'Stadt' can also be a metaphor for a network of 
     like-minded people." So this is music for a Soft City. Pretty much 
     every piece works here, both as a whole and as individuals. Careful 
     curating and compilation pays off. ~Scape continues to evolve into one
     of the most interesting European labels at present and Betke deserves
     as much credit for ~Scape as he gets for Pole. Staedtizism is released
     on CD only, but there's an accompanying 12" with tracks by Pole, 
     homas Fehlmann, Kit Clayton and Trash Aesthetic.
                                                       --motion.state51.co.uk

=============================================================================


                            s w e e t b e a t s

                       Meditate on the fact that the
                     German word "gift" means "poison".


                  -----------------------------------------
                  greetings to klangwerk, mgc, sour, & impg

=============================================================================

Files

PathSize
01-gramm--siemens.bioport_(live_edit)-sb.mp312,90 MB
02-vladislav_delay--.d-kompiila-sb.mp36,75 MB
03-sun_electric--echelon-sb.mp36,91 MB
04-to_rococo_rot_and_i-sound--milker-sb.mp37,32 MB
05-kit_clayton--reins-sb.mp36,25 MB
06-pole--sachtesachte-sb.mp37,14 MB
07-trash_aesthetic--pavonia_mix-sb.mp38,38 MB
08-thomas_fehlman--fellmaus-sb.mp38,34 MB
09-the_modernist--eurojah_(immigrant_dub)-sb.mp36,82 MB
10-burnt_friedman_and_the_nu_dub_players--hard_drive_dub-sb.mp35,12 MB