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| R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ----------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
| |
| The_Deviants-Ptooff_(1968)-WEB-2014-SOUNDz |
| --------------------------------------------------------------------- |
| |
| Artist______________ The Deviants |
| Title_______________ Ptooff! |
| Label_______________ Underground Impresarios / Red Lightnin Records |
| Genre_______________ Psychedelic Rock |
| Year________________ 2014 |
| Release Date________ 2021-03-09 |
| Street Date_________ 2014-05-05 |
| Source______________ WEB |
| Encoder_____________ MP3 / LAME |
| Quality_____________ CBR 320kbps 44.1kHz |
| Size________________ 83.0MiB |
| Playtime____________ 0:35:58 |
| URL_________________ https://amazon.com/dp/B00K5XBHBI/ |
| |
| |
| 1. Opening 00:11 |
| 2. I'm Coming Home 05:56 |
| 3. Child Of The Sky 04:28 |
| 4. Charlie 03:53 |
| 5. Nothing Man 04:21 |
| 6. Garbage 05:36 |
| 7. Bun 02:41 |
| 8. Deviation Street 08:51 |
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| R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
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| Think of England in 1967 and the chances are that images of people |
| wearing flowers in their hair, Jimi Hendrix getting all experienced |
| and the supporting cast on the cover of Sgt. Pepper's will |
| psychedelically swirl into view. |
| |
| But some railed against what they regarded as a media-spun exercise |
| in perception management right off the bat. The Deviants, led by |
| writer and cultural agent-provocateur, Mick Farren, not only saw |
| dead-hand establishment as the enemy but flower power hippiedom as a |
| dead end in itself. |
| |
| They regarded both as equally dangerous to the counter-culture and to |
| be avoided at all costs. Their debut album was initially |
| self-produced, self-packaged and sold directly to punters as a means |
| of bypassing 'The Man'. Ptooff! offered something that wasn't easily |
| incorporated into 1967's homogeneous hallucination. |
| |
| Gathering up spiky rock 'n' roll remnants along with shards of The |
| Fugs, mutated Bo Diddley riffs, comic book cosmology, avant-garde |
| tape loops suffused with polemics and left-over beat poetry, The |
| Deviants hurled it all at a scene increasingly dominated more by |
| commercialism than karma. |
| |
| A suite of songs intercut with agitprop poetry, cut-price sci-fi, |
| subliminal skits, sketches and skronking guitar, Ptooff! is a |
| 35-minute manifesto standing against the wide-eyed drift of the day. |
| |
| To describe the album as rough and ready is something of an |
| understatement. Though musical skills improved over two further |
| albums, Disposable (1968) and Three (1969), perversely this diluted |
| their 'blunt weapon' appeal. The incendiary aspects of what The |
| Deviants were trying to do were never as fiery or as full-blooded as |
| on this first record. |
| |
| A huge influence on the Pink Fairies and Hawkwind, these guys were |
| proto-punk when Johnny Rotten was just a spotty-faced twelve year |
| old. You don't find Ptooff! mentioned in those '1001 platters to play |
| before you pop your clogs' books, but it should be. |
| |
| |
| Mick Farren - lead vocals, piano |
| Cord Rees - bass, classical guitar, vocals |
| Russ Hunter - drums, vocals |
| Sid Bishop - guitar, sitar |
| Sanderson, Ashworth, Sparkes - vocals, voice |
| |
| Recorded in 1967 at Sound Techniques, London. |
| Produced by Johnathon Weber. |
| |
| |
| YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! |
| |
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| . . |
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